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Gettin' Into Somethin'
''Gettin' Into Somethin'' is an album by jazz drummer Dave Bailey which was originally released on the Epic label in 1961.Dave Bailey discography
accessed November 3, 2014


Reception

reviewer Ken Dryden described it as it a "first-rate record".Dryden, K.
Allmusic Review
accessed November 3, 2014


Track listing

# "Slop Jah" (Clark Terry) - 8:30 # "Little Old Mongoose" (Clark Terry,

Dave Bailey (musician)
Samuel David Bailey (born February 22, 1926) is an American jazz drummer. Early life Born in Portsmouth, Virginia, Bailey studied drumming in New York City at the Music Center Conservatory after serving in the United States Air Force during World War II. Career Bailey played with Herbie Jones from 1951–53 and later with Johnny Hodges, Charles Mingus, Lou Donaldson, Curtis Fuller, Billy Taylor, Art Farmer, Ben Webster, and Horace Silver. Between 1954 and 1968, he played on several sessions led by Gerry Mulligan, and in the 1960s he played with Clark Terry, Kenny Dorham, Grant Green, Lee Konitz, Cal Tjader, Roger Kellaway, and Bob Brookmeyer. In 1969, he retired from music and became a flight instructor. Beginning in 1973, he worked in music education in New York and was involved with the Jazzmobile. Discography As leader *''One Foot in the Gutter'' (Epic, 1960) *''Gettin' Into Somethin''' (Epic, 1961) *'' Reaching Out'' (Jazztime, 1961) *'' Bash!'' (Jazzline, 1961) *'' 2 F ...
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Curtis Fuller
Curtis DuBois Fuller (December 15, 1932May 8, 2021) was an American jazz trombonist. He was a member of Art Blakey's Jazz Messengers and contributed to many classic jazz recordings. Early life Fuller was born in Detroit on December 15, 1932. His father had emigrated from Jamaica and worked in a Ford automobile factory, but he died from tuberculosis before his son was born. His mother, who had moved north from Atlanta, died when he was 9. He spent several years in an orphanage run by Jesuits. He developed a passion for jazz after one of the nuns there brought him to see Illinois Jacquet and his band perform, with J. J. Johnson on trombone. Fuller attended a public school in his hometown, together with Paul Chambers, Donald Byrd, Tommy Flanagan, Thad Jones, and Milt Jackson. There, he took up the trombone when he was sixteen, after attempting the violin and with the saxophone (his next choice) being unavailable. He studied under Johnson and Elmer James. Career Fuller joined ...
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Dave Bailey (musician) Albums
David Bailey (born 1938) is an English photographer. David Bailey may also refer to: In arts and media * David Bailey (actor) (1933–2004), American actor * David M. Bailey (1966–2010), Christian singer-songwriter * Dave Bailey (musician) (born 1926), American jazz drummer * David A. Bailey (born 1961), British Afro-Caribbean curator, photographer and writer * David Bailey (writer), British editor and science fiction author * Dave Hullfish Bailey, American sculptor In sport * David Bailey (motorcyclist) (born 1961), American racer * Homer Bailey (David Dewitt Bailey, Jr., born 1986), baseball player * David Bailey (rugby league) (born 1969), New Zealand rugby league footballer * David Bailey (cricketer, born 1943), English cricketer * David Bailey (cricketer, born 1944), English cricketer * David Bailey (basketball) (born 1981), American basketball player In other fields * David Bailey (economist) (born 1966), British academic and commentator * David H. Bailey (mathema ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Peck Morrison
John A. "Peck" Morrison (September 11, 1919 – February 25, 1988) was an American jazz bassist. Morrison was classically trained, and was competent on trumpet and percussion in addition to bass. He played in military bands in Italy during World War II and moved to New York City after the war to play professionally. He played with Lucky Thompson in the early 1950s, and then recorded with Horace Silver, Gigi Gryce, and Art Farmer. He played with Gerry Mulligan in tours of Europe. He was a noted accompanist and sideman, playing with Carmen McRae, Tiny Bradshaw, King Pleasure, Zoot Sims, Eddie Jefferson, the J. J. Johnson/Kai Winding Quintet (1954), Duke Ellington (1955 and 1964), Lou Donaldson, Johnny Smith, Mal Waldron, Randy Weston, Babs Gonzales, the Newport Rebels (1960), Shirley Scott, Red Garland, Charles McPherson, and Sy Oliver and the Harlem Blues and Jazz Band (1986). Morrison never recorded as a session leader. Discography With Dave Bailey *''One Foot in the Gutter'' ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Horace Parlan
Horace Parlan (January 19, 1931 – February 23, 2017) was an American pianist and composer known for working in the hard bop and post-bop styles of jazz. In addition to his work as a bandleader Parlan was known for his contributions to the Charles Mingus recordings ''Mingus Ah Um'' and ''Blues & Roots''. Early life He was born in Pittsburgh, Pennsylvania, United States. In his birth year, Parlan was stricken with polio, resulting in the partial crippling of his right hand. The handicap contributed to his development of a particularly "pungent" left-hand chord voicing style, while comping with highly rhythmic phrases with the right. Later life and career Between 1952 and 1957, he worked in Washington D.C. with Sonny Stitt, then spent two years with Mingus' Jazz Workshop. In 1973, Parlan moved to Copenhagen, Denmark. He later settled in the small village of Rude in southern Zealand. In 1974, he completed a State Department tour of Africa with Hal Singer. His later work, such as ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Charlie Rouse
Charlie Rouse (April 6, 1924 – November 30, 1988) was an American hard bop tenor saxophonist and flautist. His career is marked by his collaboration with Thelonious Monk, which lasted for more than ten years. Biography Rouse was born in Washington, D.C., United States. At first he worked with the clarinet, before turning to the tenor saxophone. Rouse began his career with the Billy Eckstine Orchestra in 1944, followed by the Dizzy Gillespie Big Band in 1945, the Duke Ellington Orchestra from 1949 to 1950, the Count Basie Octet in 1950, Bull Moose Jackson And His Buffalo Bearcats in 1953, and the Oscar Pettiford Sextet in 1955. He made his recording debut with Tadd Dameron in 1947, and in 1957 made a notable album with Paul Quinichette. He was a member of Thelonious Monk's quartet from 1959 to 1970. In the 1980s he was a founding member of the group Sphere, which began as a tribute to Monk. Charlie Rouse died from lung cancer on November 30, 1988, at University Hospital ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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