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Giannina E Bernardone
''Giannina e Bernardone'' is a dramma giocoso in two acts by composer Domenico Cimarosa with an Italian libretto by Filippo Livigni. The opera premiered in the autumn of 1781 at the Teatro San Samuele in Venice. A portion of the work was performed again in 1786 in Venice in the form of an intermezzo entitled ''Il villano geloso''. Roles Recording * 1953 - Sena Jurinac (Giannina), Sesto Bruscantini (Bernardone), Graziella Sciutti (Lauretta), Disma de Ceco (Donna Aurora), Mario Carlin (Capitano Francone), Mario Borriello (Don Orlando), Carlo de Antonio (Masino)Coro e Orchestra della RAI di Milano, Nino Sanzogno Nino Sanzogno (13 April 1911 – 4 May 1983) was an Italian conductor and composer. Life Sanzogno was born in Venice, where he studied the violin with Hermann Scherchen and composition with Gian Francesco Malipiero at the Liceo Musicale. He late ... (conductor) - Andromeda (2 CDs) References 1781 operas Italian-language operas Drammi giocosi Operas by D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramma Giocoso
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Mozart and Da Ponte's '' Don Giovanni'' (1787) and '' Così fan tutte'' (1790), Rossini's ''L'italiana in Algeri'' (1813) and ''La Cenerentola'' (1817), and Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 Ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drammi Giocosi
''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A ''dramma giocoso'' characteristically used a grand ''buffo'' (comic or farce) scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music. The only operas of this genre that are still frequently staged are Mozart and Da Ponte's ''Don Giovanni'' (1787) and ''Così fan tutte'' (1790), Rossini's ''L'italiana in Algeri'' (1813) and ''La Cenerentola'' (1817), and Donizetti's ''L'elisir d'amore ''L'elisir d'amore'' (''The Elixir of Love'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1781 Operas
Events January–March * January – William Pitt the Younger, later Prime Minister of Great Britain, enters Parliament, aged 21. * January 1 – Industrial Revolution: The Iron Bridge opens across the River Severn in England. * January 2 – Virginia passes a law ceding its western land claims, paving the way for Maryland to ratify the Articles of Confederation. * January 5 – American Revolutionary War: Richmond, Virginia is burned by British naval forces, led by Benedict Arnold. * January 6 – Battle of Jersey: British troops prevent the French from occupying Jersey in the Channel Islands. * January 17 – American Revolutionary War – Battle of Cowpens: The American Continental Army, under Daniel Morgan, decisively defeats British forces in South Carolina. * February 2 – The Articles of Confederation are ratified by Maryland, the 13th and final state to do so. * February 3 – Fourth Anglo-Dutch War – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nino Sanzogno
Nino Sanzogno (13 April 1911 – 4 May 1983) was an Italian conductor and composer. Life Sanzogno was born in Venice, where he studied the violin with Hermann Scherchen and composition with Gian Francesco Malipiero at the Liceo Musicale. He later studied conducting in Vienna with Scherchen. He conducted the Gruppo Strumentale in concerts in Italy and abroad before becoming resident conductor at La Fenice in Venice in 1937, and the RAI Milan Symphony Orchestra soon afterwards. He first conducted at La Scala in Milan in 1939. A specialist of contemporary works, he conducted at La Scala the premieres of Milhaud's ''David'', Poulenc's ''Dialogues des Carmélites'', Walton's ''Troilus and Cressida'', Shostakovich's '' Lady Macbeth of Mtsensk'', Berg's ''Lulu'', Britten's '' A Midsummer Night's Dream'', Prokofiev's '' The Fiery Angel'', while abroad, notably in Britain, he introduced several works by Italian composers such as Malipiero, Dallapiccola and Pizzetti. He conducted the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graziella Sciutti
Graziella Sciutti (17 April 1927 – 9 April 2001) was an Italian soprano opera singer and later vocal teacher and opera producer. Career Sciutti was born in Turin, Italy. Her parents were musical, her father being an organist; her mother was French.Hughes JT. The Art of Graziella Sciutti. International Classical Record Collector, Spring 1997, p37-44. She studied privately with Ginevra Marinuzzi, then in Rome at the Accademia di Santa Cecilia under Rachele Margliano-Mori with the intention of making a career on the concert platform. From 1948 she participated in broadcasts on Italian Radio, her first being ''L'oca del Cairo''. Sciutti's concert debut was in 1949 in Venice, with 18th-century Italian songs.Obituary in 'The Independent' https://www.independent.co.uk/news/obituaries/graziella-sciutti-729192.html Her stage debut at Aix-en-Provence in 1951 singing Elisetta in ''Il matrimonio segreto'' and the woman in '' The Telephone'' and realized that she "was a person who cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sesto Bruscantini
Sesto Bruscantini (10 December 1919 – 4 May 2003) was an Italian baritone, one of the greatest buffo singers of the post-war era, especially renowned in Mozart and Rossini. Biography and career Bruscantini was born in Civitanova Marche, Marche, Italy. After obtaining a law degree, he turned to vocal studies in Rome, with Luigi Ricci at the Accademia Nazionale di Santa Cecilia. He won a vocal contest organized by RAI in 1947 and made his debut at La Scala in Milan in 1949, as Geronimo in Cimarosa's ''Il matrimonio segreto''. Bruscantini rapidly established himself in buffo roles in opera by Mozart and Rossini such as ''Le nozze di Figaro'', ''Don Giovanni'', ''Cosi fan tutte'', ''Il turco in Italia'', ''L'italiana in Algeri'', ''Il barbiere di Siviglia'', ''La Cenerentola'' but also in works by Donizetti such as ''L'elisir d'amore'', ''La fille du régiment'' and ''Don Pasquale''. In some of these works he often alternated roles, from Figaro to the Count in ''Nozze'', Guglielmo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sena Jurinac
Srebrenka "Sena" Jurinac () (24 October 1921 – 22 November 2011) was a Bosnian-born Austrian operatic soprano. Biography Jurinac was born in Travnik, Bosnia-Herzegovina (then part of the Kingdom of Yugoslavia), the daughter of a Croatian father (a doctor) and a Viennese mother. She studied at the Zagreb Academy of Music, and with Milka Kostrenčić. Her voice was pitched exactly between soprano and mezzo. Her repertoire included Poppea, Elisabetta ('' Don Carlos''), Desdemona (''Otello''), Elisabeth (''Tannhäuser''), Ilia, Iphigenia, Jenůfa, Leonora ('' La forza del destino''), the Composer (''Ariadne auf Naxos''), Marie (''Wozzeck''), Pamina (''The Magic Flute''), Mimi, Butterfly and Tosca. In many operas, her repertoire included more than one major role: Cherubino and Countess Almaviva, Donna Anna and Donna Elvira, Fiordiligi and Dorabella, Amor and Eurydice, Leonore and Marzelline (''Fidelio''), Marina and Fyodor ('' Boris Godunov''); Octavian and the Marschallin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Cimarosa
Domenico Cimarosa (; 17 December 1749 – 11 January 1801) was an Italian composer of the Neapolitan school and of the Classical period. He wrote more than eighty operas, the best known of which is ''Il matrimonio segreto'' (1792); most of his operas are comedies. He also wrote instrumental works and church music. Cimarosa was principally based in Naples, but spent some of his career in various other parts of Italy, composing for the opera houses of Rome, Venice, Florence and elsewhere. He was engaged by Catherine II of Russia as her court composer and conductor between 1787 and 1791. In his later years, returning to Naples, he backed the losing side in the struggle to overthrow the monarchy there, and was imprisoned and then exiled. He died in Venice at the age of 51. Life and career Early years Cimarosa was born in Aversa, a town near Naples. His family name was Cimmarosa, which is how he is recorded on his baptismal record. He appears to have been an only child. His fath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
