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Goldilocks And The Jivin' Bears
''Goldilocks and the Jivin' Bears'' is a 1944 Warner Bros. '' Merrie Melodies'' cartoon directed by Friz Freleng and produced by Eddie Selzer. The short was released on September 2, 1944. Because of the racial stereotypes of black people throughout the short, it is withheld from circulation, one of the so-called "Censored Eleven" shorts. It is the only Censored Eleven short not to be produced by Leon Schlesinger as he had sold the studio to Warner Bros. around the release of this cartoon. Plot The Three Bears, a jazz trio, are enjoying a hot jam session when their instruments catch fire. After consulting a storybook, they find that they must go out for a walk to let the instruments cool off. Across the street (in a house with a neon sign saying "GRANMA'S"), the Big Bad Wolf is expecting Red Riding Hood's arrival. Instead, he receives a telegram that says Red Riding Hood will be late because she is "working at Lockheed as a riveter." The frustrated wolf looks out the window ...
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Friz Freleng
Isadore "Friz" Freleng (August 21, 1905May 26, 1995), credited as I. Freleng early in his career, was an American animator, cartoonist, director, producer, and composer known for his work at Warner Bros. Cartoons on the ''Looney Tunes'' and '' Merrie Melodies'' series of cartoons. In total he created more than 300 cartoons. He introduced and/or developed several of the studio's biggest stars, including Bugs Bunny, Porky Pig, Tweety, Sylvester, Yosemite Sam (to whom he was said to bear more than a passing resemblance), and Speedy Gonzales. The senior director at Warners' Termite Terrace studio, Freleng directed more cartoons than any other director in the studio (a total of 266), and is also the most honored of the Warner directors, having won five Academy Awards and three Emmy Awards. After Warner closed down the animation studio in 1963, Freleng and business partner David H. DePatie founded DePatie–Freleng Enterprises, which produced cartoons (including ''The Pink Panthe ...
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Jam Session
A jam session is a relatively informal musical event, process, or activity where musicians, typically instrumentalists, play improvised solos and vamp over tunes, drones, songs, and chord progressions. To "jam" is to improvise music without extensive preparation or predefined arrangements, except for when the group is playing well-known jazz standards or covers of existing popular songs. Original jam sessions, also called "free flow sessions," are often used by musicians to develop new material (music) and find suitable arrangements. Both styles can be used simply as a social gathering and communal practice session. Jam sessions may be based upon existing songs or forms, may be loosely based on an agreed chord progression or chart suggested by one participant, or may be wholly improvisational. Jam sessions can range from very loose gatherings of amateurs to evenings where a jam session coordinator or host acts as a "gatekeeper" so that appropriate-level performers take the stage ...
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1944 Films
The year 1944 in film involved some significant events, including the wholesome, award-winning ''Going My Way'' plus popular murder mysteries such as ''Double Indemnity'', ''Gaslight'' and '' Laura''. Top-grossing films (U.S.) The top ten 1944 released films by box office gross in North America are as follows: Events *March 10 – MGM's ''A Guy Named Joe'', starring Spencer Tracy and Irene Dunne, is released nationally in the United States. *May 3 – The film ''Going My Way'', directed by Leo McCarey and starring Bing Crosby and Barry Fitzgerald, premieres in New York City. The highest-grossing picture of the year, it goes on to win a total of seven Academy Awards, including Best Picture, Best Director for McCary, Best Actor for Crosby and Best Original Song for "Swinging on a Star". *May 13 – Dale Evans appears in her first film with future husband, Roy Rogers – '' Cowboy and the Senorita''. *July 20 – ''Since You Went Away'' is released. *August 16–September 11 †...
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Coal Black And De Sebben Dwarfs
''Coal Black and de Sebben Dwarfs'' is a 1943 '' Merrie Melodies'' animated cartoon directed by Bob Clampett. The short was released on January 16, 1943. The film is an all-black parody of the Brothers Grimm fairy tale ''Snow White'', known to its audience from the popular 1937 Walt Disney animated feature '' Snow White and the Seven Dwarfs''. The stylistic portrayal of the characters is an example of "darky" iconography, which was widely accepted in American society at the time. As such, it is one of the most controversial cartoons in the classic Warner Brothers library, being one of the Censored Eleven. The cartoon has been rarely seen on television, and has never been officially released on home video. History Overview In this version of the story, all of the characters are black, and speak all of their dialogue in rhyme. The story is set during World War II in the United States, and the original tale's fairy tale wholesomeness is replaced in this film by a hot jazz men ...
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The Isle Of Pingo Pongo
''The Isle of Pingo Pongo'' is a 1938 '' Merrie Melodies'' cartoon supervised by Tex Avery. The short was released on May 28, 1938 and features an early version of Elmer Fudd. This is the first of a series of travelogue spoofs, and the first Warner Bros. "spot gag" cartoon, where each vignette is punctuated by a moment of blackout. Plot The short follows a cruise ship's trip from New York to the island, presumably located in the South Seas. The ship sails past the Statue of Liberty, who acts as a traffic cop, past the "Canary Islands" and "Sandwich Islands". The cartoon revolves around themes of jazz and primitivism, and is set on a remote island. The central character is an early version of Elmer Fudd known as Elmer, and most of the cartoon consists of travelogue-type narration and blackout gags, many including Elmer. The inhabitants of Pingo-Pongo are mostly tall, black, and have big feet and lips. Like other cartoons at this time, the native inhabitants resemble animals and ...
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Sunday Go To Meetin' Time
''Sunday Go to Meetin' Time'' is a 1936 Warner Bros. ''Merrie Melodies'' cartoon directed by Friz Freleng. The short was released on August 8, 1936. The name of the short comes from the colloquial adjective "sunday-go-to-meeting," describing something appropriate for church or otherwise presentable. Because of the racial stereotypes of black people throughout the short, it is withheld from circulation, one of the "Censored Eleven" shorts. Plot Ringing bells in a lazy town announce that it is time to go to church. A black preacher with caricatured enormous lips greets his parishioners as he sings the song for which the short is named. A minstrel show dandy and his gal jazz up the song as they dance their way to church. A succession of gags featuring stereotyped black characters follows: a mammy and old uncle shine the heads of pickaninny children; a woman takes a bra off a clothesline to use as a bonnet for her twin children. Lindvall notes that mammies were "ubiquitous in films d ...
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Blue Ribbon Merrie Melodies
''Merrie Melodies'' is an American animated series of comedy short films produced by Warner Bros. starting in 1931, during the golden age of American animation, and ending in 1969. Then some new cartoons were produced from the late 1970s to the late 1990s, as well as other made productions beginning in 1972. As with its sister series, ''Looney Tunes'', it featured cartoon characters such as Bugs Bunny, Daffy Duck, Porky Pig, and Elmer Fudd. Between 1934 and 1943, the ''Merrie Melodies'' series were distinguished from the black-and-white, Buddy or Porky Pig–starring ''Looney Tunes'' shorts by an emphasis on one-shot stories in color featuring Warner Bros.–owned musical selections. After Bugs Bunny became the breakout recurring star of ''Merrie Melodies'', and ''Looney Tunes'' went to color in the early 1940s, the two series gradually lost their distinctions and shorts were assigned to each series more randomly. ''Merrie Melodies'' was originally produced by Harman–Ising Pictu ...
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Blackface
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practice ...
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Motion Picture Herald
The ''Motion Picture Herald'' was an American film industry trade paper published from 1931 to December 1972.Anthony Slide, ed. (1985)''International Film, Radio, and Television Journals'' Greenwood Press. p. 242. It was replaced by the ''QP Herald'', which only lasted until May 1973.Robert A. Osborone (1973)''Academy Awards Oscar Annual'' ESE California. p. 10. It was established as the ''Exhibitors Herald'' in 1915. History The paper's origins begin 1915 when a Chicago printing company launched a film publication as a regional trade paper for exhibitors in the Midwest and known as ''Exhibitors Herald''. Publisher Martin Quigley bought the paper and over the following two decades developed the ''Exhibitors Herald'' into a national trade paper for the US film industry. In 1917, Quigley acquired and merged another publication, ''Motography'', into his magazine. In 1927, he further acquired and merged the magazine ''The Moving Picture World'' and began publishing it as ''Exhibitor ...
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Jimmy Durante
James Francis Durante ( , ; February 10, 1893 â€“ January 29, 1980) was an American comedian, actor, singer, vaudevillian, and pianist. His distinctive gravelly speech, Lower East Side accent, comic language-butchery, jazz-influenced songs, and prominent nose helped make him one of America's most familiar and popular personalities of the 1920s through the 1970s. He often referred to his nose as ''the schnozzola'' ( Italianization of the American Yiddish slang word ''schnoz'', meaning "big nose"), and the word became his nickname. Early life Childhood Durante was born on the Lower East Side of New York City. He was the youngest of four children born to Rosa (Lentino) and Bartolomeo Durante, both immigrants from Salerno, Campania, Italy. Bartolomeo was a barber. Young Jimmy served as an altar boy at St. Malachy Roman Catholic Church, known as the Actor's Chapel. Early career Durante dropped out of school in seventh grade to become a full-time ragtime pianist. He first pl ...
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Jitterbug
Jitterbug is a generalized term used to describe swing dancing. It is often synonymous with the lindy hop dance but might include elements of the jive, east coast swing, collegiate shag, charleston, balboa and other swing dances. Swing dancing originated in the African-American communities of New York City in the early 20th century. Many nightclubs had a whites-only or blacks-only policy due to racial segregation, however the Savoy Ballroom in Harlem had a no-discrimination policy which allowed whites and blacks to dance together and it was there that the lindy hop dance flourished, started by dancers such as George Snowden and Frank Manning. The term jitterbug was originally a ridicule used by black patrons to describe whites who started to dance the lindy hop, as they were dancing faster and jumpier than was intended, like "jittering bugs", although it quickly lost its negative connotation as the more erratic version caught on. Both the lindy hop and the "jitterbug" became ...
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Rosie The Riveter
Rosie the Riveter is an allegorical cultural icon in the United States who represents the women who worked in factories and shipyards during World War II, many of whom produced munitions and war supplies. These women sometimes took entirely new jobs replacing the male workers who joined the military. Rosie the Riveter is used as a symbol of American feminism and women's economic advantage. Similar images of women war workers appeared in other countries such as Britain and Australia. The idea of Rosie the Riveter originated in a song written in 1942 by Redd Evans and John Jacob Loeb. Images of women workers were widespread in the media in formats such as government posters, and commercial advertising was heavily used by the government to encourage women to volunteer for wartime service in factories. ''Rosie the Riveter'' became the subject and title of a Hollywood film in 1944. History Women in the wartime workforce Because the world wars were total wars, which required go ...
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