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Graphic Scores
Graphic notation (or graphic score) is the representation of music through the use of visual symbols outside the realm of traditional music notation. Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation.Pryer, Anthony. "Graphic Notation." ''The Oxford Companion to Music'', edited by Alison Latham. ''Oxford Music Online''. 12 April 2011 Graphic notation was influenced by contemporary visual art trends in its conception, bringing stylistic components from modern art into music. Composers often rely on graphic notation in experimental music, where standard musical notation can be ineffective. Other uses include pieces where an aleatoric or undetermined effect is desired. One of the earliest pioneers of this technique was Earle Brown, who, along with John Cage, sought to liberate performers from the constraints of notation and make them active participants in the creation of the music. Characteristics Graph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Notation
Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of a piece of music that are considered important for its performance in the context of a given musical tradition. The process of interpreting musical notation is often referred to as reading music. Distinct methods of notation have been invented throughout history by various cultures. Much information about ancient music notation is fragmentary. Even in the same time frames, different styles of music and different cultures use different music notation methods. For example, classical music, classical performers most often use sheet music using staff (music), staves, time signatures, key signatures, and noteheads for writing and deciphering Musical composition, pieces. But even so, there are far more systems just that, for instance in professional country music, the Nashville Number System is the main method, and for string instruments such as guitar, it is quit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Harpe De Melodie
''La Harpe de Melodie'' is a musical composition by Jacob Senleches in the '' ars subtilior'' style. It has been transmitted via two sources. The first source dated c. 1395 is the manuscript Chicago, Newberry Library, Ms. 54.1, f. 10r ( RISM siglum ''US-Cn 54.1'', also known under the siglum ''Chic''). In this source, the work is transmitted anonymously, i.e. the name of the composer is not given. The virelai is notated for two voices, cantus and tenor. The voices are notated on what appears to be the strings of the harp, on four "staves", the first of ten lines the other of nine lines. (That would be 37 strings, but only 22 tuning pins are depicted.) However, notes are only placed on the drawn strings or lines and not between them, forming a pseudo-tablature that is somewhat difficult to read in the first instance. A separate rondeau, explaining how to derive the canonic third voice from the cantus A cantus (Latin for "singing", derived from ''cantare'') is an activity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morton Feldman
Morton Feldman (January 12, 1926 – September 3, 1987) was an American composer. A major figure in 20th-century classical music, Feldman was a pioneer of indeterminacy in music, a development associated with the experimental New York School of composers also including John Cage, Christian Wolff, and Earle Brown. Feldman's works are characterized by notational innovations that he developed to create his characteristic sound: rhythms that seem to be free and floating, pitch shadings that seem softly unfocused, a generally quiet and slowly evolving music, and recurring asymmetric patterns. His later works, after 1977, also explore extremes of duration. Biography Morton Feldman was born in Woodside, Queens, New York City, on January 12, 1926. His parents, Irving and Frances Breskin Feldman, were Russian Jews who had emigrated to New York from Pereiaslav (Irving, in 1910) and Bobruysk (Frances, in 1901). His father was a manufacturer of children's coats. As a child he studied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Technique
In music, extended technique is unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres.Burtner, Matthew (2005).Making Noise: Extended Techniques after Experimentalism", ''NewMusicBox.org''. Composers’ use of extended techniques is not specific to contemporary music (for instance, Hector Berlioz’s use of '' col legno'' in his ''Symphonie Fantastique'' is an extended technique) and it transcends compositional schools and styles. Extended techniques have also flourished in popular music. Nearly all jazz performers make significant use of extended techniques of one sort or another, particularly in more recent styles like free jazz or avant-garde jazz. Musicians in free improvisation have also made heavy use of extended techniques. Examples of extended techniques include bowing under the bridge of a string instrument or with two different bows, using key clicks on a wind instrument, blowing a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an ''advance guard'' identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues's political usage of ''vanguard'' identified the moral obligation of artists to "ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Yves Bosseur
Jean-Yves Bosseur (born in Paris, 5 February 1947) is a French composer and writer. Bosseur studied composition with Henri Pousseur and Karlheinz Stockhausen at the Third, Fourth, and Fifth Cologne Courses for New Music, from 1965 to 1968, at the Hochschule für Musik Köln, and received a doctorate in aesthetic philosophy from the University of Paris The University of Paris (), known Metonymy, metonymically as the Sorbonne (), was the leading university in Paris, France, from 1150 to 1970, except for 1793–1806 during the French Revolution. Emerging around 1150 as a corporation associated wit .... He has composed more than 200 works and is most noteworthy for his stage works and chamber music. In his appreciation to the transversality of Music and art, Bosseur writes about Zad Moultaka in his booas a particular artist who is at multiple crossroads: his orientale culture to the western culture, to music and visual arts without systématisme which makes his production profoundl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plastic Arts
Plastic arts are art forms which involve physical manipulation of a ''plastic medium'', such as clay, wax, paint or even plastic in the modern sense of the word (a ductile polymer) to create works of art. The term is used more generally to refer to the visual arts (such as painting, sculpture, ceramics, architecture, film and photography), rather than literature and music. Materials for use in the plastic arts, in the narrower definition, include those that can be carved or shaped, such as stone or wood, concrete, glass, or metal. History The word ''plastic'' draws from the Ancient Greek (''plastikós''), which means 'to mold' or 'to shape'. It has long preceded its dominant modern meaning as a synthetic material. The term ''plastic arts'' has been used historically to denote visual art forms (painting, sculpture, and ceramics) as opposed to literature or music. The related terms ''plasticity'' and ''plasticism'' became more widely used in the early 20th century by cri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depend entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer: no acoustic waves need to be previously generated by mechanical means and then converted into electrical signals. On the other hand, electromechanical instruments have mechanical parts such as strings or hammers that generate the sound waves, together with electric elements including pickup (music technology), magnetic pickups, power amplifiers and loudspeakers that convert the acoustic waves into electrical signals, process them and convert them back into sound waves. Such electromechanical devices in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musique Concrète
Musique concrète (; ): "[A] problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language. This creates several problems of translation affecting key terms. Perhaps the most obvious of these is the word ''concret''/''concrète'' itself. The word in French, which has nothing of the familiar meaning of "concrete" in English, is used throughout [''In Search of a Concrete Music''] with all its usual French connotations of "palpable", "nontheoretical", and "experiential", all of which pertain to a greater or lesser extent to the type of music Schaeffer is pioneering. Despite the risk of ambiguity, we decided to translate it with the English word ''co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminacy, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had begun using ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proceedings Of The Musical Association
''Journal of the Royal Musical Association'' is a peer-reviewed academic journal covering fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies. The journal is published by Cambridge University Press on behalf of the Royal Musical Association and the editor-in-chief An editor-in-chief (EIC), also known as lead editor or chief editor, is a publication's editorial leader who has final responsibility for its operations and policies. The editor-in-chief heads all departments of the organization and is held accoun ... is Freya Jarman. Abstracting and indexing The journal is abstracted and indexed in: Further reading * External links * {{Official website, http://www.tandfonline.com/rrma Cambridge University Press academic journals English-language journals Publications established in 1874 Music journals Biannual journals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Rousseau
Jean-Jacques Rousseau (, ; ; 28 June 1712 – 2 July 1778) was a Republic of Geneva, Genevan philosopher (''philosophes, philosophe''), writer, and composer. His political philosophy influenced the progress of the Age of Enlightenment throughout Europe, as well as aspects of the French Revolution and the development of modern political, economic, and educational thought. His ''Discourse on Inequality'', which argues that private property is the source of inequality, and ''The Social Contract'', which outlines the basis for a legitimate political order, are cornerstones in modern political and social thought. Rousseau's sentimental novel ''Julie, or the New Heloise'' (1761) was important to the development of preromanticism and romanticism in fiction. His ''Emile, or On Education'' (1762) is an educational treatise on the place of the individual in society. Rousseau's autobiographical writings—the posthumously published ''Confessions (Rousseau), Confessions'' (completed in 17 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
