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Gellert Odes And Songs
''Geistliche Oden und Lieder'' ("Sacred Odes and Songs", H. 686, Wq 194), also known as ''Gellert Oden'' ("Gellert Odes"), is a collection of songs by Carl Philipp Emanuel Bach with texts by Christian Fürchtegott Gellert. Originally published in 1758, Bach's work enjoyed continuous popularity for several decades and influenced numerous composers, most importantly Ludwig van Beethoven, who composed his own settings of six of Gellert's poems. History of composition One of the best known German poets of his time, Christian Fürchtegott Gellert was a professor of philosophy at Leipzig University. In 1757, at age 42, he published ''Geistliche Oden und Lieder'', a collection of sacred poetry that enjoyed considerable success. Gellert himself suggested that the poems could be sung to traditional chorale melodies, and although the poetry employs a vast number of forms and techniques, provisions were made by Gellert to make musical settings possible. According to the foreword to the fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Carl Philipp Emanuel Bach
This is a list of compositions by Carl Philipp Emanuel Bach. It is sorted by H (Helm) numbers, but the corresponding Wq. (Wotquenne) numbers are also shown. C. P. E. Bach's works have been catalogued in different ways. The first comprehensive catalogue was that by Alfred Wotquenne first published in 1905, and this led to Wq. numbers being used. In 1989 E. Eugene Helm produced a revised catalogue, and H numbers are now also used. The catalog assignment numbers listed here conform to an accepted concordance found between Wq. numbers and H numbers. They do not however reflect parallel chronologies in Bach's works. Helm's is now the preferred catalog for the works of CPE Bach. This listing also conforms substantially to the works given by Grove's Music Online. The New Complete Edition of Carl Philipp Emanuel Bach's works is nearly finished as of 2018 and their editorial work surpasses any other earlier organizational efforts in dating and cataloging the enormous output of C. P. E. Bac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German Classical period musician and composer, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. C. P. E. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. His personal approach, an expressive and often turbulent one known as ' or 'sensitive style', applied the principles of rhetoric and drama to musical structures. His dynamism stands in deliberate contrast to the more mannered galant style also then in vogue. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain, C. P. E. Bach was known as the "Berlin Bach" during his residence in that city, and later as the "Hamburg Bach" when he suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Fürchtegott Gellert
Christian Fürchtegott Gellert (4 July 171513 December 1769) was a German poet, one of the forerunners of the golden age of German literature that was ushered in by Lessing. Biography Gellert was born at Hainichen in Saxony, at the foot of the Erzgebirge. After attending the school of St. Afra in Meissen, he entered Leipzig University in 1734 as a student of theology, but in 1738 Gellert broke off his studies as his family could no longer afford to support him and became a private tutor for a few years.. Returning to Leipzig in 1741, he contributed to the ''Bremer Beiträge,'' a periodical founded by former disciples of Johann Christoph Gottsched who had revolted against the pedantry of his school. Owing to shyness and poor health, Gellert gave up the idea of entering the ministry. However, he finally completed his magister degree in 1743 and qualified as a university lecturer in 1744. In 1745 he established himself as a ''Privatdozent'' in philosophy at the university of Leipz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Himmel Rühmen Des Ewigen Ehre
"" (The heavens praise the glory of the Eternal), Op. 48/4, is a composition for voice and piano by Ludwig van Beethoven, setting the beginning of Christian Fürchtegott Gellert's poem "" (The glory of God from nature), a paraphrase of Psalm 19. Beethoven composed it as part of a collection of lieder on texts by Gelllert, which was published in 1803, known as ''Gellert Lieder''. "Die Himmel rühmen des Ewigen Ehre" became famous in arrangements for choir, "Die Himmel rühmen!" by Joseph Dantonello and "The Heavens are Telling" by Virgil Thomson. History Beethoven wrote the lied for voice and piano as the fourth of a collection of six lieder on texts by Gellert. Gellert's poem in six stanzas, "", appeared first in his 1757 collection ''Geistliche Oden und Lieder'' (Spiritual odes and songs). It is a paraphrase of Psalm 19 ("The heavens declare the glory of God"). Like the psalm, the poem speaks of the Creator's magnificence showing in the wonders of nature, which suited natural th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leipzig University
Leipzig University (german: Universität Leipzig), in Leipzig in Saxony, Germany, is one of the world's oldest universities and the second-oldest university (by consecutive years of existence) in Germany. The university was founded on 2 December 1409 by Frederick I, Elector of Saxony and his brother William II, Margrave of Meissen, and originally comprised the four scholastic faculties. Since its inception, the university has engaged in teaching and research for over 600 years without interruption. Famous alumni include Gottfried Wilhelm von Leibniz, Johann Wolfgang von Goethe, Leopold von Ranke, Friedrich Nietzsche, Robert Schumann, Richard Wagner, Tycho Brahe, Georgius Agricola, Angela Merkel and ten Nobel laureates associated with the university. History Founding and development until 1900 The university was modelled on the University of Prague, from which the German-speaking faculty members withdrew to Leipzig after the Jan Hus crisis and the Decree of Kutná Hora. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Wilhelm Marpurg
Friedrich Wilhelm Marpurg (21 November 1718 – 22 May 1795) was a German music critic, music theorist and composer. He was friendly and active with many figures of the Enlightenment of the 18th century. Life Little is known of Marpurg's early life. According to various sources, he studied "philosophy" and music. It is clear that he enjoyed a strong education and was friendly with various leading figures of the Enlightenment, including Winckelmann and Lessing. In 1746, he travelled to Paris as the secretary for a General named either Rothenberg or Bodenberg. There, he became acquainted with intellectuals including the writer and philosopher Voltaire, the mathematician d'Alembert and the composer Jean-Philippe Rameau. After 1746, he returned to Berlin where he was more or less independent. Marpurg's offer to write exclusively for Breitkopf & Härtel was declined by the firm in 1757. In 1760, he received an appointment to the Royal Prussian Lotteries, whose director he became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Friedrich Doles
Johann Friedrich Doles (23 April 1715 – 8 February 1797) was a German composer and pupil of Johann Sebastian Bach. Doles was born in Steinbach-Hallenberg. He attended the University of Leipzig. He was Kantor at the Leipzig Thomasschule, conducting the Thomanerchor from 1756 to 1789; in that year (1789) he directed the performance of Bach's motet ''Singet dem Herrn ein neues Lied'' that reportedly made a deep impression on Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra .... Doles wrote a manuscript treatise on singing which may preserve some elements of Bach's own methods. References *''Oxford Composer Companions, J.S. Bach'' (1999), p. 140 External links * * 1715 births 1797 deaths People from Steinbach-Hallenberg German Classical-period composers German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm
The Book of Psalms ( or ; he, תְּהִלִּים, , lit. "praises"), also known as the Psalms, or the Psalter, is the first book of the ("Writings"), the third section of the Tanakh, and a book of the Old Testament. The title is derived from the Greek translation, (), meaning "instrumental music" and, by extension, "the words accompanying the music". The book is an anthology of individual Hebrew religious hymns, with 150 in the Jewish and Western Christian tradition and more in the Eastern Christian churches. Many are linked to the name of David, but modern mainstream scholarship rejects his authorship, instead attributing the composition of the psalms to various authors writing between the 9th and 5th centuries BC. In the Quran, the Arabic word ‘Zabur’ is used for the Psalms of David in the Hebrew Bible. Structure Benedictions The Book of Psalms is divided into five sections, each closing with a doxology (i.e., a benediction). These divisions were probably intro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
