Glenn Miller Discography
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Glenn Miller Discography
Between 1938 and 1944, Glenn Miller and His Orchestra released 266 singles on the monaural ten-inch shellac 78 rpm format. Their studio output comprised a variety of musical styles inside of the Swing genre, including ballads, band chants, dance instrumentals, novelty tracks, songs adapted from motion pictures, and, as the Second World War approached, patriotic music. Non-instrumental songs featured Miller's various vocalists, generally Ray Eberle or Marion Hutton before 1940, with Tex Beneke, vocal group The Modernaires, and Skip Nelson all making studio vocal appearances after the turn of the decade. Beginning with '' An Album of Outstanding Arrangements'' in 1945, this collection has been repackaged into various album formats over time with release on 78 rpm, 10 and 12 inch LP, 7 inch 45 rpm, compact cassette, 8-track, compact disc (CD), and digital formats. Before his popularity, in the late 1920s, Miller played or wrote arrangements for many hot jazz groups ...
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Glenn Miller
Alton Glen Miller (March 1, 1904 – December 15, 1944) was an American big band founder, owner, conductor, composer, arranger, trombone player and recording artist before and during World War II, when he was an officer in the United States Army Air Forces, US Army Air Forces. Glenn Miller Orchestra, Glenn Miller and His Orchestra was one of the most popular and successful bands of the 20th century and the big band era. His military group, the Major Glenn Miller Army Air Forces Orchestra, was also popular and successful. Glenn Miller and His Orchestra was the best-selling recording band from 1939 to 1942. It did not have a string section, but did have a slap bass in the rhythm section. It was also a touring band that played multiple radio broadcasts nearly every day. Their best-selling records include Miller's iconic theme song"Moonlight Serenade"and the first gold record ever made, "Chattanooga Choo Choo". The following tunes are also on that best-seller list: "In the Moo ...
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LP Record
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of  rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ...
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Runnin' Wild (1922 Song)
"Runnin' Wild" is a popular song first composed and recorded in 1922, written by Arthur Harrington Gibbs with lyrics by Joe Grey and Leo Wood. Notable recordings Further albums and tours (2012–present) * Original Memphis Five, recorded in December 1922 for Regal Records (catalog No. 9407A). *Nora Bayes - recorded for Columbia Records (catalog No. A3826) on January 11, 1923. * Ted Lewis - a popular recording in 1922. * Django Reinhardt Quintette - a gypsy swing version in 1937 *Duke Ellington and His Orchestra, recorded October 17, 1930 for Brunswick Records (catalog No. E34927). * Jimmie Lunceford and His Orchestra, recorded on May 29, 1935 for Decca Records (catalog No. 503B). *Benny Goodman Quartet, recorded February 5, 1937 for Victor Records (25529A). *Glenn Miller and His Orchestra (1939). * Ted Weems and His Orchestra, recorded for Decca Records (3135A) on October 4, 1939. * Teddy Wilson Quintet, recorded January 15, 1945 for Musicraft Records (catalog No. 319). * The Ch ...
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The Lady's In Love With You
"The Lady's in Love with You" is a popular song which was written by Burton Lane (music) and by Frank Loesser (lyrics). The song was published in 1939 and introduced in the film "Some Like It Hot" (1939) when it was sung by Bob Hope and Shirley Ross. Ms Ross also sang it in the film with Gene Krupa and His Band. The song was sung by Tony Bennett at his final concerts, at Radio City Music Hall, in 2021. Hit recordings The song was a major hit in 1939 for the Glenn Miller orchestra, featuring a rare spoken interlude by Miller and vocal by Tex Beneke. Another to have a hit with the song in 1939 was Bob Crosby and His Orchestra. Other cover versions The song has become a standard, recorded by many artists, including: *Bob Hope and Shirley Ross, recorded for Decca (catalog No. 2568A) on June 16, 1939. *Gene Krupa and His Orchestra, recorded for Brunswick Records (catalog No. 8340) on February 26, 1939. *Benny Goodman and His Orchestra, for Victor Records (catalog No. 26211), r ...
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Love Affair (1939 Film)
''Love Affair'' is a 1939 American romantic film, co-starring Charles Boyer and Irene Dunne, and featuring Maria Ouspenskaya. It was directed by Leo McCarey and written by Delmer Daves and Donald Ogden Stewart, based on a story by McCarey and Mildred Cram. Controversial on concept, the official screenplay was re-tooled and rewritten to appease Hollywood censorship and relied on actor input and improvisation, causing long delays and budget extensions. The movie became a surprise hit of 1939, showing McCarey's versatility after a long career of comedic films, and launching the surprising team-up of Dunne and Boyer. Academy Award nominations include Best Actress for Dunne, Best Supporting Actress for Ouspenskaya, Best Original Song, Best Writing (Original), and Best Picture. Its popularity was later dwarfed by McCarey's 1957 remake ''An Affair to Remember'', which spawned its own remakes with 1994's '' Love Affair'' and a few Indian adaptations. Plot One December, French painter ...
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Frankie Carle
Frankie Carle (born Francis Nunzio Carlone, March 25, 1903 – March 7, 2001) was an American pianist and bandleader. As a very popular bandleader in the 1940s and 1950s, Carle was nicknamed "The Wizard of the Keyboard". "Sunrise Serenade" was Carle's best-known composition, rising to No. 1 in the US in 1938 and selling more than one million copies. Early life Carle was born in Providence, Rhode Island, on March 25, 1903. Born the son of a factory worker who could not afford a piano, he practiced on a dummy keyboard devised by his uncle, pianist Nicholas Colangelo, until he found a broken-down instrument in a dance hall. In 1916, a teenage Carle began working with his uncle's band as well as a number of local bands in the Rhode Island area. To gain further popularity in an America which still held prejudices against many Italian Americans, Carle did what many singers, such as Dean Martin and Jerry Vale, did during this time period; he changed his name from Carlone to Carle. Car ...
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Sunrise Serenade
"Sunrise Serenade" is a jazz song written by Frankie Carle with lyrics by Jack Lawrence. It was first recorded in 1939 by Glen Gray and the Casa Loma Orchestra with Carle on piano as Decca 2321. It soon became Carle's signature piece. Glenn Miller released a famous recording of it a few months later, arranged by Bill Finnegan, with "Moonlight Serenade" on the backside (Bluebird 10214). Glenn Miller recording Glenn Miller recorded the song on April 10, 1939 in New York. The personnel for "Sunrise Serenade": Bob Price, Legh Knowles, Dale McMickle, on trumpet; Glenn Miller, Al Mastren, Paul Tanner, on trombone; Wilbur Schwartz, on clarinet and alto saxophone; Hal McIntyre, on alto saxophone; Stanley Aronson, on alto and baritone saxophone; Tex Beneke, Al Klink, on tenor saxophone; Chummy MacGregor, on piano; Allen Reuss, on guitar; Rowland "Rolly" Bundock, on string bass; and Moe Purtill, on drums.''The Essential Glenn Miller''. Recording Information. BMG/RCA/Bluebird, 1995. Other ...
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Moonlight Serenade
"Moonlight Serenade" is an American swing ballad composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when released in May 1939 as an instrumental arrangement, though it had been adopted and performed as Miller's signature tune as early as 1938, even before it had been given the name "Moonlight Serenade." In 1991, Miller's recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame. Background Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he composed "Moonlight Serenade". The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al ...
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My Reverie
"My Reverie" is a 1938 popular song with lyrics by Larry Clinton. Its melody is based on the 1890 piano piece ''Rêverie'' by the French classical composer Claude Debussy. Recordings A 1938 recording of the song by Clinton and his band with Bea Wain as the vocalist was a hit, reaching the top of the ''Billboard'' Record Buying Guide in the same year. The tune went on to be recorded by many others and those with charted versions in 1938 were Bing Crosby (recorded October 14, 1938, reaching #3 in the charts), Mildred Bailey (#10), Glenn Miller (#11) and Eddy Duchin (#13). Other versions have been recorded by Tony Bennett (for his 1955 album ''Cloud 7''), Keely Smith (for her 1959 album ''Be My Love''), Sarah Vaughan (who recorded it twice, 1950 and also for her 1963 album ''Sarah Slightly Classical''), Betty Carter, Helen Forrest, and Ella Fitzgerald (for her 1961 album ''Clap Hands, Here Comes Charlie!''), as well as bands led by Paul Whiteman, Dizzy Gillespie, Sonny Rollins, Sta ...
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Red Nichols
Ernest Loring "Red" Nichols (May 8, 1905 – June 28, 1965) was an American jazz cornetist, composer, and jazz bandleader. Biography Early life and career Nichols was born in Ogden, Utah, United States. His father was a college music professor, and Nichols was something of a child prodigy, playing difficult set pieces for his father's brass band by the age of 12. Young Nichols heard the early recordings of the Original Dixieland Jass Band, Original Dixieland Jazz Band and later those of Bix Beiderbecke, and these had a strong influence on him. His style became polished, clean, and incisive. In the early 1920s, Nichols moved to the Midwest and joined a band called the Syncopating Seven. When that band broke up, he joined the Johnny Johnson Orchestra and went with it to New York City in 1923. In New York, he met trombonist Miff Mole, and the two were inseparable for the next decade. Before signing with Brunswick, Nichols and Mole recorded for Perfect Records, Pathé-Perfect un ...
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Dixieland
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the perio ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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