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German Courtly Romance
In the Middle High German (MHG) period (1050–1350) the courtly romance, written in rhyming couplets, was the dominant narrative genre in the literature of the noble courts, and the romances of Hartmann von Aue, Gottfried von Strassburg and Wolfram von Eschenbach, written , are recognized as classics. The courtly romance has its origins in French-speaking courts around 1160, where various poets adapted the Matter of Rome (tales from the classical world) to the written vernacular, while Chrétien de Troyes did the same for the Matter of Britain (King Arthur and the knights of the Round Table). Chrétien, in particular, had a decisive influence on the development of the genre in German. The earliest German romance is Heinrich von Veldeke's ''Eneas'', based on the anonymous Old French ''Roman d'Enéas'', part of the Matter of Rome, itself an adaptation of Virgil's Aeneid. As Gottfried von Strassburg put it, Veldeke "made the first graft on the tree of German" (''Tristan'', l. 4738f) ...
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Middle High German
Middle High German (MHG; german: Mittelhochdeutsch (Mhd.)) is the term for the form of German spoken in the High Middle Ages. It is conventionally dated between 1050 and 1350, developing from Old High German and into Early New High German. High German is defined as those varieties of German which were affected by the Second Sound Shift; the Middle Low German and Middle Dutch languages spoken to the North and North West, which did not participate in this sound change, are not part of MHG. While there is no ''standard'' MHG, the prestige of the Hohenstaufen court gave rise in the late 12th century to a supra-regional literary language (') based on Swabian, an Alemannic dialect. This historical interpretation is complicated by the tendency of modern editions of MHG texts to use ''normalised'' spellings based on this variety (usually called "Classical MHG"), which make the written language appear more consistent than it actually is in the manuscripts. Scholars are uncertain as to ...
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Erec And Enide
, original_title_lang = fro , translator = , written = c. 1170 , country = , language = Old French , subject = Arthurian legend , genre = Chivalric romance , form = , meter = Octosyllable , rhyme = Rhyming couplets , lines = 6,598 , oclc = , wikisource = Erec and Enide , orig_lang_code = fr , native_wikisource = Érec et Énide ''Erec and Enide'' (french: Érec et Énide) is the first of Chrétien de Troyes' five romance poems, completed around 1170. It is one of three completed works by the author. ''Erec and Enide'' tells the story of the marriage of the titular characters, as well as the journey they go on to restore Erec's reputation as a knight after he remains inactive for too long. Consisting of about 7000 lines of Old French, the poem is one of the earliest known Arthurian romances in any language, predated only b ...
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Konrad Von Würzburg
Konrad von Würzburg (c.1220-1230 – 31 August 1287) was the chief German poet of the second half of the 13th century. As with most epic poets of the age, little is known of his life, and his origin is disputed. There have been German scholars and local patriots of Würzburg who claimed he hailed from Würzburg. Wilhelm Wackernagel on the other hand contends that Konrad was from Basel, as the house he owned was called the "House of Wirzburg", meaning he was named "Würzburg" not after a city, but after a house. He seems to have spent part of his life in Strasbourg and his later years in Basel, where he died. Like his master, Gottfried von Strassburg, but unlike most other poets from the time, Würzburg did not belong to the nobility. His varied and voluminous literary work is comparatively free from the degeneration which set in so rapidly in Middle High German poetry during the 13th century. According to the ''Encyclopædia Britannica'' Eleventh Edition, " s style, alt ...
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Konrad Fleck
Konrad Fleck was a thirteenth-century German poet, who wrote in the Alemannic German dialect. Not much is known about his life: he may have been from Alsace or the Basel district. His works include a version of ''Floris and Blancheflour ''Floris and Blancheflour'' is the name of a popular romantic story that was told in the Middle Ages in many different vernacular languages and versions. It first appears in Europe around 1160 in "aristocratic" French. Roughly between the period ...''. External links * Page on his ''Flore and Blanschfleur'' (German language) German poets 13th-century German poets German male poets {{Germany-poet-stub ...
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Heinrich Von Dem Türlin
Heinrich may refer to: People * Heinrich (given name), a given name (including a list of people with the name) * Heinrich (surname), a surname (including a list of people with the name) *Hetty (given name), a given name (including a list of people with the name) Places * Heinrich (crater), a lunar crater * Heinrich-Hertz-Turm, a telecommunication tower and landmark of Hamburg, Germany Other uses * Heinrich event, a climatic event during the last ice age * Heinrich (card game), a north German card game * Heinrich (farmer), participant in the German TV show a ''Farmer Wants a Wife'' * Heinrich Greif Prize, an award of the former East German government * Heinrich Heine Prize, the name of two different awards * Heinrich Mann Prize, a literary award given by the Berlin Academy of Art * Heinrich Tessenow Medal, an architecture prize established in 1963 * Heinrich Wieland Prize, an annual award in the fields of chemistry, biochemistry and physiology * Heinrich, known as Haida in Ja ...
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Eilhart Von Oberge
Eilhart von Oberge was a German poet of the late 12th century. He is known exclusively through his Middle High German romance ''Tristrant'', the oldest surviving complete version of the Tristan and Iseult story in any language.''The Arthurian Handbook'', pp. 100–101.Kalinke, Marianne E. (1991). "Eilhart von Oberge." In Norris J. Lacy, ''The New Arthurian Encyclopedia'', pp. 127–128. New York: Garland. . ''Tristrant'' is part of the "common" or "primitive" branch of the legend, best known through Béroul's fragmentary Norman language ''Tristan''. It is German literature's first rendition of the story, though Gottfried von Strassburg's ''Tristan'', part of the "courtly" branch, is more famous and respected. It is usually considered that Eilhart adapted his work from a French source, likely the same one used by Béroul, but the differences between ''Tristrant'' and Béroul's work suggest that Eilhart was not particularly faithful to the original. Some episodes and details appearing ...
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Heroic Epic
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. Etymology The English word ''epic'' comes from Latin ''epicus'', which itself comes from the Ancient Greek adjective (''epikos''), from (''epos''), "word, story, poem." In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (''epea''), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses attributed to Orpheus. Later tradition, however, has restricted the term 'epic' to ''heroic epic'', as described in this article. Overview Originating before the invention of writing, primary epics, such as those of Homer, were composed by bards who used complex rhetorical and metrical schemes by which they could memorize the epic as received ...
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Thomas Of Britain
Thomas of Britain (also known as Thomas of England) was a poet of the 12th century. He is known for his Old French poem ''Tristan'', a version of the Tristan and Iseult legend that exists only in eight fragments, amounting to around 3,300 lines of verse, mostly from the latter part of the story. It is calculated that this represents about one sixth of the original. Works Because Thomas has an "obvious dependence" on Wace's 1155 ''Roman de Brut'', ''Tristan'' was written between 1155 and 1160, possibly for Eleanor of Aquitaine, since the work suggests close ties with the court of Henry II. Beyond this, his identity is obscure; it has been speculated that he is to be identified with the "Thomas" who wrote the ''Romance of Horn'', but this is unsupported. It is similar to the Tristan-story ''Chevrefoil'' by Marie de France, but either author could have borrowed from the other, or both from a third source.Legge, p. 46 Although Thomas's own text is fragmentary, later adaptations of his ...
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Anglo-Norman Literature
Anglo-Norman may refer to: *Anglo-Normans, the medieval ruling class in England following the Norman conquest of 1066 *Anglo-Norman language **Anglo-Norman literature * Anglo-Norman England, or Norman England, the period in English history from 1066 till 1154 *Anglo-Norman horse, a breed from Normandy, France *Anglo-Norman Isles, or Channel Islands, an archipelago in the English Channel * CSS ''Anglo-Norman'', a gunboat of the Confederate Navy See also *Cambro-Normans *Normans in Ireland *Scoto-Norman The term Scoto-Norman (also Franco-Scottish or Franco-Gaelic) is used to describe people, families, institutions and archaeological artifacts that are partly Scottish (in some sense) and partly Anglo-Norman (in some sense). It is used to refer to ... {{disamb Language and nationality disambiguation pages ...
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Parzival
''Parzival'' is a medieval romance (heroic literature), romance by the knight-poet Wolfram von Eschenbach in Middle High German. The poem, commonly dated to the first quarter of the 13th century, centers on the Arthurian hero Percival, Parzival (Percival in English language, English) and his long quest for the Holy Grail following his initial failure to achieve it. ''Parzival'' begins with the knightly adventures of Parzival's father, Gahmuret, his marriage to Herzeloyde ( gmh, herzeleide, "heart's sorrow"), and the birth of Parzival. The story continues as Parzival meets three elegant knights, decides to seek King Arthur, and continues a spiritual and physical search for the Holy Grail, Grail. A long section is devoted to Parzival's friend Gawain, Gawan and his adventures defending himself from a false murder charge and winning the hand of the maiden Orgeluse. Among the most striking elements of the work are its emphasis on the importance of humility, compassion, sympathy and ...
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Iwein
''Iwein'' is a Middle High German verse romance by the poet Hartmann von Aue, written around 1200. An Arthurian tale freely adapted from Chrétien de Troyes' Old French ''Yvain, the Knight of the Lion'', it tells the story of Iwein (Yvain), a knight of King Arthur's Round Table. It was written after Hartmann's ''Erec'', and is generally taken to be his last work. The poem tells how Iwein embarks on an adventure which culminates in marriage to the lady Laudine. But he is then persuaded to leave her for a year to pursue success in tournaments. After he misses the deadline to return to her, he is rejected by Laudine in front of the Arthurian court. Dishonoured, he descends into madness and goes off into the wilderness. There he is healed by a lady with a magic ointment and has further encounters which allow him to show true heroism. These include helping a lion which is being attacked by a dragon, the lion then becoming his companion. Eventually, his honour restored, he regains ...
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Erec (poem)
''Erec'' (also ''Erek'', ''Ereck'') is a Middle High German poem written in rhyming couplets by Hartmann von Aue. It is thought to be the earliest of Hartmann's narrative works and dates from around 1185. An adaptation of Chrétien de Troyes' ''Erec et Enide'', it is the first Arthurian Romance in German. ''Erec'' tells the story of how Erec, a knight at King Arthur's court, wins the hand of the beautiful Enite, but then through excessive devotion to his wife, neglects his duties as a knight and lord. Realising his error, he sets out from the court on a series of increasingly challenging adventures in which he tests Enite's loyalty and gains insight into the purpose of knighthood. Unlike Hartmann's later romance '' Iwein'', which survives in 16 complete manuscripts, Erec is preserved in only a single, much later manuscript, the Ambraser Heldenbuch, and a few small fragments. In spite of this limited manuscript tradition, contemporary and later references show that the work was ...
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