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Great Expectations (1946 Film)
''Great Expectations'' is a 1946 British drama film directed by David Lean, based on the 1861 novel by Charles Dickens and starring John Mills and Valerie Hobson. The supporting cast included Bernard Miles, Francis L. Sullivan, Anthony Wager, Jean Simmons, Finlay Currie, Martita Hunt and Alec Guinness. The script is based on a slimmed-down version of Dickens' novel. It was written by David Lean, Anthony Havelock-Allan, Cecil McGivern, Ronald Neame and Kay Walsh, after Lean had seen an abridged 1939 stage version of the novel, written by Alec Guinness. In the stage version, Guinness had played Herbert Pocket while Martita Hunt played Miss Havisham, roles that they reprised for the film. However, the film was not a strict adaptation of the play. The film was produced by Ronald Neame and photographed by Guy Green. It was the first of two films Lean directed based on Dickens' novels, the other being his 1948 adaptation of '' Oliver Twist''. John Bryan and Wilfred Shinglet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Lean
Sir David Lean (25 March 190816 April 1991) was an English film director, producer, screenwriter and editor. Widely considered one of the most important figures in British cinema, Lean directed the large-scale epics ''The Bridge on the River Kwai'' (1957), ''Lawrence of Arabia'' (1962), ''Doctor Zhivago'' (1965), and ''A Passage to India'' (1984). He also directed the film adaptations of two Charles Dickens novels, '' Great Expectations'' (1946) and '' Oliver Twist'' (1948), as well as the romantic drama ''Brief Encounter'' (1945). Originally a film editor in the early 1930s, Lean made his directorial debut with 1942's '' In Which We Serve'', which was the first of four collaborations with Noël Coward. Beginning with '' Summertime'' in 1955, Lean began to make internationally co-produced films financed by the big Hollywood studios; in 1970, however, the critical failure of his film ''Ryan's Daughter'' led him to take a fourteen-year break from filmmaking, during which he pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama Film
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader sense, drama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Award For Best Director
The Academy Award for Best Director (officially known as the Academy Award of Merit for Directing) is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS). It is given in honor of a film director who has exhibited outstanding directing while working in the film industry. The award is traditionally presented by the previous year's Best Director winner. The 1st Academy Awards ceremony was held in 1929 with the award being split into "Dramatic" and "Comedy" categories; Frank Borzage and Lewis Milestone won for '' 7th Heaven'' and ''Two Arabian Knights'', respectively. However, these categories were merged for all subsequent ceremonies. Nominees are determined by single transferable vote within the directors branch of AMPAS; winners are selected by a plurality vote from the entire eligible voting members of the Academy. For the first eleven years of the Academy Awards, directors were allowed to be nominated for multiple films in the same year. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Award For Best Cinematography
The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture. History In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on ''Sunrise'' but three other films shot individually by either Rosher or Struss were also listed as part of the nomination. In the second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles that were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name. Finally, for the 1931 awards, the modern system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Award For Best Production Design
The Academy Award for Best Production Design recognizes achievement for art direction in film. The category's original name was Best Art Direction, but was changed to its current name in 2012 for the 85th Academy Awards. This change resulted from the Art Directors' branch of the Academy of Motion Picture Arts and Sciences (AMPAS) being renamed the Designers' branch. Since 1947, the award is shared with the set decorator(s). It is awarded to the best interior design in a film. The films below are listed with their production year (for example, the 2000 Academy Award for Best Art Direction is given to a film from 1999). In the lists below, the winner of the award for each year is shown first, followed by the other nominees in alphabetical order. Superlatives Winners and nominees 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s 2000s 2010s 2020s See also * BAFTA Award for Best Production Design * Critics' Choice Movie Award for Best Production Design T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilfred Shingleton
Wilfred Shingleton (January 24, 1914 – June, 1983) was an English art director. He enjoyed a distinguished career in the British film industry from his debut in 1937. Some of his early assignments were several George Formby vehicles – hugely popular with wartime audiences. His career really kicked off into a higher gear in 1947 when he won the Academy Award for his atmospheric sets for David Lean's ''Great Expectations''. This led to a string of high-profile projects, including ''Anna Karenina'' (1948), '' The African Queen'' (1951) and '' Beat the Devil'' (1953), both for director John Huston, ''Hobson's Choice'' (1954) and ''Tunes of Glory'' (1960). He won a BAFTA for the wartime flying epic ''The Blue Max'' in 1966, after which he moved seamlessly into the world of TV, working on the stylish hit series '' The Avengers''. He received an Emmy nomination for the miniseries ''Holocaust'' in 1978, winning the award two years later for the TV movie ''Gauguin the Savage''. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Bryan (art Director)
Eric John Bryan Pratt (12 August 1911 – 10 June 1969), known professionally as John Bryan, was a British art director and film producer. John Bryan was born in Kensington, London, England. He won the Oscar for Best Art Direction for the film ''Great Expectations'' in 1948. He was nominated twice more, for '' Caesar and Cleopatra'' in 1947 and for ''Becket'' in 1965. Bryan also won a BAFTA for ''Becket''. In 1959, he was a member of the jury at the 9th Berlin International Film Festival. He died from cancer at a hospital in Thames Ditton, Surrey, on 10 June 1969. Filmography Art director * '' Colonel Blood'' (1934) * ''Murder by Rope'' (1936) * '' Hearts of Humanity'' (1936) * ''The Captain's Table'' (1936) * ''Men of Yesterday'' (1936) * '' Things to Come'' (1936, assistant) * ''The Song of the Road'' (1937) * ''The Last Curtain'' (1937) * ''Talking Feet'' (1937) * ''Stepping Toes'' (1938) * ''Pygmalion'' (1938) * ''Inspector Hornleigh'' (1939) * ''On the Night of the Fire'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oliver Twist (1948 Film)
''Oliver Twist'' is a 1948 British film and the second of David Lean's two film adaptations of Charles Dickens novels. Following his 1946 version of ''Great Expectations'', Lean re-assembled much of the same team for his adaptation of Dickens' 1838 novel, including producers Ronald Neame and Anthony Havelock-Allan, cinematographer Guy Green, designer John Bryan and editor Jack Harris. Lean's then-wife, Kay Walsh, who had collaborated on the screenplay for ''Great Expectations'', played the role of Nancy. John Howard Davies was cast as Oliver, while Alec Guinness portrayed Fagin and Robert Newton played Bill Sykes (Bill Sikes in the novel). In 1999, the British Film Institute placed it at 46th in its list of the top 100 British films. In 2005 it was named in the BFI list of the 50 films you should see by the age of 14. Plot A young woman in labour makes her way to a parish workhouse and dies after giving birth to a boy, who is systematically named Oliver Twist (John Howar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miss Havisham
Miss Havisham is a character in the Charles Dickens novel ''Great Expectations'' (1861). She is a wealthy spinster, once jilted at the altar, who insists on wearing her wedding dress for the rest of her life. She lives in a ruined mansion with her adopted daughter, Estella. Dickens describes her as looking like "the witch of the place". Although she has often been portrayed in film versions as very elderly, Dickens's own notes indicate that she is only in her mid-thirties at the start of the novel. However, it is indicated in the novel that her long seclusion without sunlight has aged her. She is one of the most gothic characters in the work of Dickens. Character history Miss Havisham's father was a wealthy brewer and her mother died shortly after she was born. Her father remarried and had an illegitimate son, Arthur, with the household cook. Miss Havisham's relationship with her half-brother was a strained one. She inherited most of her father's fortune and fell in love w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Pocket
''Great Expectations'' is the thirteenth novel by Charles Dickens and his penultimate completed novel. It depicts the education of an orphan nicknamed Pip (Great Expectations), Pip (the book is a ''bildungsroman''; a coming-of-age story). It is Dickens' second novel, after ''David Copperfield'', to be fully narrated in the first person.''Bleak House'' alternates between a third-person narrator and a first-person narrator, Esther Summerson, but the former is predominant. The novel was first published as a serial (literature), serial in Dickens's weekly periodical ''All the Year Round'', from 1 December 1860 to August 1861. In October 1861, Chapman and Hall published the novel in three volumes. The novel is set in Kent and London in the early to mid-19th century and contains some of Dickens's most celebrated scenes, starting in a graveyard, where the young Pip is accosted by the escaped convict Abel Magwitch. ''Great Expectations'' is full of extreme imagery – poverty, prison ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kay Walsh
Kathleen "Kay" Walsh (15 November 1911 – 16 April 2005) was an English actress, dancer, and screenwriter. Her film career prospered after she met her future husband film director David Lean, with whom she worked on prestige productions such as '' In Which We Serve'' and '' Oliver Twist''. Early life and career Walsh was born on 15 November 1911 in Chelsea, London. She was raised in Pimlico by her grandmother. She began her career as a dancer in West End music halls, and at the age of 17 she began going out with Pownoll Pellew (later 9th Viscount Exmouth), and they shared an interest in sports cars.Dave Cox, ''Ave Atque Vale'', p 15 She made her film debut in ''How's Chances?'' (1934) in a small part, and had a larger role in ''Get Your Man'', another 1934 film. She continued to act in "quota quickies" films for several years. Walsh first met David Lean, then a film editor, in 1936, during the filming of '' Secret of Stamboul''. They began a relationship, and Walsh broke he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecil McGivern
Cecil McGivern CBE (22 May 1907, in Newcastle, England – 30 January 1963, in Buckinghamshire, England) was a British broadcasting executive, who initially worked for BBC Radio before transferring to BBC Television in the late 1940s. From 1950 to 1957 he served as the Controller of BBC Television Service, succeeding Norman Collins. Early life and career The son of Irish immigrants, McGivern was educated at St Cuthbert's Grammar School and later attended Durham University. His initial ambition was to be an actor (he played the central role in the première of the thriller ''Land's End'' at the People's Theatre, Newcastle upon Tyne, in 1935), but he quickly realised that he lacked the necessary talent and so pursued a career as a teacher instead. He did, however, continue working in the theatre as a producer of amateur productions. Career McGivern joined the BBC in 1936, working as a producer of drama and documentary programmes in his native Newcastle and also in Manchest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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