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Giuditta Saltarini
''Giuditta'' is an operatic ' (German for ''musical comedy'') in five scenes, with music by Franz Lehár and a German libretto, by and Fritz Löhner-Beda. Scored for a large orchestra, it was Lehár's last and most ambitious work, written on a larger scale than his previous operettas. Of all his works it is the one which most approaches true opera, the resemblances between the story and that of Bizet's ''Carmen'' and its unhappy ending heightening the resonances. Perhaps the best known song in the work is the soprano aria "", sung by Giuditta in the fourth scene. Another strong influence, especially for the North African setting, was the 1930 movie ''Morocco'', starring Marlene Dietrich and Gary Cooper in very similar central roles, she being a singer-dancer, he being a soldier. Production history The work received its first performance at the Vienna State Opera on 20 January 1934, with Jarmila Novotná and Richard Tauber in the leading roles. The premiere attracted more attention ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Mauprey
André Mauprey (19 August 1881 – 3 February 1939) was a French writer, composer, librettist, and actor. He helped to popularize ''The Three Penny Opera,'' and was the first to translate many of its songs into French. Working with Robert de Mackiels and Serge Veber, he wrote the lyrics for the operetta '' Tip-Toes'' based on the melodies of George Gershwin. His music and lyrics were sung by Édith Piaf, Juliette Gréco, Marianne Oswald, Marlene Dietrich, and Mathé Altéry. Discography Most widely held works with lyrics by Andre Mauprey * ''Complainte De Mackie'' ( Mack the Knife) * ''J'ai Laisse Mon Coeur'' * ''Je T'ai Donné Mon Coeur'' * ''Surabaya-Johnny'' * ''Le Jazz Me Porte A La Peau'' * ''Chanson De Barbara'' * ''La Fiancée Du Pirate'' * ''Jalousie'' Selected filmography André Mauprey was a versatile artist, contributing as a writer, lyricist, composer, and actor to many films in the 1920s and 30s. ; Screenplay * ''Le Baron tzigane'' (1935) * ''Le Cavalier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Maikl
Georg Maikl (4 April 1872 – 22 August 1951) was an Austrian operatic tenor. Life Born in Hippach near Zell am Ziller in Tyrol, Maikl came from a family of singers and studied singing in Stuttgart with the tenor Anton Hromada. Alexander Rausch, Monika Kornberge Maikl, Familieon ''Oesterreichisches Musiklexikon'' Online-Edition, Vienna 2002 ff., ; Printed edition: Volume 3, published by the Austrian Academy of Sciences, Vienna 2004, . After he was discovered by Pollini in 1899, a ten-year engagement at the Hamburg Opera failed because he died shortly afterwards. Instead, Maikl sang at the Mannheim Hofbühne in the same year, where he made his debut in the role of Tamino. Gustav Mahler brought Maikl in 1904 to the Wiener Staatsoper, where he worked for the rest of his life and impersonated 99 roles until 1942. From 1906 to 1910, he worked for the Salzburg Mozart festivals and from 1920 for the Salzburg Festival. Kammersänger Maikl died in Vienna aged 79 and was buried in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margit Bokor
Margit Bokor, born Margit Wahl, (1 June 1903 or 1 April 1900 – 9 November 1949 in New York City) was a Hungarian operatic soprano. She created the role of Zdenka in ''Arabella'' by Richard Strauss at the Semperoper in 1933, but then had to leave Germany. She was a member of the Vienna State Opera from 1934 to 1938. She moved to Paris, then emigrated to the United States in 1939, continuing her career at opera houses of the Americas. Life and career Wahl was born in Losoncz, Kingdom of Hungary, in what was then the Hungarian Nógrád County, or perhaps in Budapest. She took singing lessons in Budapest and Vienna. She graduated in 1928 from the Budapest Conservatory, and made her stage debut the same year in the title role of Beethoven's ''Fidelio'' at the Leipzig Opera, where she was a member to 1930. She sang at the Semperoper of Dresden from 1930 to 1933. She appeared as Leonora both in Verdi's ''Il trovatore'' and his ''La forza del destino'', as Dorabella in Mozart's ''C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teresa Stratas
Teresa Stratas (born May 26, 1938) is a retired operatic soprano from Canada of Greek descent. She is especially well known for her award-winning recording of Alban Berg's ''Lulu''. Early life and career Stratas was born Anastasia Stratakis to a struggling immigrant Cretan family in Oshawa, near Toronto, Ontario. At age 13, she performed Greek pop songs on the radio. She graduated from The Royal Conservatory of Music in Toronto. At age 20, Stratas made her professional opera debut as Mimì in ''La bohème'' at the Toronto Opera Festival. One year later in 1959, she co-won the Metropolitan Opera National Council Auditions, appearing later that year with the Metropolitan Opera as Poussette in ''Manon''. She created the title role in Peggy Glanville-Hicks' ''Nausicaa'' at the Herod Atticus Theatre in Athens in 1961, made her Covent Garden debut as Mimì that same year and in 1962, she made her La Scala debut as Isabella in Manuel de Falla's ''L'Atlántida''. She continued her car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Schock
Rudolf Johann Schock (4 September 1915 – 13 November 1986) was a German tenor. Rudolf Schock was born in Duisburg, in the Prussian Rhine Province. He sang a wide repertoire from operetta to ''Lohengrin'', recording among others opera and lieder, doing television, radio and film work.Noël Goodwin, "Schock, Rudolf (Johann)", ''Grove Music Online'', version 15 May 2009. Retrieved 21 December 2009. Slim and handsome, he made many films. His voice fell almost into the heldentenor fach but was smaller and more ardent than many voices in that category. Colored distinctly with a rich baritonal quality, Schock is described by '' Grove'' as a "lyric tenor" with a warm flexible voice, and a "strong top voice" which suited him to "heroic roles". However the same source feels that his acting left something to be desired. When he was 18 and still continuing his musical studies that took him to Cologne, Hanover and Berlin, Schock joined the opera chorus at Theater Duisburg in the city of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Gänzl
Kurt-Friedrich Gänzl (born 15 February 1946) is a New Zealand writer, historian and former casting director and singer best known for his books about musical theatre. After a decade-long playwriting, acting and singing career, and a second career as a casting director of West End shows, Gänzl became one of the world's most important chroniclers of musical theatre history."Kurt Gänzl" Theatre Heritage Australia, 2 September 2020 According to Christophe Mirambeau of Canal Académie, "Kurt Gänzl is an institution. No one interested in musicals and operetta can ignore that. He is the world reference – with some few others, like , |
