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Goodbye And Hello (Tim Buckley Album)
''Goodbye and Hello'' is the second album by Tim Buckley, released in August 1967, recorded in Los Angeles, California, in June of the same year. The album was later re-released on January 22, 2001, in a compilation with debut album ''Tim Buckley'' by WEA/ Elektra. In 2005 a 180-gram version of the LP was released on the label Four Men With Beards and is being distributed by City Hall Records. Recording The album was recorded during June 1967 in Los Angeles, and produced by Jerry Yester and Jac Holzman. Legacy Matthew Greenwald in a retrospective review for AllMusic felt that it is "an excellent and revolutionary album that was a quantum leap for both Tim Buckley and the audience". The album was included in the book ''1001 Albums You Must Hear Before You Die''. In 2000, it was voted number 516 in Colin Larkin's ''All Time Top 1000 Albums''. Track listing All songs written by Tim Buckley, except where noted. Side One #"No Man Can Find the War" (Larry Beckett, Buckley) – 2:58 ...
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Tim Buckley
Timothy Charles Buckley III (February 14, 1947 – June 29, 1975) was an American musician. His music and style changed considerably through the years. Buckley began his career based in folk music, but his subsequent albums experimented with jazz, psychedelia, funk, soul, the avant-garde, and an evolving voice-as-instrument sound. He died at the age of 28 from a heroin and morphine overdose, leaving behind sons Taylor and Jeff. Early life and career Tim Buckley was born in Washington, D.C. on Valentine's Day, February 14, 1947, to Elaine (née Scalia), an Italian American, and Timothy Charles Buckley Jr., a decorated World War II veteran and son of Irish immigrants from Cork. He spent his early childhood in Amsterdam, New York, an industrial city about northwest of Albany. At five years old, Buckley began listening to his mother's progressive jazz recordings, particularly Miles Davis. Buckley's musical life began after his family moved to Bell Gardens in southern Californi ...
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Twelve-string Guitar
A twelve-string guitar (or 12-string guitar) is a steel-string guitar with 12 strings in six courses, which produces a thicker, more ringing tone than a standard six-string guitar. Typically, the strings of the lower four courses are tuned in octaves, with those of the upper two courses tuned in unison. The gap between the strings within each dual-string course is narrow, and the strings of each course are fretted and plucked as a single unit. The neck is wider, to accommodate the extra strings, and is similar to the width of a classical guitar neck. The sound, particularly on acoustic instruments, is fuller and more harmonically resonant than six-string instruments. The 12-string guitar can be played like a 6-string guitar as players still use the same notes, chords and guitar techniques like a standard 6-string guitar, but advanced techniques might be tough as players need to play or pluck two strings simultaneously. Structurally, 12-string guitars, especially those built befo ...
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Henry Diltz
Henry Stanford Diltz (born September 6, 1938, in Kansas City, Missouri) is an American folk musician and photographer who has been active since the 1960s. Career Among the bands Diltz played with was the Modern Folk Quartet. While a member of the Modern Folk Quartet, Diltz became interested in photography, met The Monkees, played on some of their recording sessions, and took numerous photographs of the band, many of which have been published. His work also attracted the eye of other musicians who needed publicity and album cover photos. He was the official photographer at Woodstock, and at the Monterey Pop Festival and Miami Pop Festival, and has photographed over 200 record album covers. Diltz photographed 1960s folk-rock stars who lived in Los Angeles's Laurel Canyon. During that time, Laurel Canyon was a center of American music. Many rising stars were drawn to Laurel Canyon, a laid-back neighborhood in the Hollywood Hills. Diltz recalled: "There was a sense of brotherhood ...
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Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ...
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Harmonium
The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark. More portable than pipe organs, free-reed organs were widely used in smaller churches and in private homes in the 19th century, but their volume and tonal range were limited. They generally had one or sometimes two manuals, with pedal-boards being rare. The finer pump organs had a wider range of tones, and the cabinets of those intended for churches and affluent homes were often excellent pieces of furniture. Several million free-reed organs and melodeons were made in the US and Canada between the 1850s and the 1920s, some of which were exported. The Cable Company, Estey Organ, and Mason & ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Don Randi
Don Randi (born February 25, 1937) is an American keyboard player, bandleader, and songwriter who was a member of the Wrecking Crew. Career Randi was born February 25, 1937 in New York City. He was raised in the Catskill Mountains and studied classical music. In 1954, he moved to Los Angeles and became a studio musician. During the next year, he began working at record distribution company where he was influenced by jazz musicians, particularly Horace Silver. He began his career as a pianist and keyboard player in 1956, gradually establishing a reputation as a leading session musician. In the early 1960s, he was musician and arranger for record producer Phil Spector's Wall of Sound. He played piano on "These Boots Are Made For Walkin'" by Nancy Sinatra and on her albums, as well as being a member of her touring band for decades. He performed on the Beach Boys' "Good Vibrations" and "God Only Knows". His piano can be heard on the Buffalo Springfield songs "Expecting to Fly" and " ...
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Jimmy Bond (musician)
James Edward Bond Jr. (January 27, 1933 – April 26, 2012), known as Jimmy Bond, was an American double bass player, arranger and composer who performed and recorded with many leading jazz, blues, folk and rock musicians between the 1950s and 1980s. Biography Bond was born in Philadelphia, and learned the double bass and tuba as well as studying orchestration and composition. He attended the Juilliard School between 1950 and 1955. He played bass in clubs in Philadelphia, with musicians such as Charlie Parker, Thelonious Monk and Gene Ammons. After his formal studies ended, he performed regularly with Chet Baker, Ella Fitzgerald, and Sonny Rollins, and in 1958 began touring with George Shearing Sir George Albert Shearing, (13 August 1919 14 February 2011) was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. Shearing was the composer of over 300 t ....
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Jim Fielder
Jim Fielder (born October 4, 1947 in Denton, Texas) is an American bassist, best known for his work as an original member of Blood, Sweat & Tears. Fielder attended Loara High School in Anaheim, California. While at Loara, the young Fielder befriended classmates Tim Buckley and Larry Beckett, a relationship that would launch Fielder into the music industry. Prior to joining BS&T he worked with Buckley, and he played in several other notable bands including Mastin & Brewer with Mike Brewer and Billy Mundi, Frank Zappa & The Mothers of Invention (for whom he played rhythm guitar), and Buffalo Springfield. Since he departed from BS&T, Fielder has worked extensively in the music industry both studio and live performances, and for 40+ years was a standing member of Neil Sedaka's band. Discography All albums are with Blood, Sweat & Tears unless otherwise noted. * ''Tim Buckley'' (1966) - with Tim Buckley * ''Absolutely Free'' (1966) – with The Mothers of Invention * ''Buffalo Sprin ...
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Lee Underwood
Lee Underwood is an American musician and journalist who played lead guitar with Tim Buckley for most of Buckley's career. Career Underwood appeared on seven of the nine studio albums Buckley recorded during his brief life and on several posthumous albums, including ''Live in London," and on "Greetings From West Hollywood" and "Live at the troubadour 1969," on each of which he played both piano and guitar. He appeared on the DVD '' Tim Buckley: My Fleeting House'', discussing Buckley's development from folk to jazz to avant-garde. From 1975 to 1981, Underwood lived in Los Angeles and worked as West Coast editor for ''DownBeat'' magazine. He also wrote for ''Rolling Stone'' magazine and ''The Los Angeles Times''. In 1990 he quit writing for magazines and moved to Santa Fe, New Mexico. He recorded the album ''California Sigh'' as a guitarist and the albums ''Phantom Light'' and ''Gathering Light'' as a pianist. He wrote the biography '' Blue Melody: Tim Buckley Remembered'' and th ...
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Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ...
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