|
Goin' Back To New Orleans
''Goin' Back to New Orleans'' is an album by New Orleans singer and pianist Dr. John. It was released by Warner Bros. Records on June 12, 1992. The album won a Grammy award for Best Traditional Blues Album. Musicians and vocalists on the album include the Neville Brothers, Al Hirt, Danny Barker, Alfred "Uganda" Roberts, Pete Fountain, Alvin "Red" Tyler, Chuck Carbo, Clyde Kerr, Jr., Kirk Joseph, and Jamil Sharif. Track listing #"Litanie des Saints" (Mac Rebennack) - 4:44 #"Careless Love" (Martha Koenig, Spencer Williams, W. C. Handy) - 4:10 #" My Indian Red" - 4:47 #"Milneburg Joys" (Charles Melrose, Jellyroll Morton, Leon Roppola, Paul Mayers) - 2:39 #"I Thought I Heard Buddy Bolden Say" ( Ferdinand Morton) - 2:29 #" Basin Street Blues" (Spencer Williams) - 4:27 #"Didn't He Ramble" (Hattie Bolten) - 3:28 #"Do You Call That a Buddy?" (Don Raye, Wesley Wilson) - 3:54 #"How Come My Dog Don't Bark (When You Come Around)" (Prince Partridge) - 4:09 #"Goodnight Irene" (Huddie Ledbett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Fountain
Pierre Dewey LaFontaine Jr. (July 3, 1930 – August 6, 2016), known professionally as Pete Fountain, was an American jazz clarinetist. Early life and education LaFontaine was born to Pierre, Sr. and Madeline, in a small Creole cottage-style frame house on White Street (between Dumaine Street and St. Ann Street) in New Orleans.Fountain, Pete, with Bill Neely, ''A Closer Walk, the Pete Fountain Story'' (Henry Regnery Company, 1972), p. 2-3 Pete was the great-grandson of a French immigrant, François Fontaine, who was born in Toulon, circa 1796, and came to the U.S. in the early 19th century, and died on the Mississippi Gulf Coast circa 1885. Pete's father, a truck driver and part-time musician, changed the family name to Fountain. He started playing clarinet as a child at the McDonogh 28 school located on Esplanade Avenue. As a child, young Pete was very sickly, frequently battling respiratory infections due to weakened lungs. He was given expensive medication but it proved to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lomax
John Avery Lomax (September 23, 1867 – January 26, 1948) was an American teacher, a pioneering musicologist, and a folklorist who did much for the preservation of American folk music. He was the father of Alan Lomax, John Lomax Jr. and Bess Lomax Hawes, also distinguished collectors of folk music. Early life The Lomax family originally came from England with William Lomax, who settled in Rockingham County in what was then "the colony of North Carolina." John Lomax was born in Goodman in Holmes County in central Mississippi, to James Avery Lomax and the former Susan Frances Cooper. In December 1869, the Lomax family traveled by ox cart from Mississippi to Texas. John Lomax grew up in central Texas, just north of Meridian in rural Bosque County.Porterfield, p. 10. His father raised horses and cattle and grew cotton and corn on the of bottomland that he had purchased near the Bosque River.Porterfield, p. 12. He was exposed to cowboy songs as a child.Porterfield, p. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huddie Ledbetter
Huddie William Ledbetter (; January 20, 1888 – December 6, 1949), better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", "Goodnight, Irene", " Midnight Special", "Cotton Fields", and "Boll Weevil". Lead Belly usually played a twelve-string guitar, but he also played the piano, mandolin, harmonica, violin, and windjammer. In some of his recordings, he sang while clapping his hands or stomping his foot. Lead Belly's songs covered a wide range of genres, including gospel music, blues, and folk music, as well as a number of topics, including women, liquor, prison life, racism, cowboys, work, sailors, cattle herding, and dancing. He also wrote songs about people in the news, such as Franklin D. Roosevelt, Adolf Hitler, Jean Harlow, Jack Johnson, the Scottsboro Boys and Howard Hughes. Lead Belly was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goodnight Irene
"Goodnight, Irene" or "Irene, Goodnight," is a 20th-century American folk standard, written in time, first recorded by American blues musician Huddie 'Lead Belly' Ledbetter in 1933. A version recorded by the Weavers was a #1 hit in 1950. The lyrics tell of the singer's troubled past with his love, Irene, and express his sadness and frustration. Several verses refer explicitly to suicidal fantasies, most famously in the line "sometimes I take a great notion to jump in the river and drown," which was the inspiration for the title of the 1964 Ken Kesey novel ''Sometimes a Great Notion'' and a song of the same name from John Mellencamp's 1989 album, '' Big Daddy'', itself strongly informed by traditional American folk music. Origin In 1886, Gussie Lord Davis published a song called "Irene, Goodnight". The lyrics of the song have some similarities to "Goodnight, Irene" to suggest that Huddie Ledbetter's song was based on Davis' lyrics. There is also a degree of resemblance in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Raye
Don Raye (born Donald MacRae Wilhoite Jr., March 16, 1909 – January 29, 1985) was an American songwriter, best known for his songs for The Andrews Sisters such as "Beat Me Daddy, Eight to the Bar", " The House of Blue Lights", "Just for a Thrill" and "Boogie Woogie Bugle Boy." The latter was co-written with Hughie Prince. While known for such wordy novelty numbers, he also wrote the lyrics to "You Don't Know What Love Is," a simple, poetic lament of unusual power. He also composed the song "(That Place) Down the Road a Piece," one of his boogie woogie songs, which has a medium bright boogie tempo. It was written for the Will Bradley Orchestra, who recorded it in 1940, but the song was destined to become a rock and roll standard, recorded by The Rolling Stones, Chuck Berry, Jerry Lee Lewis, Foghat, Amos Milburn, Harry Gibson, and countless others. In 1940, he wrote the lyrics for the patriotic song "This Is My Country". In 1985, Don Raye was inducted into the Songwriters Hall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basin Street Blues
"Basin Street Blues" is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong. The verse with the lyric "Won't you come along with me / To the Mississippi..." was later added by Glenn Miller and Jack Teagarden. The Basin Street of the title refers to the main street of Storyville, the red-light district of early 20th-century New Orleans, north of the French Quarter. It became a red light district in 1897. Other recordings * Bob Wills and his Texas Playboys with Tommy Duncan * The Mills Brothers, first recorded in 1939 where they utilised their famous mouth trumpet/trombone trademark. * Margie Rayburn on 1956 single "Can I Tell Them That You're Mine?" * Shirley Bassey, on her 1957 album ''Born To Sing The Blues'' * The Hi-Lo's on their 1957 album ''Suddenly It's the Hi-Lo's'' * Louis Prima on his 1957 album ''The Wildest!'' * Dave Brubeck on his 1959 album ''Gone with the Wind'' * Ray Charles recorded this so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Morton
Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth...Morton's accomplishments as an early innovator are so vast that he did not really need to stretch the truth." Gunther Schuller s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jellyroll Morton
Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth...Morton's accomplishments as an early innovator are so vast that he did not really need to stretch the truth." Gunther Schuller s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Red
Indian red is a pigment, a variety of ocher, which gets its colour from ferric oxide, produced in India. Other shades of iron oxides include Venetian red, Venetian Red, #English red, English Red, and #Kobe, Kobe, all shown below. Chestnut (color), Chestnut is a colour similar to but separate and distinct from Indian red. Etymology The name ''Indian red'' derives from the red laterite soil found in India, which is composed of naturally occurring iron oxides. The first recorded use of ''Indian red'' as a color term in English language, English was in 1672. Variations of Indian red Venetian red At right is displayed the colour Venetian red. ''Venetian red'' is a light and warm (somewhat unsaturated) pigment that is a darker shade of scarlet (color), scarlet, derived from nearly pure ferric oxide (Fe2O3) of the hematite type. Modern versions are frequently made with synthetic red iron oxide. The first recorded use of ''Venetian red'' as a colour name in English was in 1753. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spencer Williams
Spencer Williams (October 14, 1889 – July 14, 1965) was an American jazz and popular music composer, pianist, and singer. He is best known for his hit songs " Basin Street Blues", "I Ain't Got Nobody", "Royal Garden Blues", "I've Found a New Baby", "Everybody Loves My Baby", "Tishomingo Blues", and many others. Biography Spencer Williams was born in Vidalia, Louisiana, United States. He was educated at St. Charles University in New Orleans. Williams was performing in Chicago by 1907, and moved to New York City about 1916. After arriving in New York, he co-wrote several songs with Anton Lada of the Louisiana Five. Among those songs was " Basin Street Blues", which became one of his most popular songs and is still recorded by musicians to this day. Williams toured Europe with bands from 1925 to 1928; during this time he wrote for Josephine Baker at the Folies Bergère in Paris. Williams then returned to New York for a few years. At the end of the 1920s, Williams was tried b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Careless Love
"Careless Love" is a traditional song, with several popular blues versions. It has been called a "nineteenth-century ballad and Dixieland standard". The death referenced in an old version was the son of a Kentucky governor. Although published accounts have cited 1926 as the copyright date, W. C. Handy copyrighted "Loveless Love" in 1921 under Pace & Handy Music Co. A recording by Bessie Smith titled "Careless Love Blues" was very popular in 1925. The same year it was recorded by Papa Celestin and his Tuxedo Dixieland Jazz Band and released as a single by OKeh. New Orleans cornetist Chris Kelly was famous for his emotional rendition of the piece. Many other artists have recorded "Careless Love" including Lonnie Johnson (musician), Dr. John, Brook Benton, Connie Francis, Dinah Washington, Snooks Eaglin, Fats Domino, Frankie Laine, Madeleine Peyroux, Nat King Cole, Ray Charles, Rosemary Clooney, Shirley Bassey and Ronnie Lane. Noh Sa-yeon released a Korean version of this song, "Nim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Huddie Ledbetter")
