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Got To Get It!
''Got to Get It!'' is an album by American jazz pianist Bobby Timmons recorded in 1967 and released on the Milestone label.Bobby Timmons discography
accessed February 18, 2011


Reception

The review by Jason Ankeny awarded the album 3 stars stating "Purists may blanch, but Bobby Timmons' Milestone label debut ''Got to Get It!'' is an otherwise incendiary soul-jazz date informed by an irresistible freewheeling wit, absent from the pianist's more conventionally noteworthy efforts".Ankeny, J
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Bobby Timmons
Robert Henry Timmons (December 19, 1935 – March 1, 1974) was an American jazz pianist and composer. He was a sideman in Art Blakey's Jazz Messengers for two periods (July 1958 to September 1959; February 1960 to June 1961), between which he was part of Cannonball Adderley's band. Several of Timmons' compositions written when part of these bands – including "Moanin'", "Dat Dere", and "This Here" – enjoyed commercial success and brought him more attention. In the early and mid-1960s he led a series of piano trios that toured and recorded extensively. Timmons was strongly associated with the soul jazz style that he helped initiate. This link to apparently simple writing and playing, coupled with drug and alcohol addiction, led to a decline in his career. Timmons died, aged 38, from cirrhosis. Several critics have commented that his contribution to jazz remains undervalued. Early life Timmons was born in Philadelphia, Pennsylvania, the son of a minister.Kernfeld, Barr"Timmons ...
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Straight, No Chaser (composition)
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and ''Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a versio ...
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George Barrow (musician)
George Barrow (25 September 1921 – 20 March 2013) was an American jazz saxophonist who played both tenor and baritone saxes. Self-taught on the saxophone, flute and clarinet, by the mid-1950s, he was playing in different line-ups led by Charles Mingus, including the Quintet (with Eddie Bert, Mal Waldron and Max Roach) before going on to join line-ups led by Ernie Wilkins, including the Ernie Wilkins-Kenny Clarke Septet and the Ernie Wilkins Orchestra, as well as with Oliver Nelson, notably on the classic album '' The Blues and the Abstract Truth''. Discography As leader *''The Amram-Barrow Quartet'' – with David Amram As sideman With Kenny Clarke and Ernie Wilkins *'' Kenny Clarke & Ernie Wilkins'' (Savoy, 1955) With Charles Mingus *''The Moods of Mingus'' (Savoy, 1955) *''Mingus at the Bohemia'' (Debut, 1955) *'' The Charles Mingus Quintet & Max Roach'' (Debut, 1955) With Teddy Charles *''The Teddy Charles Tentet'' (Atlantic, 1956) *''Word from Bird'' (Atlantic, 1957) With ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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James Moody (saxophonist)
James Moody (March 26, 1925 – December 9, 2010) was an American jazz saxophone and flute player and very occasional vocalist, playing predominantly in the bebop and hard bop styles. Moody had an unexpected hit with "Moody's Mood for Love," a 1952 song written by Eddie Jefferson that used as its melody an improvised solo that Moody had played on a 1949 recording of "I'm in the Mood for Love." Moody adopted the song as his own, recording it with Jefferson on his 1956 album ''Moody's Mood for Love'' and performing the song regularly in concert, often singing the vocals himself. Early life James Moody was born in Savannah, Georgia, United States, and was raised by his (single) mother, Ruby Hann Moody Watters. He had a brother, Louis. Growing up in Newark, New Jersey, he was attracted to the saxophone after hearing "Buddy" George Holmes Tate, Don Byas, and various saxophonists who played with Count Basie. He later also took up the flute. Career Moody joined the US Army Air Corps i ...
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Joe Farrell
Joseph Carl Firrantello (December 16, 1937 – January 10, 1986), known as Joe Farrell, was an American jazz multi-instrumentalist who primarily performed as a saxophonist and flutist. He is best known for a series of albums under his own name on the CTI record label and for playing in the initial incarnation of Chick Corea's Return to Forever. Early life and education Farrell was born in Chicago Heights, Illinois. As a child, Farrell began playing the flute and clarinet. After graduating from the University of Illinois at Urbana–Champaign in 1959, he moved to New York City to work as a freelance musician. Career He joined the Ralph Marterie Band in 1957 and later played with Maynard Ferguson and The Thad Jones/ Mel Lewis Orchestra. He also recorded with Charles Mingus, Andrew Hill, Jaki Byard, Players Association and Elvin Jones. After the death of John Coltrane, Elvin Jones formed a pianoless trio with Jimmy Garrison and Farrell, recording two albums for Blue Note in ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Hubert Laws
Hubert Laws (born November 10, 1939) is an American flutist and saxophonist with a career spanning over 40 years in jazz, classical, and other music genres. Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another. Biography Hubert Laws, Jr. was born November 10, 1939, in the Studewood section of Houston, Texas, the second of eight children to Hubert Laws, Sr. and Miola Luverta Donahue. Many of his siblings also entered the music industry, including saxophonist Ronnie and vocalists Eloise, Debra, and Johnnie Laws. He began playing flute in high school after volunteering to substitute for the school orchestra's regular flutist. He became adept at jazz improvisation by playing in the Houston-area jazz group the Swingsters, which eventually evolved into the Modern Jazz Sextet, the Night Hawks, and The Crusaders. At the age of 15, he was a member of the early Jazz Crusaders while in T ...
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Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Jimmy Owens (musician)
Jimmy Owens (born December 9, 1943) is an American jazz trumpeter, composer, arranger, lecturer, and educator. He has played with Lionel Hampton, Charles Mingus, Hank Crawford, Dizzy Gillespie, Count Basie, Herbie Mann, among many others. Since 1969, he has led his own group, Jimmy Owens Plus. Biography Jimmy Owens was born in New York City, New York, United States. He is a jazz trumpeter and, in addition, plays the flugelhorn. He is also a composer, lecturer, arranger and music education consultant, harnessing more than 45 years of musical experience. Owens does not have an enormous number of recordings as a leader; however, his career was instead nourished through session work with groups and band leaders.“Jimmy Owens.”
AllMusic. Accessed on April 23, 2012.
His encounter with music encompasses a vast ran ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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