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Grammy Award For Best Classical Performance, Operatic Or Choral
The Grammy Award for Best Classical Performance - Operatic or Choral was awarded in 1959. The equivalent award, Best Classical Performance - Opera Cast or Choral was awarded in 1960. Since 1962 the award has been divided into separate awards for opera and choral performances. See Grammy Award for Best Opera Recording and Grammy Award for Best Choral Performance The Grammy Award for Best Choral Performance has been awarded since 1961. There have been several minor changes to the name of the award over this time: *In 1961 the award was known as Best Classical Performance - Choral (including oratorio) *Fro .... Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. Recipients References {{Grammy Award categories Grammy Awards for classical music * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Academy Of Recording Arts And Sciences
The Recording Academy (formally the National Academy of Recording Arts and Sciences; abbreviated NARAS) is an American Learned society, learned academy of musicians, producers, recording engineers, and other musical professionals. It is famous for its Grammy Awards, which recognize achievements in the music industry of songs and music which are popular worldwide. The Recording Academy is a founding partner of the Grammy Museum, a non-profit organization whose stated mission is preserving and educating about music history and significance. The Recording Academy also founded MusiCares, a charity that states it serves to impact the health and welfare of the music community. The Recording Academy’s Advocacy team lobbies for music creators’ rights at the local, state, and federal levels. History The origin of the academy dates back to the beginning of the 1950s Hollywood Walk of Fame project. The Hollywood Chamber of Commerce asked the help of major recording industry executives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomas Luis De Victoria
Tomas may refer to: People * Tomás (given name), a Spanish, Portuguese, and Gaelic given name * Tomas (given name), a Swedish, Dutch, and Lithuanian given name * Tomáš, a Czech and Slovak given name * Tomas (surname), a French and Croatian surname * Tomás (surname), a Spanish and Portuguese surname * Tomaš (surname), a Croatian surname * ''Tomas.'', taxonomic author abbreviation of Ruggero Tomaselli (1920–1982), Italian botanist Places * Tomaš, Croatia, a village near Bjelovar * Tomaș River, a tributary of the Gârbăul Mare River in Romania * Tomas District, Peru Other uses * Tropical Storm Tomas (other), numerous storms * ''Tomas'' (novel), 2009 novel by James Palumbo * Convento de Santo Tomás (Madrid) See also * Thomas (other) * Tom (other) Tom or TOM may refer to: * Tom (given name), a diminutive of Thomas or Tomás or an independent Aramaic given name (and a list of people with the name) Characters * Tom Anderson, a character in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson And Delilah (opera)
''Samson and Delilah'' (french: Samson et Dalila, links=no), Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire. It was first performed in Weimar at the (Grand Ducal) Theater (now the Staatskapelle Weimar) on 2 December 1877 in a German translation. The opera is based on the Biblical tale of Samson and Delilah found in Chapter 16 of the Book of Judges in the Old Testament. It is the only opera by Saint-Saëns that is regularly performed. The second act love scene in Delilah's tent is one of the set pieces that define French opera. Two of Delilah's arias are particularly well known: "" ("Spring begins") and "" ("My heart opens itself to your voice", also known as "Softly awakes my heart"), the latter of which is one of the most popular recital pieces in the mezzo-soprano/contralto repertoire. Composition history In the middle of the 19th century, a revival of interest in choral music swept France, and Saint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Saint-Saens
Camille may refer to: Fictional entities * a Power Rangers Jungle Fury character * Camille Wallaby, a character in Alfred Hedgehog * a character from ''League of Legends'' video game voiced by Emily O'Brien Films *'' Camille (1912 film)'', a short American film directed by Jay Hunt based on Dumas' novel ''La Dame aux camélias'' (''The Lady of the Camellias'') * ''Camille'' (1915 film), an American silent film adapted by Frances Marion, directed by Albert Capellani, starring Clara Kimball Young as Camille and Paul Capellani as Armand * ''Camille'' (1917 film), an American silent film adapted by Adrian Johnson, directed by J. Gordon Edwards, starring Theda Bara as Camille * ''Camille'' (1921 film), an American silent film starring Alla Nazimova as Camille and Rudolph Valentino as Armand * ''Camille'' (1926 feature film), an American silent film adapted by Fred de Gresac and company, directed by Fred Niblo, starring Norma Talmadge as Camille and Gilbert Roland as Armand * ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fausto Cleva
Fausto Cleva (May 17, 1902August 6, 1971) was an Austro-Hungarian Empire-born American operatic conductor. Life and career Fausto Cleva was born in Trieste in 1902. After studies at the Conservatorio in his native city and Milan, Cleva made his debut conducting ''La traviata'' in Teatro Carcano, in Milan, before emigrating to the United States in 1920, becoming an American citizen in 1931. He joined the musical staff of the Metropolitan Opera later that year and for twenty years was an assistant conductor and later chorus-master and répétiteur before making his official conducting debut in February 1942. He later became closely involved with Cincinnati Summer Opera, of which he was musical director from 1934 until 1963. From 1944 to 1946 he was music director of the ill-fated Chicago Opera Company. In 1947 he conducted a performance of ''La bohème'' in Havana, with Hjördis Schymberg as Mimi. Following his return to the Metropolitan Opera in 1950, he conducted over 700 perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Tozzi
Giorgio Tozzi (January 8, 1923 – May 30, 2011) was an American operatic bass. He was a mainstay for many years with the Metropolitan Opera, and sang principal bass roles in nearly every major opera house worldwide. Career Tozzi was born George John Tozzi in Chicago, Illinois. He studied at DePaul University with Rosa Raisa, Giacomo Rimini and John Daggett Howell. He later studied singing in New York City with Beverley Peck Johnson. He made his professional debut in the Broadway production of Britten's ''The Rape of Lucretia'' in 1948 as Tarquinius. His signature roles included Figaro in Mozart's ''The Marriage of Figaro'', Philip II in Verdi's ''Don Carlos'', Hans Sachs in Wagner's ''Die Meistersinger von Nürnberg'', and Méphistophélès in Gounod's ''Faust''. In 1957 he portrayed the title role in a nationally broadcast performance of Mussorgsky's ''Boris Godunov'' with the NBC Opera Theatre. In 1958 he created the role of The Doctor in Barber's ''Vanessa''. In July 1958, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberta Peters
Roberta Peters (May 4, 1930 – January 18, 2017) was an American coloratura soprano. One of the most prominent American singers to achieve lasting fame and success in opera, Peters is noted for her 35-year association with the Metropolitan Opera Company in New York, among the longest such associations between a singer and a company in opera. She was awarded the National Medal of Arts in 1998. Early life and career Peters was born Roberta Peterman in The Bronx, New York City, the only child of Ruth (née Hersch), a milliner, and Solomon Peterman, a shoe salesman. Her family was Jewish. Encouraged by tenor Jan Peerce, she started her music studies at age 13 with William Herman, a voice teacher known for his exacting and thorough teaching method. Under Herman's training, Peters studied the French, German and Italian languages and practiced singing scales from a clarinet method. After six years of training, Herman introduced her to impresario Sol Hurok, who arranged for an audition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George London (baritone)
George London (born George Burnstein; May 30, 1920 – March 24, 1985) was an American concert and operatic bass-baritone. Biography George Burnstein was born to U.S. naturalized parents of Russian origin in Montreal, Quebec, Canada, and grew up in Los Angeles, California. His operatic debut was in 1941 as George Burnson, singing Dr Grenvil in ''La traviata'' at the Hollywood Bowl. In the summer of 1945 Antal Doráti invited his longtime friend, the Hungarian bass Mihály Székely, to sing at the first concert of the newly reorganized Dallas Symphony Orchestra. Due to travel difficulties, Székely was unable to arrive in time, so Doráti called upon young George London as a substitute. After performing widely with tenor Mario Lanza and soprano Frances Yeend as part of the Bel Canto Trio in 1947–48, London was engaged by the Vienna State Opera, where he scored his first major success in 1949. In 1950, he sang the role of Pater Profundis in Mahler's Eighth Symphony, conducted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosalind Elias
Rosalind Elias (March 13, 1930 – May 3, 2020) was an American mezzo-soprano who enjoyed a long and distinguished career at the Metropolitan Opera. She was best known for creating the role of Erika in Samuel Barber's ''Vanessa in'' 1958. Early life Rosalind Elias was born in Lowell, Massachusetts, the 13th and youngest child of a Lebanese-American family. Her parents, Shelaby Namay and Salem Elias, immigrated from Beirut and her father worked as a real estate agent for some time. Elias grew up listening to Saturday broadcasts of the Metropolitan Opera while doing chores. Her father was initially opposed to her performing, but she pleaded for lessons. She received her first singing lessons in Lowell from Miss Lillian Sullivan. She studied at the New England Conservatory. She appeared with the New England Opera from 1948 to 1952. She then left for Italy to complete her vocal studies at the Accademia Nazionale di Santa Cecilia in Rome, with Luigi Ricci and Nazzareno De Angelis. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
