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Getting Away With It
"Getting Away with It" is the first single by the English band Electronic, which comprised Bernard Sumner of New Order, ex- Smiths guitarist Johnny Marr, and guesting vocalist Neil Tennant of Pet Shop Boys. It was first released in 1989. Composition Musically, Bernard Sumner wrote the verse and Johnny Marr wrote the chorus. The lyrics, co-written by Tennant with Sumner, are a parody of Marr's Smiths partner Morrissey, and his public stereotyping as morose and masochistic (Pet Shop Boys would further satirise this trend on their 1990 song "Miserablism"). In a 2021 interview with Music Radar, Marr revealed that Chris Lowe worked on the track, citing the bassline as his work. ABC and The The Drummer David Palmer programmed the track's drums. The fluid, rich production incorporates a full orchestra (conducted by Art of Noise's Anne Dudley) and a rare guitar solo by Marr, while the three remixes that appeared on the two UK 12-inch releases take in disparate musical styles li ...
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Electronic (band)
Electronic were an English alternative dance supergroup formed by singer/guitarist Bernard Sumner (of New Order) and guitarist Johnny Marr (of The Smiths). They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe, of Pet Shop Boys, on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. History The two first met in 1984 when the Smiths guitarist contributed to a Quando Quango track that Sumner was producing. Later in 1988, Sumner was frustrated because his New Order bandmates were not receptive to his desire to add synth programming to their music. He decided to produce a solo album but found that he did not enjoy working alone, so he called Marr for help.''Q'', July 1991 Inspired by contemporary dance music like Italo house and acts such as Technotronic, their initial concept was to release white label records on Factory and remain an anonymous entity, in contrast to their ...
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Get The Message (song)
"Get the Message" is a song by Electronic, the English band formed by Bernard Sumner of New Order and ex- Smiths guitarist Johnny Marr. "Get the Message" was the second single from their 1991 debut album, ''Electronic'', and was a commercial success around the world. It is an example of Marr and Sumner's original concept of mixing the synthesizers of New Order with the Smiths' guitar sound. Composition Marr composed the music then Sumner wrote the lyric as engineer Owen Morris played him the song every four bars.'' Select'', November 1997 Marr was reluctant to layer multiple guitar parts as he was wary of treading ground, but Sumner convinced him otherwise. During recording, Primal Scream vocalist Denise Johnson added a vocal at the end of the song. She went on to provide additional vocals on a number of songs on Electronic's second album '' Raise the Pressure'' five years later. Artwork The first releases were packaged by Johnson/Panas (the moniker of Trevor Johnson), who a ...
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MusicRadar
MusicRadar is a music website that offers information pertaining to artists and their music. The site features music gear news and reviews, artist interviews and online music and production tutorials. It is owned by British media company Future plc, which incorporates monthly music-making titles including ''Total Guitar'', ''Guitarist'', ''Keyboard Magazine'' and ''Computer Music''. One of Future's music portals besides Louder, it identifies itself as "The No. 1 website for musicians"."About Us"
musicradar.com (retrieved 18 June 2017).
The site was launched in December 2007 and originally included "major areas for amateur and professional musicia ...
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The The
() are an English post-punk band. They have been active in various forms since 1979, with singer-songwriter Matt Johnson being the only constant band member. achieved critical acclaim and commercial success in the UK, with 15 chart singles (seven reaching the top 40), and their most successful album, '' Infected'' (1986), spent 30 weeks on the chart. They followed this with the top ten albums '' Mind Bomb'' (1989) and '' Dusk'' (1993). History Early years (1977–1981) In November 1977, Matt Johnson placed an advertisement in '' NME'', asking for "Bass/lead guitarist into The Velvet Underground/Syd Barrett". Johnson later placed a second advertisement in the ''NME'', stating his new influences as "The Residents/Throbbing Gristle". While trying to get his band going, in 1978 Johnson had recorded a demo solo album (''See Without Being Seen'') which he continued to sell at various underground gigs on cassettes. In 1979, working with Colin Lloyd-Tucker (a friend and colleague ...
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ABC (band)
ABC are an English pop band formed in Sheffield in 1980. Their classic line-up consisted of lead singer Martin Fry, guitarist and keyboardist Mark White, saxophonist Stephen Singleton and drummer David Palmer. Developed from an earlier band, Vice Versa, ABC achieved ten UK and five US Top 40 hit singles between 1981 and 1990, and their 1982 debut album, ''The Lexicon of Love'', was a UK number one. Their early-1980s success in the US saw them associated with the Second British Invasion. Now essentially a solo project for Fry, ABC continues to tour and released a ninth studio album, ''The Lexicon of Love II'', in 2016. History Formation ABC has its roots in the band Vice Versa, a Sheffield band formed in 1977 by synthesizer-players Stephen Singleton and Mark White. Their debut gig was as the support to Wire at the Outlook club in Sheffield.Frame, Pete. (1999) Pete Frame's Rockin' Around Britain: Rock'n'roll Landmarks of the UK and Ireland, Omnibus Press They founded their o ...
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Behaviour (Pet Shop Boys Album)
''Behaviour'' (released as ''Behavior'' in the United States) is the fourth studio album by English synth-pop duo Pet Shop Boys, released on 22 October 1990 by Parlophone. A Japanese special edition included a bonus mini CD, exclusive artwork and printed lyrics in a white velvet-like box. Background Harold Faltermeyer produced ''Behaviour'' at his Red Deer studio in Munich, Germany. Because they were dissatisfied with the available digital synthesisers and samples, Pet Shop Boys wanted to use analogue synthesisers. Faltermeyer was chosen as a producer as he happened to be an expert on analogue equipment. The result was a Pet Shop Boys album that differed from both the previous album, ''Introspective'', and the 1993 follow-up, '' Very''. In places, the album expands upon the synth-pop genre with flavours of guitar pop ballads, as with "This Must Be the Place I Waited Years to Leave" and "My October Symphony" (a song about the decline of the Soviet Union) featuring guitarist Johnn ...
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Morrissey
Steven Patrick Morrissey (; born 22 May 1959), known professionally as Morrissey, is an English singer and songwriter. He came to prominence as the frontman and lyricist of rock band the Smiths, who were active from 1982 to 1987. Since then, he has pursued a successful solo career. Morrissey's music is characterised by his baritone voice and distinctive lyrics with recurring themes of emotional isolation, sexual longing, self-deprecating and dark humour, and anti-establishment stances. Born to working-class Irish immigrants in Davyhulme, Lancashire, Morrissey grew up in nearby Manchester. As a child, he developed a love of literature, kitchen sink realism, and 1960s pop music. In the late 1970s, he fronted punk rock band the Nosebleeds with little success before beginning a career in music journalism and writing several books on music and film in the early 1980s. He formed the Smiths with Johnny Marr in 1982 and the band soon attracted national recognition for their epo ...
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Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Boo ...
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Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ...
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Song Structure (popular Music)
Song structure is the arrangement of a song, and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs. Common forms include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues. Popular music songs traditionally use the same music for each verse or stanza of lyrics (as opposed to songs that are "through-composed"—an approach used in classical music art songs). Pop and traditional forms can be used even with songs that have structural differences in melodies. The most common format in modern popular music is introduction (intro), verse, pre-chorus, chorus, verse, pre-chorus, chorus, bridge, and chorus. In rock music styles, notably heavy metal music, there is usually one or more guitar solos in the song, often found after the middle chorus part. In pop music, there may be a guitar solo, or a solo performed with another instrument such as a synthesizer or a saxophone. The foundation of pop ...
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Pet Shop Boys
The Pet Shop Boys are an English synth-pop duo formed in London in 1981. Consisting of primary vocalist Neil Tennant and keyboardist Chris Lowe, they have sold more than 50 million records worldwide, and were listed as the most successful duo in UK music history in the 1999 edition of ''The Guinness Book of Records''. Three-time Brit Award winners and six-time Grammy nominees, since 1984 they have achieved 42 top 30 singles, 22 of these being top 10 hits on the UK Singles Chart, including four UK number ones: "West End Girls" (also number one on the US ''Billboard'' Hot 100), "It's a Sin", a synth-pop version of " Always on My Mind", and "Heart". Other hit songs include a cover of " Go West", and their own "Opportunities (Let's Make Lots of Money)", and " What Have I Done to Deserve This?" in a duet with Dusty Springfield. With five US top ten singles in the 1980s, they are associated with the Second British Invasion. At the 2009 Brit Awards in London, the Pet Shop Boys recei ...
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The Smiths
The Smiths were an English rock band formed in Manchester in 1982. They comprised the singer Morrissey, the guitarist Johnny Marr, the bassist Andy Rourke and the drummer Mike Joyce. They are regarded as one of the most important acts to emerge from the 1980s British independent music scene. The Smiths signed to the independent label Rough Trade Records in 1983 and released their first album, ''The Smiths'', in 1984. They based their songs on the songwriting partnership of Morrissey and Marr. Their focus on a guitar, bass, and drum sound and a fusion of 1960s rock and post-punk was a rejection of the synth-pop sound that was predominant at the time. Several Smiths singles reached the top 20 of the UK Singles Chart, and all their studio albums reached the top five of the UK Albums Chart, including the number-one album ''Meat Is Murder'' (1985). They achieved mainstream success in Europe with ''The Queen Is Dead'' (1986) and ''Strangeways, Here We Come'' (1987), both of which en ...
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