Move This Mountain
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Move This Mountain
"Get Over You" and "Move This Mountain" are two songs by British pop singer Sophie Ellis-Bextor. In most countries, "Get Over You" was released as the sole single, but in the United Kingdom, the two tracks were released as a double A-side single on 10 June 2002. The former track was taken off the ''Read My Lips'' album reissue, while the latter was an album track in the original album release. The double A-side was Ellis-Bextor's third (and most recent) top-three hit in the United Kingdom, peaking at number three on the UK Singles Chart. "Get Over You" by itself reached the top 10 in Denmark, Spain, Australia, and New Zealand. In the latter two countries, the song was certified platinum and gold, respectively. In Europe, the track peaked within the top 20 in Finland, the Netherlands, Norway, and Switzerland. Music video "Get Over You" The video for "Get Over You" is set in a shopping mall, after hours, on a rainy night. The camera passes by the closed, neon-lit stores, and lock ...
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Sophie Ellis-Bextor
Sophie Michelle Ellis-Bextor (born 10 April 1979) is an English singer and songwriter. She first came to prominence in the late 1990s as the lead singer of the indie rock band Theaudience. After the group disbanded Ellis-Bextor went solo and achieved success beginning in the early 2000s. Her music is a mixture of mainstream pop, disco, nu-disco, and 1980s electronic influences. Ellis-Bextor's debut solo album, '' Read My Lips'', was released in 2001. It peaked at number two on the UK Albums Chart and was certified double platinum by the British Phonographic Industry; it sold 1.5 million copies worldwide. Three of its four singles—the Cher cover " Take Me Home", " Murder on the Dancefloor", and the double A-side "Get Over You" / "Move This Mountain"—reached the top three in the UK. In 2003, ''Read My Lips'' won the Edison Award for Best Dance Album. Its follow-up '' Shoot from the Hip'' (2003) reached number 19 in the UK and spawned two top ten singles, " Mixed Up World" an ...
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Sophie Muller
Sophie Luise Elisabeth Muller (born 31 January 1962) is a British music video director who has directed more than 300 music videos. She won a Grammy Award for Annie Lennox's 1992 ''Diva'' video album, and an MTV Video Music Award for Lennox's song "Why" from the same album. In 1993, she won a BRIT Award for "Stay" by Shakespears Sister. In 1997, she won another MTV Award for "Don't Speak" by No Doubt. Muller is a longtime collaborator of Sade, Annie Lennox, Gwen Stefani, Sophie Ellis-Bextor, Garbage and Shakespears Sister. Muller is also known for creating cover art for albums, and for providing photographs and art direction for advertising campaigns, concert tours, concert films, and television commercials. Background Sophie Muller was born in London, but spent her early years on the Isle of Man. After leaving secondary education, she returned to London to attend Central St Martins, gaining a Foundation Diploma in Art. She befriended Sade there; the two later worked together. ...
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2001 Songs
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ...
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UKChartsPlus
''UKChartsPlus'' is an independent weekly newsletter about the UK music charts. It was first published in September 2001 as ''ChartsPlus'' in order to authoritatively record the official music chart information in the United Kingdom, as compiled by the Official Charts Company. Its publication began after ''Hit Music'' which was a sister publication of ''Music Week'' ceased publication in May 2001. The new newsletter was established to be totally independent of ''Music Week'', licensing the chart data directly from Official Charts Company and other chart providers. History Initially it covered: * The UK Singles Chart up to number 200 * The UK Albums Chart up to number 200 * The Compilation Album Chart up to number 50 It also included a ''New Entries Spotlight'' on all new top 200 singles, and a ''Year to Date'' collection of all the current year's Top 200 albums and singles. Since then, it has expanded to include the BPI silver, gold or platinum sales awards, predictions of th ...
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Recorded Music NZ
Recorded Music NZ (formerly the Recording Industry Association of New Zealand (RIANZ)) is a non-profit trade association of record producers, distributors and recording artists who sell recorded music in New Zealand. Membership of Recorded Music NZ is open to any owner of recorded music rights operating in New Zealand, inclusive of major labels (such as Sony, Universal and Warner Music Group), independent labels and self-released artists. Recorded Music NZ has over 2000 rights-holders. Prior to June 2013 the association called itself the "Recording Industry Association of New Zealand" (RIANZ). RIANZ and PPNZ Music Licensing merged and renamed themselves "Recorded Music NZ". Recorded Music NZ functions in three areas: * member services (the New Zealand Music Awards, the Official New Zealand Music Charts, music grants and direct services to artists and labels) * music licensing (undertaken independently or, in most cases, via OneMusic, a joint licensing venture between Reco ...
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Dutch Top 40
The Dutch Top 40 ( nl, Nederlandse Top 40) is a weekly music chart compiled by ''Stichting Nederlandse Top 40''. It started as a radio program titled "Veronica Top 40", on the offshore station Radio Veronica in 1965. It remained "The Veronica Top 40" until 1974, when the station was forced to stop broadcasting. Joost den Draaijer initiated the Top 40 in the Netherlands. The show currently airs on Fridays from 2 to 6 PM on Qmusic. History On January 2, 1965, the first Top 40 was compiled, with its first #1 hit "''I Feel Fine''" by The Beatles. In September 1974, the Stichting Nederlandse Top 40 bought the Top 40 and named it ''De Nederlandse Top 40''. The Dutch Top 40 is one of the four official charts in the Netherlands, the other three being the B2B Single Top 100, which is based entirely on pure sales and streaming, the Mega Top 30 from (NPO 3FM) which, like the Dutch Top 40 also includes airplay data and the 538 Top 50. From October 4th. 1974 until May 20th. 1976, the ...
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Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ...
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Romanian Top 100
Multiple record charts have been inaugurated in Romania since the 1990s. The Romanian Top 100 was the country's national chart until 2012. Founded in 1995, it was a ranking based on the compilation of charts submitted by local Romanian radio stations. The Romanian Top 100 was published weekly and was also announced during a radio show starting in 1998. Compilation of the list was first handled by Body M Production A-V, followed by Media Forest. In the 2010s, the chart was announced during a podcast on Kiss FM, but the broadcast ended in February 2012. Later that month, the Airplay 100—which was compiled by Media Forest and also broadcast by Kiss FM—replaced the Romanian Top 100 as a national chart. Until its cancellation in November 2021, it measured the airplay of songs on radio stations and television channels throughout the country. For a short period of time during the late 2000s and early 2010s, Nielsen Music Control and Uniunea Producătorilor de Fonograme din România ...
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Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ...
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European Hot 100 Singles
The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was "Only Girl (in the World)" by Rihanna. History Europarade Top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 197 ...
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International Federation Of The Phonographic Industry
The International Federation of the Phonographic Industry (IFPI) is the organisation that represents the interests of the recording industry worldwide. It is a non-profit members' organisation registered in Switzerland and founded in Italy in 1933 by Francesco Braga. It operates a secretariat based in London, with regional offices in Brussels, Hong Kong, Miami, Abu Dhabi, Singapore and Nairobi. Function IFPI's mission is to promote the value of recorded music, campaign for record producer rights, and expand the commercial uses of recorded music. Its services to members include a legal policy programme, litigation, content protection, sales reporting for the recorded music market, insight and analysis and work in the areas of performance rights, technology and trade. Structure IFPI is governed by its Main Board, a group including representatives from across the organisation's members (including major and independent record labels), representatives from certain IFPI National Grou ...
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