Gilgamesh (Saygun Opera)
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Gilgamesh (Saygun Opera)
''Gılgameş'' ( Op. 65) is an opera in three acts and twelve scenes composed by Ahmed Adnan Saygun to a Turkish-language libretto by . The opera, based on the ''Epic of Gilgamesh'' was composed from 1964 to 1983, but premiered in an early version in 1970. The work had its origins in an opera of the same name by Nevit Kodallı Nevit Kodallı (12 December 1924, Mersin – 1 September 2009, Mersin) was a Turkish composer of western-influenced classical music including operas and ballets. In 1948 he travelled to Paris where he studied with Arthur Honegger and Nadia Boulang ... with a libretto by which was premiered in Ankara in 1964, but Saygun and his librettist were commissioned to rewrite both music and libretto. See also * Gilgamesh in the arts and popular culture * Gilgamesh (other)#Operas References 1970 operas Operas Turkish-language operas Operas by Ahmet Adnan Saygun Operas based on literature Works based on the Epic of Gilgamesh {{opera-stub ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Ahmed Adnan Saygun
Ahmet Adnan Saygun (; 7 September 1907 – 6 January 1991) was a Turkish composer, musicologist and writer on music. One of a group of composers known as the Turkish Five who pioneered western classical music in Turkey, his works show a mastery of Western musical practice, while also incorporating traditional Turkish folk songs and culture. When alluding to folk elements he tends to spotlight one note of the scale and weave a melody around it, based on a Turkish mode. His extensive output includes five symphonies, five operas, two piano concertos, concertos for violin, viola and cello, and a wide range of chamber and choral works. ''The Times'' called him "the grand old man of Turkish music, who was to his country what Jean Sibelius is to Finland, what Manuel de Falla is to Spain, and what Béla Bartók is to Hungary". Saygun was growing up in Turkey he witnessed radical changes in his country’s politics and culture as the reforms of Mustafa Kemal Atatürk had replaced the O ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
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Epic Of Gilgamesh
The ''Epic of Gilgamesh'' () is an epic poetry, epic poem from ancient Mesopotamia, and is regarded as the earliest surviving notable literature and the second oldest religious text, after the Pyramid Texts. The literary history of Gilgamesh begins with five Sumerian language, Sumerian poems about Bilgamesh (Sumerian for "Gilgamesh"), king of Uruk, dating from the Third Dynasty of Ur (). These independent stories were later used as source material for a combined epic in Akkadian language, Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BC and is titled after its incipit, ''Shūtur eli sharrī'' ("Surpassing All Other Kings"). Only a few clay tablet, tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates from the 13th to the 10th centuries BC and bears the incipit ''Sha naqba īmuru'' ("He who Saw the Abyss", in unmetaphoric terms: "He who Sees the ...
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Gilgamesh (Kodallı Opera)
''Gılgamış'' is a 1964 Turkish-language opera by Nevit Kodallı. Simultaneously with Kodallı, Ahmed Adnan Saygun was also working around 1964 on a Gilgamesh project, which he completed as his Op.65 ''Gilgamesh (Saygun opera), Gılgameş''.Ahmed Adnan Saygun Semineri Bildirileri: 7-8 Ocak 1987 - Page 39 Ahmed Adnan Saygun, M. Tuğrul Göğüş - 1987 "Op.51 Duyuşlar (Üç kadın sesi için, 1935), Op.52 Köroglu (Üç perdelik opera, 1971-1973), Op.53 4. ... orkestra düzenlemesi de yapılmıştır, 1978, Sözler: A.A.Saygun), Op.65 Gılgameş (Üç perdelik epik dram, 1964-1970, Söz. A.A.Saygun), " See also * Gilgamesh in the arts and popular culture * Gilgamesh (other)#Operas References

Turkish-language operas 1964 operas Operas Works based on the Epic of Gilgamesh {{Opera-stub ...
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Nevit Kodallı
Nevit Kodallı (12 December 1924, Mersin – 1 September 2009, Mersin) was a Turkish composer of western-influenced classical music including operas and ballets. In 1948 he travelled to Paris where he studied with Arthur Honegger and Nadia Boulanger. He returned in 1953 and from 1955 he taught at the Ankara State Conservatory. His work includes oratorios and ballets from Turkish history as well as operas on the subjects of Gilgamesh and Vincent van Gogh. References External links50 years of Turkish balletby the theatre scholar Metin AndObituaryin English edition of ''Hürriyet''a note by Kodallıon the Mersin Mersin (), also known as İçel, is a large city and a port on the Mediterranean Sea, Mediterranean coast of southern Turkey. It is the provincial capital of Mersin Province, Mersin (İçel) Province. It is made up of four municipalities and dis ... Festival (English)portrait and worklistin Turkish 1924 births 2009 deaths Turkish composers Turkish opera composer ...
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Gilgamesh In The Arts And Popular Culture
The ''Epic of Gilgamesh'' has directly inspired many manifestations of literature, art, music, and popular culture, as identified by Theodore Ziolkowski in the book ''Gilgamesh Among Us: Modern Encounters With the Ancient Epic'' (2011). It was only during and after the First World War that the first reliable translations of the epic appeared that reached a wide audience, and it was only after the Second World War that the epic of Gilgamesh began to make itself felt more broadly in a variety of genres. In the years following World War II, Gilgamesh, formerly an obscure figure known only by a few scholars, gradually became increasingly popular with modern audiences. The ''Epic of Gilgamesh''s existential themes made it particularly appealing to German authors in the years following the war. In his 1947 existentialist novel ''Die Stadt hinter dem Strom'', the German novelist Hermann Kasack adapted elements of the epic into a metaphor for the aftermath of the destruction of World War I ...
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Gilgamesh (other)
Gilgamesh was a legendary king of Uruk. Gilgamesh may also refer to: * ''Epic of Gilgamesh'', a poem about a legendary king of Uruk Fictional characters * Gilgamesh, the protagonist of the ''Babylonian Castle Saga'' video game franchise * Gilgamesh (''Final Fantasy''), a character in the ''Final Fantasy'' video game series * Gilgamesh (''Fate/stay night''), a character in the ''Fate'' franchise * Gilgamesh (Marvel Comics) or Forgotten One, an Eternal in the Marvel Comics universe Literature * ''Gilgamesh'' (novel), a 2001 novel by Joan London * ''Gilgamesh'' (manga) a manga and anime by Shotaro Ishinomori * ''Gilgamesh the King'', 1984 historical novel by Robert Silverberg Music * Gilgamesh (band), a jazz fusion band in the 1970s * ''Gilgamesh'' (Martinů) or ''The Epic of Gilgamesh'', a 1955 choral work by Bohuslav Martinů Operas * ''Gilgamesh'' (Kodallı opera) (1962–1964) * ''Gilgamesh'' (Saygun opera) (1964–1970) * ''Gilgamesh'' (Nørgård opera) (1971–72) * ...
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1970 Operas
Year 197 ( CXCVII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark on an ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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