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Give Me Just A Little More Time
"Give Me Just a Little More Time" is the debut single by Chairmen of the Board, released in 1970 through Capitol Records on Holland–Dozier–Holland's Invictus Records label. "Give Me Just a Little More Time", backed with "Since the Days of Pigtails & Fairytales", peaked at No. 3 on the ''Billboard'' Hot 100 in the United States, making it the best-performing of the Chairmen's singles, and the first of the Chairmen's four ''Billboard'' Hot 100 top 40 pop hits. The single also peaked at No. 8 on the ''Billboard'' R&B Singles chart. It sold more than one million copies in the US. In the United Kingdom, the song reached No. 3 on the UK Singles Chart in September 1970. The first Chairmen of the Board LP, a self-titled release, included the single; after the single's success, the ''Chairmen of the Board'' album was reissued as ''Give Me Just a Little More Time''. Background The song was written and produced by Brian Holland, Lamont Dozier, Edward Holland, Jr., and Ron Dunbar. Beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chairmen Of The Board
Chairmen of the Board is an American-Canadian, Detroit, Michigan-based soul music musical ensemble, group, who saw their greatest commercial success in the 1970s. Recording career General Johnson (musician), General Johnson (1941–2010) had a hit record, hit as the lead singing, singer of The Showmen in the early 1960s, with the New Orleans rock and roll anthem "It Will Stand" and Beach music, Carolina Beach classic "39-21-40 Shape". When Holland/Dozier/Holland left Motown Records, Motown in 1967 to establish their own Invictus Records, Invictus/Hot Wax Records, Hot Wax group of record labels, they teamed Johnson up with Eddie Custis, Danny Woods and Canadians, Canadian born Harrison Kennedy (musician), Harrison Kennedy as the new company's flagship act, under the appropriate name "Chairmen of the Board". Custis left the group after their second album. Although they all had a turn at lead vocals, it was Johnson's quirky hiccup-laden style and his songwriter, songwriting that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motown
Motown Records is an American record label owned by the Universal Music Group. It was founded by Berry Gordy Jr. as Tamla Records on June 7, 1958, and incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of ''motor'' and ''town'', has become a nickname for Detroit, where the label was originally headquartered. Motown played an important role in the racial integration of popular music as an African American-owned label that achieved crossover success. In the 1960s, Motown and its subsidiary labels (including Tamla Motown, the brand used outside the US) were the most of the Motown sound, a style of soul music with a mainstream pop appeal. Motown was the most successful soul music label, with a net worth of $61 million. During the 1960s, Motown achieved 79 records in the top-ten of the ''Billboard'' Hot 100 between 1960 and 1969. Following the events of the Detroit Riots of 1967, and the loss of key songwriting/production team Holland–Dozier– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Ashford
Jack Ashford (born May 18, 1934), known to his friends as Jashford, is an American musician widely known as the percussionist for Motown Records' in-house Funk Brothers band during the 1960s and early 1970s. Ashford is most famous for playing the tambourine on hundreds of Motown recordings. With the death of Joe Messina in April 2022, Ashford is the last surviving member of the Funk Brothers. Instruments he is known to have played are the tambourine, vibraphone, marimba, maracas, cabasa, bells, chimes, bell tree, finger cymbals, kazoo, triangle, wood block, handclaps, foot stomps and hotel sheet. His definitive performance is on "War" by Edwin Starr. Other notable songs Ashford played tambourine on include " Nowhere to Run" by Martha & the Vandellas, "You Can't Hurry Love" by The Supremes, "I Heard It Through the Grapevine" by Marvin Gaye, and "Don't Leave Me This Way" by Thelma Houston. He played vibes, shakers, and the marimba on Motown recordings such as The Miracles' "O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard "Pistol" Allen
Howard Richard "Pistol" Allen (August 13, 1932 – June 30, 2002) was an American musician, most notable as a Motown session drummer with The Funk Brothers. History Allen was the primary recording session drummer for Motown Records' in-house Funk Brothers band on most of Holland-Dozier and Holland's hit productions of the 1960s. Hits for which Allen played the drums include "Heat Wave" by Martha and the Vandellas, "Signed, Sealed, Delivered I'm Yours" by Stevie Wonder, "The Way You Do the Things You Do" by The Temptations, "Where Did Our Love Go" and "Baby Love" by The Supremes, "How Sweet It Is (To Be Loved by You)" and "I Heard It Through the Grapevine" by Marvin Gaye, and "Reach Out I'll Be There" by the Four Tops. Allen's influences included Max Roach, Buddy Rich, and fellow Funk Brother Benny Benjamin. He played a studio set made up of Ludwig, Slingerland, Rogers and Gretsch components and likely Zildjian cymbals. Although he appeared in ''Standing in the Shadow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Griffith (musician)
John Ellis Griffith Jr. (July 10, 1936 – November 10, 2002) was an American musician. Biography Born in Detroit, Griffith was a musician who played keyboards for Motown Records' in-house studio band, The Funk Brothers. Among Griffith's most notable performances on the hundreds of Motown recordings he played on are the electric piano on "I Heard It Through the Grapevine" by Marvin Gaye and " Ain't Too Proud to Beg" and by The Temptations, and the organ on "Stop! In the Name of Love" by The Supremes and " Shotgun" by Junior Walker & the All Stars. Griffith also played on many of the non-Motown releases with the Funk Brothers, such as " Cool Jerk" by The Capitols and "(Your Love Keeps Lifting Me) Higher and Higher" by Jackie Wilson. Griffith played the Steinway grand piano, the Hammond B-3 organ, the Wurlitzer electric piano, the Fender Rhodes, and the celeste and harpsichord. His musical influences included Bud Powell, Glenn Gould, and Oscar Peterson Oscar Emm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Monette
Ray Monette is an American musician born on May 7, 1946. He started his career as a session musician with Motown. He was also a songwriter and, in 1967 Detroit started a band called The Abstract Reality, who released a 45 rpm single "Love Burns Like A Fire Inside". (Note: side B: ib. instrumental version) He formed Scorpion with Mike Campbell, Bob 'Babbitt' Kreinar and Andrew Smith. His name appears on ''Scorpion'' and Meat Loaf's debut album ''Stoney & Meatloaf'' (1971). For that recording, Monette co-wrote four songs.Stoney and Meatloaf The Almost Complete Meat Loaf & Jim Steinman Lyric Archive (Retrieved 2 July 2011) That same year, he played tenor guitar on "Evolution" by |
Eddie Willis
Eddie "Chank" Willis (June 3, 1936 – August 20, 2018) was an American soul musician. Willis played electric guitar and occasional electric sitar for Motown's in-house studio band, The Funk Brothers, during the 1960s and early 1970s. Career Born in Grenada, Mississippi, Willis was known for his signature style of muted guitar riffs which added a distinctive tone or "color" to the beat, often timed with the snare, of the hundreds of hit songs recorded at Hitsville U.S.A. for Motown artists. Among the recordings Willis performed on are " Please Mr. Postman" by The Marvelettes, "The Way You Do the Things You Do" by The Temptations, "You Keep Me Hanging On" by The Supremes, and "I Was Made to Love Her" by Stevie Wonder. Influences for Willis included Chet Atkins, Wes Montgomery, and Albert King. He played a Gibson Firebird guitar on most of his early 1960s work, later moving on to use a Gibson ES-335. On recordings such as The Supremes' "No Matter What Sign You Are", Willis perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dennis Coffey
Dennis James Coffey (born November 11, 1940) is an American guitarist. He was a studio musician for many soul and R&B recordings, and is well known for his 1971 Top 10 hit single " Scorpio". Biography Coffey learned to play guitar at the age of thirteen, in the Michigan Upper Peninsula town of Copper City. In 1955, as a fifteen-year-old sophomore at Detroit's Mackenzie High School, Dennis played his first record session - backing Vic Gallon in "I'm Gone", on the Gondola record label. In the early 1960s he joined The Royaltones who had had hits with "Poor Boy" in 1958 and "Flamingo Express" in 1961. The Royaltones played sessions with other artists including Del Shannon. By the late 1960s as a member of the Funk Brothers studio band, Coffey played on dozens of recordings for Motown Records, and introduced a hard rock guitar sound to Motown record producer Norman Whitfield's recordings, including distortion, Echoplex tape-loop delay, and wah-wah: most notably heard on " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Babbitt
__NOTOC__ Robert Andrew Kreinar (November 26, 1937 – July 16, 2012), known as Bob Babbitt, was a Hungarian-American bassist, most famous for his work as a member of Motown Records' studio band, the Funk Brothers, from 1966 to 1972, as well as his tenure as part of MFSB for Philadelphia International Records afterwards. Also in 1968, with Mike Campbell, Ray Monette and Andrew Smith he formed the band Scorpion, which lasted until 1970. He is ranked number 59 on ''Bass Player'' magazine's list of "The 100 Greatest Bass Players of All Time". Babbitt traded off sessions with original Motown bassist James Jamerson. When Motown moved to Los Angeles, Babbit went in the opposite direction and ended up in New York as well as making occasional trips to Philadelphia. In this new city he worked on recordings for Frank Sinatra, Barry Manilow, Gloria Gaynor, Robert Palmer, and Alice Cooper. During this time his most notable successes were " Midnight Train to Georgia" by Gladys Knig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
