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Glenville School (Greenwich, Connecticut)
The Glenville School is a historic school building at 449 Pemberwick Road in the Glenville section of Greenwich, Connecticut, United States. It was listed on the National Register of Historic Places in 2003. It was one of several schools built in the town in the 1920s, when it consolidated its former rural school districts into a modern school system, with modern buildings. Architect James O. Betelle, a specialist in school buildings, produced a Georgian Revival school similar to the seven other ones in the town. However, Glenville's is the only one built in a "T" shape, with the auditorium in a front wing. It soon became the major public building in this former mill community, and in 1975, after the elementary school moved to a more modern building, the existing facility became the home of the Western Greenwich Civic Center. In 2003 it was added to the National Register of Historic Places, both in its own right and as a contributing property to the Glenville Historic District ...
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Greenwich, Connecticut
Greenwich (, ) is a New England town, town in southwestern Fairfield County, Connecticut, United States. At the 2020 United States Census, 2020 census, the town had a total population of 63,518. The largest town on Connecticut's Gold Coast (Connecticut), Gold Coast, Greenwich is home to many hedge funds and other financial services firms. Greenwich is a principal community of the Greater Bridgeport, Bridgeport–Stamford–Norwalk–Danbury metropolitan statistical area, which comprises all of Fairfield County. Greenwich is the southernmost and westernmost municipality in Connecticut as well as in the six-state region of New England. The town is named after Greenwich, a List of place names with royal patronage in the United Kingdom, royal borough of London in the United Kingdom. History The town of Greenwich was settled in 1640, by the agents Robert Feake and Captain Daniel Patrick, for Theophilus Eaton, Governor Theophilus Eaton of New Haven Colony, who purchased the land from ...
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Hip Roof
A hip roof, hip-roof or hipped roof, is a type of roof where all sides slope downwards to the walls, usually with a fairly gentle slope (although a tented roof by definition is a hipped roof with steeply pitched slopes rising to a peak). Thus, a hipped roof has no gables or other vertical sides to the roof. A square hip roof is shaped like a pyramid. Hip roofs on houses may have two triangular sides and two trapezoidal ones. A hip roof on a rectangular plan has four faces. They are almost always at the same pitch or slope, which makes them symmetrical about the centerlines. Hip roofs often have a consistent level fascia, meaning that a gutter can be fitted all around. Hip roofs often have dormer slanted sides. Construction Hip roofs are more difficult to construct than a gabled roof, requiring more complex systems of rafters or trusses. Hip roofs can be constructed on a wide variety of plan shapes. Each ridge is central over the rectangle of the building below it. The t ...
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Architrave
In classical architecture, an architrave (; from it, architrave "chief beam", also called an epistyle; from Greek ἐπίστυλον ''epistylon'' "door frame") is the lintel or beam that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan o ...
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Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Varian ...
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Fluting (architecture)
Fluting in architecture consists of shallow grooves running along a surface. The term typically refers to the grooves (flutes) running vertically on a column shaft or a pilaster, but need not necessarily be restricted to those two applications. If the hollowing out of material meets in a point, the point (sharp ridge) is called an arris. If the raised ridge between two flutes is blunt, the ridge is a . Purpose Fluting promotes a play of light on a column which helps the column appear more perfectly round than a smooth column. As a strong vertical element it also has the visual effect of minimizing any horizontal joints. Greek architects viewed rhythm as an important design element. As such, fluting was often used on buildings and temples to increase the sense of rhythm. It may also be incorporated in columns to make them look thinner, lighter, and more elegant. There is debate as to whether fluting was originally used in imitation of ancient woodworking practices, mimicking ...
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Acanthus (ornament)
The acanthus ( grc, ἄκανθος) is one of the most common plant forms to make foliage ornament and decoration, and even as the leaf distinguishing the heraldic coronet of a manorial lord from other coronets of royalty or nobility, which use strawberry leaves. Architecture In architecture, an ornament may be carved into stone or wood to resemble leaves from the Mediterranean species of the '' Acanthus'' genus of plants, which have deeply cut leaves with some similarity to those of the thistle and poppy. Both ''Acanthus mollis'' and the still more deeply cut ''Acanthus spinosus'' have been claimed as the main model, and particular examples of the motif may be closer in form to one or the other species; the leaves of both are, in any case, rather variable in form. The motif is found in decoration in nearly every medium. The relationship between acanthus ornament and the acanthus plant has been the subject of a long-standing controversy. Alois Riegl argued in his ''Stilfragen ...
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Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ...
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Stylobate
In classical Greek architecture, a stylobate ( el, στυλοβάτης) is the top step of the crepidoma, the stepped platform upon which colonnades of temple columns are placed (it is the floor of the temple). The platform was built on a leveling course that flattened out the ground immediately beneath the temple. Etymology The term ''stylobate'' comes from the Ancient Greek στυλοβάτης, consisting of στῦλος stylos, "column", and βατός batos, "walkable, mountable", itself derived from βαίνω baino "to stride, to walk". Terminology Some methodologies use the word ''stylobate'' to describe only the topmost step of the temple's base, while stereobate is used to describe the remaining steps of the platform beneath the stylobate and just above the leveling course. Others, like John Lord, use the term to refer to the entire platform. Architectural use The stylobate was often designed to relate closely to the dimensions of other elements of the temple. In Gr ...
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Tetrastyle
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the ''cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as th ...
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Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek temples, Et ...
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Dormer Window
A dormer is a roofed structure, often containing a window, that projects vertically beyond the plane of a pitched roof. A dormer window (also called ''dormer'') is a form of roof window. Dormers are commonly used to increase the usable space in a loft and to create window openings in a roof plane. A dormer is often one of the primary elements of a loft conversion. As a prominent element of many buildings, different types of dormer have evolved to complement different styles of architecture. When the structure appears on the spires of churches and cathedrals, it is usually referred to as a ''lucarne''. History The word ''dormer'' is derived from the Middle French , meaning "sleeping room", as dormer windows often provided light and space to attic-level bedrooms. One of the earliest uses of dormers was in the form of lucarnes, slender dormers which provided ventilation to the spires of English Gothic churches and cathedrals. An early example are the lucarnes of the spire of Ch ...
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