Going For A Walk In The Amsterdam Town Hall
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Going For A Walk In The Amsterdam Town Hall
''Going for a Walk in the Amsterdam Town Hall'' (–1665) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is now in the Musée des Beaux-Arts de Strasbourg. Its inventory number is 213. This painting was documented by Hofstede de Groot in 1908, who wrote:199. GOING FOR A WALK. deG. 86. In a vestibule decorated after the pseudo-antique style of the late Renaissance a couple are walking to the right. The gentleman wears a tall, broad-brimmed hat with red and white feathers, and has a red cloak embroidered with gold over his white silk jacket. The lady, seen in profile, has round her head a black veil partly concealing her gold-embroidered bodice, and with her right hand lifts up her yellow skirt. In front of them, to the right, is a dog. Behind them, between the columns to the left, comes a nurse with a little girl. The floor is paved with tiles, which are laid in circles in the foreground and in a square patte ...
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Pieter De Hooch
Pieter de Hooch (, also spelled "Hoogh" or "Hooghe"; 20 December 1629 (baptized) – 24 March 1684 (buried)) was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary of Jan Vermeer in the Delft Guild of St. Luke, with whom his work shares themes and style. Biography De Hooch was born in Rotterdam to Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife. He was the eldest of five children and outlived all of his siblings. Little is known of his early life and most archival evidence suggests he worked in Rotterdam, Delft, and Amsterdam. According to his first biographer Arnold Houbraken, he studied art in Haarlem under the landscape painter Nicolaes Berchem at the same time as Jacob Ochtervelt and was known for his "kamergezichten" or "room-views" with ladies and gentlemen in conversation.
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Hadzor House
Hadzor is a small village near Droitwich, Worcestershire, England. There are around fourteen houses and a Roman Catholic church in the village, although there is no shop or school and the Church of England church was closed in the 1970s. Hadzor is part of the Bowbrook Group of Parishes, which includes the neighbouring villages of Sale Green, Oddingley and Hanbury and nearby Huddington, Crowle, Tibberton and Himbleton Himbleton is a village in Worcestershire, England. It lies about south-east of Droitwich and north-east of Worcester. There is an Anglican church, dedicated to Saint Mary Magdalene. Located on Neight Hill in the village is a first school, .... Frances Amelia ( Arthur), wife of Theodore Howard Galton, converted to Catholicism in 1862, followed a few months later by her husband. In 1877, the Galtons came into possession of Hadzor House. They opened a Catholic chapel in the house and arranged for Mass to be celebrated by a Passionist priest from Broad ...
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Paintings In The Musée Des Beaux-Arts De Strasbourg
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Paintings By Pieter De Hooch
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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1660s Paintings
Year 166 ( CLXVI) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Pudens and Pollio (or, less frequently, year 919 '' Ab urbe condita''). The denomination 166 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Dacia is invaded by barbarians. * Conflict erupts on the Danube frontier between Rome and the Germanic tribe of the Marcomanni. * Emperor Marcus Aurelius appoints his sons Commodus and Marcus Annius Verus as co-rulers (Caesar), while he and Lucius Verus travel to Germany. * End of the war with Parthia: The Parthians leave Armenia and eastern Mesopotamia, which both become Roman protectorates. * A plague (possibly small pox) comes from the East and spreads throughout the Roman Empire, lasting for roughly twenty years. * ...
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List Of Paintings By Pieter De Hooch
The following is an incomplete list of paintings by Pieter de Hooch that are generally accepted as autograph by Peter C. Sutton and other sources. The list is more or less in order of creation, starting from around 1648 when Pieter de Hooch began painting on his own in Delft. Later he moved to Amsterdam and his interiors seem somewhat grander in style. Most of his works are genre scenes involving daily life, but he also made at least one religious allegory. Sources * ''A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth century Based on the work of John Smith'', Volume I (Jan Steen, Gabriel Metsu, Gerard Dou, Pieter de Hooch, Carel Fabritius, Johannes Vermeer of Delft), by Cornelis Hofstede de Groot, with the assistance of Wilhelm Reinhold Valentiner, translated by Edward G. Hawke, Macmillan & Co., London, 1908 * ''Pieter de Hooch:Complete Edition'', by Peter C. Sutton, Phaidon Press, Oxford, 1980, * Pieter de Hooch in the RKD The Net ...
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Musical Party In A Hall
''Musical Party in a Hall'' (c. 1663–1665) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is an example of Dutch Golden Age painting and is now in the Museum der bildenden Künste, in Leipzig. The painting was documented by Hofstede de Groot in 1908, who wrote:126. THE MUSIC-PARTY. deG. 34. On the left in a large hall, the left-hand portion of which is represented, sit three persons at a table covered with an Ispahan carpet, upon which are some oranges. One gentleman plays the cello, another the flute, while a lady sings. The flute-player sits on the extreme left behind the table, wearing a slouch hat. The cello-player sits to the right of the table, in full view of the spectator; he has long curls, and wears knee-breeches and a pink doublet with slashed sleeves over a white shirt with broad cuffs. He raises a glass with his left hand and holds his bow with his right. He looks at the lady sitting at his right; she has her music-book in her lap, and w ...
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The Council Chamber In Amsterdam Town Hall
''The Council Chamber in Amsterdam Town Hall'' (c. 1663–1665) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch. It is held in the Thyssen-Bornemisza Museum, in Madrid. The painting was documented by Hofstede de Groot in 1908, who wrote:180. THE BURGOMASTER'S ROOM IN THE AMSTERDAM TOWN HALL WITH A LARGE PARTY. In the middle of a room is a chimney-piece, with a cornice and frieze, supported on pilasters; a large picture hangs above. To the right are windows in double bays. To the left is seen a second room with a window. A couple enter from the left; the lady is dressed in red and yellow, the gentleman in black. The gentleman points with an admiring expression to the roof. In the right foreground is another gentleman, also looking upward; he is dressed in brown and yellow, with slashed sleeves, and carries a stick. A dog is beside him to the left. A lady, seen in profile, looks out of the window to the right. Around a table before the chimney-piece are grouped six ...
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Mercury (mythology)
Mercury (; la, Mercurius ) is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication (including divination), travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld. In Roman mythology, he was considered to be either the son of Maia, one of the seven daughters of the Titan Atlas, and Jupiter, or of Caelus and Dies. In his earliest forms, he appears to have been related to the Etruscan deity Turms; both gods share characteristics with the Greek god Hermes. He is often depicted holding the caduceus in his left hand. Similar to his Greek equivalent Hermes, he was awarded a magic wand by Apollo, which later turned into the caduceus, the staff with intertwined snakes. Etymology The name "Mercury" is possibly related to the Latin words ' ("merchandise"; cf. ''merchant'', ''commerce'', etc ...
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Artus Quellinus The Elder
Artus Quellinus the Elder, Artus Quellinus I or Artus (Arnoldus) Quellijn (20 or 30 August 1609, Antwerp  – 23 August 1668, Antwerp) was a Flemish sculptor. He is regarded as the most important representative of the Baroque in sculpture in the Southern Netherlands. He worked for a long period in the Dutch Republic and operated large workshops both in Antwerp and Amsterdam. His work had a major influence on the development of sculpture in Northern Europe.Hans Vlieghe and Iris Kockelbergh. "Quellinus."
Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 March 2014


Life

Artus Quellinus the Elder was born into an artistic family. He was the son of the respected Antwerp sculptor
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Royal Palace Of Amsterdam
The Royal Palace of Amsterdam in Amsterdam (Dutch: ''Koninklijk Paleis van Amsterdam'' or ) is one of three palaces in the Netherlands which are at the disposal of the monarch by Act of Parliament. It is situated on the west side of Dam Square in the centre of Amsterdam, opposite the War Memorial and next to the Nieuwe Kerk. The palace was built as a city hall during the Dutch Golden Age in the 17th century. The building became the royal palace of King Louis Napoleon and later of the Dutch Royal House. History Town hall The structure was built as the Town Hall of the City of Amsterdam "facing the landing wharfs along Damrak, which at that time would have been busy with ships". The town hall was opened on 29 July 1655 by Cornelis de Graeff, the mayor of Amsterdam. The main architect was Jacob van Campen, who took control of the construction project in 1648. It was built on 13,659 wooden piles. Palace After the patriot revolution which swept the House of Orange from power a de ...
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Wilhelm Von Bode
Wilhelm von Bode (10 December 1845 – 1 March 1929) was a German art historian and museum curator. Born Arnold Wilhelm Bode in Calvörde, he was ennobled in 1913. He was the creator and first curator of the Kaiser Friedrich Museum, now called the Bode Museum in his honor, in 1904. Career Bode studied law at the Universities of Göttingen and Berlin, but took an interest in art during his university years. While practicing law in Braunschweig he systematically rearranged the ducal art collections, and visited a number of museums and private collections in Belgium, the Netherlands, and Italy. After studies in art history in Berlin and Vienna, he received his doctorate from the University of Leipzig in 1870 based on his dissertation ''Frans Hals und seine Schule''. In 1871 Bode participated in the so-called " Holbein convention" in Dresden, at which a number of prominent art historians convened to determine which of two versions of Hans Holbein the Younger's ''Meyer Madonna' ...
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