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Gitaprakasa
The Gitaprakasa (IAST: 'Gītaprakāśa'; "Illuminator of music") is a 16th-century musical treatise belonging to the tradition of Odissi music, written by the musicologist Krusnadasa Badajena Mahapatra. Mahapatra was a court musician of Gajapati Mukundadeba. It is the second earliest music treatise discovered from Odisha. The Gita Prakasa is one of the cornerstones of the Odissi music tradition and is widely quoted by later authorities such as the ''Sangita Narayana'' and the ''Sangita Muktabali''. The treatise was first published by the Odisha Sangeet Natak Akademi in 1983, based on two palm leaf manuscripts preserved in the Odisha State Museum, Bhubaneswar. Both manuscripts were collected from Puri district, Odisha and were roughly dated to the 18th century. Author Krusnadesa Badajena Mahapatra was a 16th-century musician par excellence from Odisha. The author reveals no information about his family, age or any other details in his text. However, the period to which he belonge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odissi Music
music () is a genre of classical music in India, originated from the eastern state of Odisha. The traditional ritual music for the service of Lord Jagannatha, Odissi music has a history spanning over two thousand years, authentic ''sangita-shastra''s or treatises, unique Ragas & Talas and a distinctive style of rendition. The various aspects of Odissi music include ''odissi prabandha, chaupadi, chhānda, champu, chautisa, janāna, mālasri, bhajana, sarimāna, jhulā, kuduka, koili, poi, boli,'' and more. Presentation dynamics are roughly classified into four: ''raganga'', ''bhabanga, natyanga'' and ''dhrubapadanga''. Some great composer-poets of the Odissi tradition are the 12th-century poet Jayadeva, Balarama Dasa, ''Atibadi'' Jagannatha Dasa, Dinakrusna Dasa, ''Kabi Samrata'' Upendra Bhanja, Banamali Dasa, ''Kabisurjya'' Baladeba Ratha and ''Kabikalahansa'' Gopalakrusna Pattanayaka. According to Bharata Muni's '' Natya Shastra'', Indian classical music has four significan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IAST
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that emerged during the nineteenth century from suggestions by Charles Trevelyan, William Jones, Monier Monier-Williams and other scholars, and formalised by the Transliteration Committee of the Geneva Oriental Congress, in September 1894. IAST makes it possible for the reader to read the Indic text unambiguously, exactly as if it were in the original Indic script. It is this faithfulness to the original scripts that accounts for its continuing popularity amongst scholars. Usage Scholars commonly use IAST in publications that cite textual material in Sanskrit, Pāḷi and other classical Indian languages. IAST is also used for major e-text repositories such as SARIT, Muktabodha, GRETIL, and sanskritdocuments.org. The IAST scheme represents more than a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odissi
Odissi (), also referred to as Orissi in old literature, is a major ancient Indian classical dance that originated in the Hindu temple, temples of Odisha – an eastern coastal state of India.Odissi ''Encyclopædia Britannica'' (2013) Odissi, in its history, was performed predominantly by women, and expressed religious stories and spirital ideas, particularly of Vaishnavism through songs written and composed according to the ''ragas'' & ''talas'' of Odissi music by ancient poets of the state. Odissi performances have also expressed ideas of other traditions such as those related to Hindu Gods Shiva and Surya, as well as Hindu Goddesses (Shaktism)., Quote: "There are other temples too in Odisha where the ''maharis'' used to dance. Besides the temple of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jagannath
Jagannath ( or, ଜଗନ୍ନାଥ, lit=Lord of the Universe, Jagannātha; formerly en, Juggernaut) is a deity worshipped in regional Hindu traditions in India and Bangladesh as part of a triad along with his brother Balabhadra, and sister, Subhadra. Jagannath, within Odia Hinduism, is the supreme god, ''Purushottama'', and the ''Para Brahman''. To most Vaishnava Hindus, particularly the Krishnaites, Jagannath is an abstract representation of Krishna, or Vishnu, sometimes as the avatar of Krishna or Vishnu. To some Shaiva and Shakta Hindus, he is a symmetry-filled tantric form of Bhairava, a fierce manifestation of Shiva associated with annihilation. The Jagannathism ( Odia Vaishnavism) — the particular sector of Jagannath as a major deity — emerged in the Early Middle Ages and later became an independent state regional temple-centered tradition of Krishnaism/Vaishnavism. The idol of Jagannath is a carved and decorated wooden stump with large round eyes and a symme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akbarnama
The ''Akbarnama'', which translates to ''Book of Akbar'', the official chronicle of the reign of Akbar, the third Mughal Emperor (), commissioned by Akbar himself and written by his court historian and biographer, Abu'l-Fazl ibn Mubarak. It was written in Persian, which was the literary language of the Mughals, and includes vivid and detailed descriptions of his life and times. It followed the '' Baburnama'', the more personal memoir by his grandfather, Babur, founder of the dynasty. It was produced in the form of lavishly illustrated manuscripts. The work was commissioned by Akbar, and written by Abul Fazl, who was one of the ''Nine Jewels'' (Hindustani: Navaratnas) of Akbar's royal court. It is stated that the book took seven years to be completed. The original manuscripts contained many miniature paintings supporting the texts, thought to have been illustrated between and 1594 by at least forty-nine different artists from Akbar's imperial workshop, representing the best of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ain-i-Akbari
The ''Ain-i-Akbari'' ( fa, ) or the "Administration of Akbar", is a 16th-century detailed document recording the administration of the Mughal Empire under Emperor Akbar, written by his court historian, Abu'l Fazl in the Persian language. It forms Volume III and the final part of the much larger document, the ''Akbarnama'' (''Account of Akbar''), also by Abu'l-Fazl, and is itself in three volumes. Contents The ''Ain-i-Akbari'' is the third volume of the ''Akbarnama'' containing information on Akbar's reign in the form of administrative reports, similar to a gazetteer. In Blochmann's explanation, "it contains the 'āīn' (i.e. mode of governing) of Emperor Akbar, and is in fact the administrative report and statistical return of his government as it was about 1590."Blochmann, H. (tr.) (1927, reprint 1993). ''The Ain-I Akbari by Abu'l-Fazl Allami'', Vol. I, Calcutta: The Asiatic Society, preface (first edition) The ''Ain-i-Akbari'' is divided into five books. The first book calle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abul Fazl
Abul is an Arabic masculine given name. It may refer to: * Abul Kalam Azad * Abul A'la Maududi * Abul Khair (other), several people * Abul Abbas (other), several people * Abul Hasan * Abul Hasan Ali Hasani Nadwi * Abu'l-Fazl ibn Mubarak * Abul Hasan Qutb Shah * Abul-Hasan Al-Muhajir * Khidr * Abul Farah Faridi, Bangladeshi academic * Abul Kalam (other), several people * Abul Kalam Azad, a photographer * Abul Hossain * Mufti Abul Qasim Nomani * Abul Maal Abdul Muhith * Aurangzeb * Abul K. Abbas See also * Abul Kalam Mohammad (other), a compound given name * Abul Aish, a village in Bahrain * Avul Pakir Jainulabdeen Abdul Kalam (1931 – 2015), 11th President of India * Abu (other) * Abdul Abdul (also transliterated as Abdal, Abdel, Abdil, Abdol, Abdool, or Abdoul; ar, عبد ال, ) is the most frequent transliteration of the combination of the Arabic word '' Abd'' (, meaning "Servant") and the definite prefix '' al / el'' (, mea . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prataparudra Deva
Prataparudra Deva (Odia: ଗଜପତି ପ୍ରତାପରୁଦ୍ର ଦେବ) was the third Gajapati emperor of Odisha from the Suryavamsa Gajapati Empire started by his grandfather Kapilendra Deva Routaraya. He ruled from the year 1497 to 1540 A.D. Besides being a ruler, he was a devout Vaishnava and adherent of the famous saint, Sri Chaitanaya who arrived in Odisha during his rule. His life was extremely occupied with overwhelming military campaigns in defense of his inherited territory from three frontal invasions by the enemy states Vijayanagar, Hussain Shahi dynasty of Bengal and Qutb Shahi dynasty of Golconda. He lost large portions of his territory to the neighboring enemy states initiating the dissolution of Odisha's military hegemony and imperial status that continued for nearly a period of 600 years before him. Military Conflicts on All Fronts and Decline of Imperial Odisha Prataparudra Deva's life was heavily occupied in dealing with continuous military ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
