Giusto De' Menabuoi
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Giusto De' Menabuoi
''Cappella del beato Luca Belludi'' Sant'Antonio (Padua) Giusto de' Menabuoi (c. 1320–1391) was an Italian painter of the early Renaissance. He was born in Florence. Probably, but not confirmed as, a pupil of Giotto, de' Menabuoi was notable for his use of bright colour and became a painter at the court of Da Carrara. Pursuing his own archaic style, far removed from Gothic style and realism of his contemporaries Altichiero and Jacopo d'Avanzi, he was to leave no trace in the development of subsequent Venetian painting. In Lombardy he executed a fresco of the ''Last Judgement ''in the Abbey of Viboldone, Milan. He then moved to Padua where he completed frescos in the Church of the Eremitani, the Basilica of Saint Anthony of Padua and most notably at the Baptistery of the Padua Duomo. Between 1375 and 1378 he executed the fresco decoration of the Baptistery of the Padua Duomo, commissioned by Fina Buzzaccarini, wife of Francesco I da Carrara, who intended to use the building ...
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Giusto De' Menabuoi, Paradiso (detail), 1376-78, Battistero Di Padova
A variety of musical terms are likely to be encountered in Sheet music, printed scores, music reviews, and program notes. Most of the terms Italian musical terms used in English, are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French language, French and German language, German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for Violin family, orchestral string instruments, used to indicate that the player should play the passage on the h ...
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Basilica Of Saint Anthony Of Padua
The Pontifical Basilica of Saint Anthony of Padua ( it, Basilica Pontificia di Sant'Antonio di Padova) is a Catholic church and minor basilica in Padua, Veneto, Northern Italy, dedicated to St. Anthony of Padua. Although the basilica is visited as a place of pilgrimage by people from all over the world, it is not the cathedral of the city, a title belonging to the Cathedral-Basilica of St. Mary of Padua. The basilica is known locally as "il Santo". It is one of the national shrines recognized by the Holy See. History Construction of the Basilica probably began around 1232, just one year after the death of St. Anthony. It was completed in 1310 although several structural modifications (including the falling of the ambulatory and the construction of a new choir screen) took place between the end of the 14th and the mid-15th century. The Saint, according to his will, had been buried in the small church of ''Santa Maria Mater Domini'', probably dating from the late 12th centur ...
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Painters From Florence
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus The Ping-Pong virus (also called Boot, Bouncing Ball, Bouncing Dot, Italian, Italian-A or VeraCruz) is a boot sector virus discovered on March 1, 1988, at the '' Politecnico di Torino'' (Turin Polytechnic University) in Italy. It was likely the ..., an extinct computer virus See also ...
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14th-century Italian Painters
As a means of recording the passage of time, the 14th century was a century lasting from 1 January 1301 ( MCCCI), to 31 December 1400 ( MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of Charles IV, King of France led to a claim to the French throne by Edward III, King of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever esta ...
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1390 Deaths
139 may refer to: * 139 (number), an integer * AD 139, a year of the Julian calendar * 139 BC, a year of the pre-Julian Roman calendar * 139 (New Jersey bus) See also * 139th (other) 139th may refer to: * 139th (Northumberland) Battalion, CEF, unit in the Canadian Expeditionary Force during the First World War *139th (Nottinghamshire and Derbyshire) Brigade, infantry brigade of the British Army that saw active service in World ...
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1330 Births
133 may refer to: * 133 (number) *AD 133 * 133 BC * 133 (song) *133 (New Jersey bus) 133 may refer to: *133 (number) *AD 133 Year 133 ( CXXXIII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Hiberus and Sisenna ...
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Christ Pantocrator
In Christian iconography, Christ Pantocrator ( grc-gre, Χριστὸς Παντοκράτωρ) is a specific depiction of Christ. ''Pantocrator'' or ''Pantokrator'', literally ''ruler of all'', but usually translated as "Almighty" or "all-powerful", is derived from one of many names of God in Judaism. The Pantokrator, largely an Eastern Orthodox or Eastern Catholic theological conception, is less common under that name in Western Roman Catholicism and largely unknown to most Protestants. In the West, the equivalent image in art is known as Christ in Majesty, which developed a rather different iconography. ''Christ Pantocrator'' has come to suggest Christ as a mild but stern, all-powerful judge of humanity. When the Hebrew Bible was translated into Greek as the Septuagint, ''Pantokrator'' was used both for ''YHWH Sabaoth'' "Lord of Hosts" and for ''El Shaddai'' "God Almighty". In the New Testament, ''Pantokrator'' is used once by Paul () and nine times in the Book of ...
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Byzantine Art
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Byzantine Empire were culturally influenced by it without actually being part of it (the " Byzantine commonwealth"). These included the Rus, as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Kingdom of Sicily, which had close ties to the Byzantine Empir ...
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Romanesque Art
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic Art, Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architecture, Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and Acanthus (ornament), acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these element ...
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Francesco I Da Carrara
Francesco I da Carrara (29 September 1325, in Monza – 6 October 1393, in Padua), called il Vecchio, was Lord of Padua from 1350 to 1388. The son of the assassinated Giacomo II da Carrara, he succeeded him as lord of Padua by popular acclamation. In 1356 he was named imperial vicar by emperor Charles IV. In 1360 he obtained by Louis I of Hungary the cities of Feltre and Belluno with their territories, as well as Valsugana, which controlled the trades to Trentino. In 1372-1373 he fought a fruitless war against his powerful neighbor, the Republic of Venice. In 1375-1381 he sided with the Genoa in the War of Chioggia, after which he obtained by Leopold III of Austria the city of Treviso. In 1385, he allied with the Visconti of Milan against the Scaliger of Verona. In 1387 the Paduan troops, led by John Hawkwood and his son Francesco Novello, defeated the Scaliger troops in the Battle of Castagnaro. The following year, however, Venice and Milan formed a colation against Francesc ...
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Padua Baptistery
The Padua Baptistery, dedicated to St. John the Baptist, is a religious building found on the Piazza del Duomo next to the cathedral in Padua. Preserved inside is one of the most important fresco cycles of the 14th century, a masterpiece by Giusto de Menabuoi. History The construction of the baptistery began in the 12th century, probably on top of an existing structure; it underwent various reworkings in the following century, and was consecrated by Guido, patriarch of Grado, in 1281. Between 1370 and 1379 it was restored and adapted as a mausoleum for prince Francesco il Vecchio da Carrara and his wife, Fina Buzzaccarini. The latter oversaw the decorative work, entrusting it to Giusto de' Menabuoi (whose burial site was later found outside the building). With the fall of the House of Da Carrara in 1405, Venetian soldiers demolished the grand burial monuments and covered the numerous emblems of Francesco il Vecchio with green paint. After various partial restorations in the ...
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