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Goin' Home (Art Pepper And George Cables Album)
''Goin' Home'' is a duet album by saxophonist Art Pepper and pianist George Cables recorded in 1982 and released on the Galaxy label.David Edwards, Mike Callahan, Patrice Eyries, Randy Watts and Tim NeelGalaxy Album Discographyaccessed October 31, 2016 Reception In an AllMusic review, Scott Yanow wrote that Pepper "is in surprisingly strong form considering that he only had a month left to live". Track listing # " Goin' Home" (Traditional) – 5:28 # "Samba Mom Mom" (Art Pepper) – 4:53 # "In a Mellow Tone" (Duke Ellington, Milt Gabler) – 5:30 # "Don't Let the Sun Catch You Cryin'" (Joe Greene) – 4:56 # "Isn't She Lovely" (Stevie Wonder) – 4:10 # "Billie's Bounce" (Charlie Parker) – 3:56 # "Lover Man (Oh, Where Can You Be?)" ( Jimmy Davis, Ram Ramirez, James Sherman) – 4:57 # " The Sweetest Sounds" (Richard Rodgers) – 5:03 # "Don't Let the Sun Catch You Cryin'" lternate A(Greene) – 5:19 Bonus track on CD reissue # "You Go to My Head" lternate(J. Fred Coots, H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Pepper
Arthur Edward Pepper Jr. (September 1, 1925 – June 15, 1982) was an American alto saxophonist and very occasional tenor saxophonist and clarinetist. Active in West Coast jazz, Pepper came to prominence in Stan Kenton's big band. He was known for his emotionally charged performances and several stylistic shifts throughout his career, and was described by critic Scott Yanow as having "attained his goal of becoming the world's great altoist" at the time of his death. Early life Art Pepper was born in Gardena, California, United States.Dupuis, Robert. "Art Pepper." ''Contemporary Musicians: Profiles of the People in Music.'' Vol. 18. Detroit, MI: Gale Research, 1997. 164-67. Print. His mother was a 14-year-old runaway; his father, a merchant seaman. Both were violent alcoholics, and when Pepper was still quite young, he was sent to live with his paternal grandmother. He expressed early musical interest and talent, and he was given lessons. He began playing clarinet at nine, switc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Let The Sun Catch You Cryin'
"Don't Let the Sun Catch You Cryin'" is a song written by Joe Greene and released in 1946 by Louis Jordan And His Tympany Five. Jordan's version reached No. 3 in ''Billboard'''s chart of " Most-Played Juke Box Race Records". The song was recorded by Ray Charles, and appeared in his 1959's album The Genius of Ray Charles. Charles's version reached No. 17 on ''Billboard'''s " Hot R&B Sides" and No. 95 on the ''Billboard'' Hot 100. It was also recorded by Jackie DeShannon on her 1965 album ''This is Jackie De Shannon'', Paul McCartney on his 1990 live album ''Tripping the Live Fantastic'', ''Allmusic.com''. Accessed September 27, 2015 Jex Saarelaht and |
Haven Gillespie
James Lamont Gillespie (February 6, 1888 – March 14, 1975) pen name Haven Gillespie, was an American Tin Pan Alley composer and lyricist. He was the writer of "You Go to My Head", "Honey", "By the Sycamore Tree", "That Lucky Old Sun", " Breezin' Along With The Breeze", " Right or Wrong," " Beautiful Love", "Drifting and Dreaming", and "Louisiana Fairy Tale" (Fats Waller's recording of which was used as the first theme song in the PBS Production of ''This Old House''), each song in collaboration with other people such as Beasley Smith, Ervin R. Schmidt, Richard A. Whiting, Wayne King, and Loyal Curtis. He also wrote the seasonal standard "Santa Claus Is Comin' to Town". Life and career Gillespie was one of nine children of Anna (Reilley) and William F. Gillespie. The family was poor and lived in the basement of a house on Third Street between Madison Avenue and Russell Street in Covington, Kentucky. Gillespie dropped out of school in grade four and could not find a job. His ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Go To My Head
"You Go to My Head" is a 1938 popular song composed by J. Fred Coots with lyrics by Haven Gillespie. Numerous versions of the song have been recorded, and it has since become a pop and jazz standard. Melody and lyrics Alec Wilder terms Coots' melody a "minor masterpiece". According to Ted Gioia, “’You Go to my Head’ is an intricately constructed affair with plenty of harmonic movement. The song starts in a major key, but from the second bar onward, Mr. Coots seems intent on creating a feverish dream quality tending more to the minor mode. The release builds on the drama, and the final restatement holds some surprises as well. The piece would be noteworthy even if it lacked such an exquisite coda, but those last eight bars convey a sense of resigned closure to the song that fittingly matches the resolution of the lyrics.” Gillespie's lyrics begin: ''"You go to my head and you linger like a haunting refrain"''. Recordings, use in film, and performances Larry Clinton re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sweetest Sounds (song)
"The Sweetest Sounds" is a popular song, with words and music written by Richard Rodgers for the 1962 musical ''No Strings''. The song opens and closes the show for characters Barbara Woodruff and David Jordan, performed by Diahann Carroll and Richard Kiley in the original Broadway theatre production and subsequent cast recording. Composition The melodic theme appears to have been inspired by an orchestral figure in the final movement of Johannes Brahms' Piano Concerto No. 2 (Brahms) (measures 64–80). In television and film *Judy Garland featured the song on The Judy Garland Show episode that aired November 10, 1963 in a medley performed with Count Basie and his orchestra. *Barbra Streisand featured the song in the 1973 broadcast '' Barbra Streisand...And Other Musical Instruments''. *The song is featured in the 1997 adaptation of Rodgers and Hammerstein's ''Cinderella'', performed as a duet by Brandy and Paolo Montalbán. Recordings In addition to the respective cast a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Sherman
James Benjamin Sherman (August 17, 1908 in Williamsport, Pennsylvania – October 11, 1975 in Philadelphia) was an American jazz pianist and arranger. Sherman played in dance bands in the late 1920s and played on and off with Jimmy Gorham in the metropolitan Philadelphia area. In 1930 he began playing on a steamboat in Alphonso Trent's band, then played in the 1930s with Peanuts Holland, Al Sears, Stuff Smith, Lil Armstrong, Putney Dandridge, Mildred Bailey, and Billie Holiday. He became the pianist and arranger for The Charioteers in 1938, remaining with the group until 1952. Following this he played primarily locally in eastern Pennsylvania. In 1960 he took up a residency at Miss Jeanne's Crossroad Tavern in Chester County, Pennsylvania Chester County (Pennsylvania Dutch: ''Tscheschter Kaundi''), colloquially known as Chesco, is a county in the Commonwealth of Pennsylvania. It is located in the Delaware Valley region of the state. As of the 2020 census, the population w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ram Ramirez
Roger "Ram" Ramirez (September 15, 1913 – 11 January 1994) was a Puerto Rican jazz pianist and composer. He was a co-composer of the song "Lover Man (Oh, Where Can You Be?)" Early life Ramirez was born in San Juan, Puerto Rico on September 15, 1913. He grew up in New York and started playing the piano at a young age. Later life and career Ramirez's first professional performances were in the early 1930s. In 1933 he played with Monette Moore, then with Rex Stewart and Sid Catlett in New York. He joined Willie Bryant in 1935, and toured Europe with Bobby Martin in 1937. During the first half of the 1940s Ramirez played with Ella Fitzgerald, Frankie Newton, Charlie Barnet, John Kirby, and Catlett, in addition to leading his own band. Ramirez wrote "Lover Man (Oh, Where Can You Be?)" in 1942, which became a jazz standard following Billie Holiday's recording of it two years later. He was a freelance into the mid-1950s, when he added electronic organ to his instruments. In 1953 he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Davis (songwriter)
James Edward Davis (1915 – 1997) was an American songwriter, composer, singer, pianist and actor. He co-wrote the song "Lover Man (Oh, Where Can You Be?)". Davis was born in Madison, Georgia. He and his family moved to Gary, Illinois, and then to Englewood, New Jersey, where he completed his high school education. Being musically gifted, he was accepted into the Juilliard School in New York to study piano and composition, his fees being paid by a benefactress. In the late 1930s he wrote the song "Lover Man (Oh, Where Can You Be?)" with Ram Ramirez but could not initially place it, until he offered it to Billie Holiday in 1942. Because of the 1942–44 musicians' strike Holiday didn't record the song until October 1944, and although at first only a minor hit it soon achieved widespread success and went on to become a jazz standard, recorded by numerous artists including Linda Ronstadt, Barbra Streisand and Petula Clark. During the early 1940s Davis struggled to make a li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lover Man (Oh, Where Can You Be?)
"Lover Man (Oh, Where Can You Be?)" (often called simply "Lover Man") is a 1941 popular song written by Jimmy Davis, Roger ("Ram") Ramirez, and James Sherman. It is particularly associated with Billie Holiday, for whom it was written, and her version was inducted into the Grammy Hall of Fame in 1989. Holiday's version reached No. 5 on the R&B chart and No. 16 on pop in 1945. In July 1946, Charlie Parker recorded a rendition of "Lover Man" while he was intoxicated. Dial Records producer Ross Russell had to hold him up to the microphone during the recording. Sonny Stitt played the song many times on alto saxophone in a virtuoso way, in the original key of D flat. Most jazz musicians play the song nevertheless in F. Barbra Streisand recorded a version for her album Simply Streisand in 1967, her version peaked #29 at Billboard Adult Contemporary chart. Cover versions *Sarah Vaughan recorded the song for the Guild label in 1945 with backing by an instrumental ensemble that includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billie's Bounce
"Billie's Bounce" (also known as "Bill's Bounce") is a jazz composition written in 1945 by Charlie Parker in the form of a 12 bar F blues. Some sources claim that the song was dedicated to Dizzy Gillespie's agent, Billy Shaw, although according to Ross Russell, Shaw's "name was misspelled" accidentally. However, others claim that the song was in fact dedicated to Shaw's secretary, who was called Billie. The original recording by Charlie Parker and His Re-Boppers was inducted into the Grammy Hall of Fame in 2002. Originally an instrumental, lyrics were added later by Jon Hendricks and by Eddie Jefferson. Billie's Bounce a jazzstandards.com - retrieved on 28 April 2009 Personnel |
