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Ghosts On Magnetic Tape
''Ghosts on Magnetic Tape'' is the name of the fourth studio album released by British musician, songwriter, and producer Steven Wilson under the pseudonym Bass Communion. It was created primarily from processing 78rpm records and piano sources. There was a limited edition of 300 copies available as a double CD including Andrew Liles' reconstruction disc. Track listing Limited edition ;CD 2 – Andrew Liles Reconstruction # Part I – 9:17 # Part II – 11:04 # Part III – 9:56 # Part IV – 10:18 # Part V – 16:33 ;2LP ''Side A'' # Ghosts on Magnetic Tape I – 12:45 # Ghosts on Magnetic Tape II – 7:02 ''Side B'' # Ghosts on Magnetic Tape III – 10:15 # Ghosts on Magnetic Tape IV – 8:17 ''Side C'' # Ghosts on Magnetic Tape V – 18:48 ''Side D'' # Ghosts on Magnetic Tape out-take – 16:04 Personnel * Steven Wilson – All Instruments * Theo Travis – Flute on 5 * Jonathan Coleclough – Additional sample material Other * Carl Glover (for Aleph) – Graphic Design ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Communion
''Bass Communion'' is a solo project of English musician Steven Wilson, best known for his lead role in the rock band Porcupine Tree. Records released under the name "Bass Communion" are in an ambient or electronic vein - lengthy drone-heavy compositions. They come about as experiments in texture made from processing the sound of real instruments and field recordings. Bass Communion's albums have often featured collaborations from other musicians, including Robert Fripp of King Crimson, saxophonist Theo Travis, Bryn Jones (also known as Muslimgauze), and Vidna Obmana. History ''Bass Communion'' has origins in Steven Wilson's earliest work as a musician. Taking influence from German experimental electronic music artist such as Tangerine Dream, Klaus Schulze, Conrad Schnitzler, Wilson, along with childhood friend Simon Vockings, formed the group ''Altamont'' in 1983. Wilson and Vockings experimented with primitive analog synthesizers, recording the performances live, without ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by British mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drone Music
Drone music, drone-based music, or simply drone, is a minimalist genre that emphasizes the use of sustained sounds, notes, or tone clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism". Overview Music which contains drones and is rhythmically still or very slow, called "drone music",For information on early and other uses of drones in music around the world, see for example (American Musicological Society, ''JAMS'' (''Journal of the American Musicological Society''), 1959, p255 "Remarks such as those on drone effects produced by double pipes with an unequal number of holes provoke thoughts about the mystery of drone music in antiquity and about primitive polyphony.") or (Barry S. Brook & al., ''Perspectives in Musicology'', W. W. Norton, 1972, , p85 "My third example of the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electroacoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of '' elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of '' musique concrète'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Headphone Dust
Headphone Dust is an English independent record label founded by the musician Steven Wilson. It's almost entirely focused on releasing Wilson's own music as well as his remixes of other artists. The only exception to this is the Irish band Fovea Hex. Artists * Bass Communion * Blackfield * Fovea Hex * Incredible Expanding Mindfuck * No-Man * Porcupine Tree * Steven Wilson Discography * Blackfield - Blackfield II (CD) * Blackfield - Blackfield II (vinyl) * Blackfield - Blackfield I (CD) * Blackfield - Blackfield I (vinyl) (2 LP) * Bass Communion - Loss (CD+DVDA) * Bass Communion/Muslimgauze - bcvsmgcd (CD) * Steven Wilson - Cover Versions I, II, III, IV and V (CD) * Steven Wilson - Unreleased Electronic Music (CDR) * Steven Wilson - Unreleased Electronic Music (2 LP) * Steven Wilson - Cover Versions III & IV (2x7" single, either small or jukebox style center-holes) * Bass Communion - I (CD) * Bass Communion - II (CD) * Bass Communion - Ghosts on Magnetic Tape (CD) * Bass Com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steven Wilson
Steven John Wilson (born 3 November 1967) is an English musician. He is the founder, guitarist, lead vocalist and songwriter of the rock band Porcupine Tree, as well as being a member of several other bands, including Blackfield, Storm Corrosion and No-Man. He is also a solo artist, having released 6 solo albums since his solo debut ''Insurgentes'' in 2008. In a career spanning more than 30 years, Wilson has made music prolifically and earned critical acclaim. His honours include six nominations for Grammy Awards: twice with Porcupine Tree, once with his collaborative band Storm Corrosion and three times as a solo artist. In 2017 ''The Daily Telegraph'' described him as "a resolutely independent artist" and "probably the most successful British artist you've never heard of". Wilson is a self-taught composer, producer, audio engineer, guitar and keyboard player, and plays other instruments as needed, including bass guitar, autoharp, hammered dulcimer and flute. His influences ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Communion III
''III'' (''Bass Communion III'' or ''Bass Communion CDR'') is the name of the third studio album released by British musician, songwriter, and producer Steven Wilson under the pseudonym Bass Communion. It is a compilation of leftover pieces recorded between 1995 and 1999 that were not included on either of the previous two Bass Communion albums. In 2008, the album was re-issued together with II in a 2-CD edition limited to 1,200 copies. Track listing Track Notes Three Pieces for Television: appeared previously on Atmospherics * "Sonar" appears as "Sonar" * "Lina Romay" appears as "Night Creatures" * "Grammatic Fog" appears as "The Fog" Personnel * Steven Wilson – All instruments * Theo Travis – Saxophone on "Reformat Spiders" Other * Carl Glover - Photography * Aleph - Graphic design Graphic design is a profession, academic discipline and applied art whose activity consists in projecting visual communications intended to transmit specific messages to soc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indicates Void
''Indicates Void'' is the fifth studio album released by British musician, songwriter and producer Steven Wilson under the pseudonym Bass Communion, and was limited to 300 12-inch LP copies in handmade sleeves, 100 copies in a silver sleeve, 100 copies in a gold sleeve, and 100 copies as part of a box set of the first 3 "C" releases. The album was re-released on compact cassette in 2020 by Coup Sur Coup Records. The album consists of Steven Wilson's 2005 recordings based primarily on one instrument source each, except for track 4 which was recorded with Theo Travis Theo Travis (born 7 July 1964 in Birmingham, England) is a British saxophonist, flautist and composer. He is best known for being a member of Soft Machine which he joined in 2006 while the group was still using the "Legacy" suffix and for being ... in 1998. Track listing All songs by Steven Wilson except track 4 by Steven Wilson and Theo Travis # Guitar - 10:27 # Clarinet - 7:48 # Voice / Musical box - 10:49 # Pia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Liles
Andrew Liles (born 11 March 1969) is a British sound artist and multi-instrumentalist. He has a vast output of recordings that he has released since the mid-1980s, covering a variety of styles as experimental music, dark ambient music, progressive rock and hints of hard rock. Along with his solo work he has worked with many international artists including Bass Communion, Steven Stapleton, Darren Tate, The Hafler Trio, Karl Blake, Faust, Unsong, Nurse With Wound, Daniel Menche, Band of Pain, Lord Bath, Sion Orgon, Andrew King, Nick Mott, Current 93, Paul Bradley, Aaron Moore, Nigel Ayers, Irr. App (Ext), Jonathan Coleclough, Tony Wakeford, Frans De Waard, Freek Kinkelaar, Danielle Dax, Rose McDowall, Edward Ka-spel, Kommissar Hjuler & Mama Baer, Vidna Obmana, ruse (British artist) and Ernesto Tomasini. Discography Releases *An Un World (Infraction, 2001) *Love Song (Macrophonies Org, 2002) *Miscellany (Pipkin, 2002) *All Closed Doors (Infraction, 2003) *Anal Aura Gram ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theo Travis
Theo Travis (born 7 July 1964 in Birmingham, England) is a British saxophonist, flautist and composer. He is best known for being a member of Soft Machine which he joined in 2006 while the group was still using the "Legacy" suffix and for being a member of Gong from 1999 to 2010. Biography Travis received his degree in music from the University of Manchester specialising in the works of Shostakovich. He has made eleven solo albums, mostly as a band leader working in the field of jazz, composing and arranging most of the material. However, 2003's ''Slow Life'', on which he is the sole performer, is an ambient album employing loops which prefigures his later work with Travis & Fripp. He has made about the same number of albums again credited to himself and one (or occasionally more) other collaborator(s), including John Foxx and, as half of Travis & Fripp with Robert Fripp. On his albums as band leader, Travis has played with numerous other jazz musicians. These have included, on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
