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Garden Room
In gardening, a garden room is a secluded and partly enclosed space within a garden that creates a room-like effect. Such spaces have been part of garden design for centuries. Generally they are regarded as different from terraces and patios just outside a building, although in practice these are often the parts of a garden that are most used as a room, with tables and chairs. Walls and hedges may form part of the boundaries of a garden room, but plants, usually at least a few feet tall, will do as well. Apart from the entrances to the room, these should normally enclose the space. There may be furniture, especially for sitting down, but this is not essential. In architecture, the term "garden room" may be used for a sunroom, conservatory, or any room with a good view of a garden, or even one decorated with a garden theme. A small single-roomed building for leisure in a garden is usually called a summer house, gazebo, or garden house. Below a certain size a very small garden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Queen Elizabeth II Rose Garden, Titsey Place - Geograph
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hortus Conclusus
''Hortus conclusus'' is a Latin term, meaning literally "enclosed garden". At their root, both of the words in ''hortus conclusus'' refer linguistically to enclosure. It describes a genre of garden that was enclosed as a practical concern, a major theme in the history of gardening. Having roots in the '' Song of Songs'' in the Hebrew scriptures, the term ''hortus conclusus'' has importantly been applied as an emblematic attribute and a title of the Virgin Mary in Medieval and Renaissance poetry and art, first appearing in paintings and manuscript illuminations about 1330 The Virgin Mary as ''hortus conclusus'' The term ''hortus conclusus'' is derived from the Vulgate Bible's '' Canticle of Canticles'' (also called the ''Song of Songs'' or ''Song of Solomon'') 4:12, in Latin: "''Hortus conclusus soror mea, sponsa, hortus conclusus, fons signatus''" ("A garden enclosed is my sister, my spouse; a garden enclosed, a fountain sealed up.") This provided the shared linguistic cultur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilderness (garden History)
In the Western history of gardening, from the 16th to early 19th centuries, a wilderness was a highly artificial and formalized type of woodland, forming a section of a large garden. Though examples varied greatly, a typical English style was a number of geometrically-arranged compartments (often called "quarters") closed round by hedges, each compartment planted inside with relatively small trees. Between the compartments there were wide walkways or "alleys", usually of grass, sometimes of gravel. The wilderness provided shade in hot weather, and relative privacy. Though often said by garden writers at the time to be intended for meditation and reading, the wilderness was much used for walking, and often flirtation. There were few if any flowers, but there might be statues, and some seating, especially in garden rooms or ''salle vertes'' ("green rooms"), clearings left empty. Some had other features, such as a garden maze.HEALD"Wilderness" Woudstra, 3–11; Eburne and Taylo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Topiary
Topiary is the horticultural practice of training perennial plants by clipping the foliage and twigs of trees, shrubs and subshrubs to develop and maintain clearly defined shapes, whether geometric or fanciful. The term also refers to plants which have been shaped in this way. As an art form it is a type of living sculpture. The word derives from the Latin word for an ornamental landscape gardener, ''topiarius'', a creator of ''topia'' or "places", a Greek word that Romans also applied to fictive indoor landscapes executed in fresco. The plants used in topiary are evergreen, mostly woody, have small leaves or needles, produce dense foliage, and have compact and/or columnar (e.g., fastigiate) growth habits. Common species chosen for topiary include cultivars of European box (''Buxus sempervirens''), arborvitae (''Thuja'' species), bay laurel (''Laurus nobilis''), holly (''Ilex'' species), myrtle (''Eugenia'' or '' Myrtus'' species), yew (''Taxus'' species), and privet (''Ligu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Study (room)
A study, also known as a home office, is a room in a house that is used for paperwork, computer work, or reading. Historically, the study of a house was reserved for use as the private office and reading room of a parent/guardian as the formal head of a household, but today studies are generally either used to operate a home business or else open to the whole family. History The study developed from the closet or cabinet of the Renaissance era. From the beginning of the 18th century onwards increased literacy at the middle-class family level led to the setting aside of closed study and library areas within larger houses. Here commercial work, reading, correspondence, fact-recording and other activities could be undertaken in privacy and silence. Until well into the 20th century gender restrictions on social roles made the domestic study an essentially male facility. The 19th century clergyman would prepare sermons and interview parishioners in his study while his equally literate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cabinet (room)
A cabinet (also known by other terms) was a private room in the houses and palaces of early modern Europe serving as a study or retreat, usually for a man. The cabinet would be furnished with books and works of art, and sited adjacent to his bedchamber, the equivalent of the Italian Renaissance ''studiolo''. In the Late Medieval period, such newly perceived requirements for privacy had been served by the solar of the English gentry house, and a similar, less secular purpose had been served by a private oratory. Such a room might be used as a study or office, or just a sitting room. Heating the main rooms in large palaces or mansions in the winter was difficult, and small rooms were more comfortable. They also offered more privacy from servants, other household members, and visitors. Typically such a room would be for the use of a single individual, so that a house might have at least two (his and hers) and often more. Names varied: cabinet, closet, study (from the Italian ''stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gardens Of Versailles
The Gardens of Versailles (french: Jardins du château de Versailles ) occupy part of what was once the ''Domaine royal de Versailles'', the royal demesne of the château of Versailles. Situated to the west of the palace, the gardens cover some 800 hectares of land, much of which is landscaped in the classic French formal garden style perfected here by André Le Nôtre. Beyond the surrounding belt of woodland, the gardens are bordered by the urban areas of Versailles to the east and Le Chesnay to the north-east, by the National Arboretum de Chèvreloup to the north, the Versailles plain (a protected wildlife preserve) to the west, and by the Satory Forest to the south. Administered by the Public Establishment of the Palace, Museum and National Estate of Versailles, an autonomous public entity operating under the aegis of the French Ministry of Culture, the gardens are now one of the most visited public sites in France, receiving more than six million visitors a year. In addi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bosquet
In the French formal garden, a ''bosquet'' (French, from Italian ''bosco'', "grove, wood") is a formal plantation of trees in a wide variety of forms, some open at the bottom and others not. At a minimum a bosquet can be five trees of identical species planted as a quincunx (like a 5 dice), or set in strict regularity as to rank and file, so that the trunks line up as one passes along either face. In large gardens they were dense artificial woodland, often covering large areas, with tall hedges on the outside and other trees inside the hedges. Symbolic of order in a humanized and tamed gardens of the French Renaissance and Baroque French formal gardens, the bosquet is an analogue of the orderly orchard, an amenity that has been intimately associated with pleasure gardening from the earliest Persian gardens of the Achaemenid Empire. Bosket is an English rendition of the word, now obselete; the usual English term for a large hedged bosquet was a "wilderness", while smaller unhed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Formal Garden
The French formal garden, also called the (), is a style of garden based on symmetry and the principle of imposing order on nature. Its epitome is generally considered to be the Gardens of Versailles designed during the 17th century by the landscape architect André Le Nôtre for Louis XIV and widely copied by other European courts. Éric Mension-Rigau, "Les jardins témoins de leur temps" in '' Historia'', n° 7/8 (2000). History Renaissance influence The ''jardin à la française'' evolved from the French Renaissance garden, a style which was inspired by the Italian Renaissance garden at the beginning of the 16th century. The Italian Renaissance garden, typified by the Boboli Gardens in Florence and the Villa Medici in Fiesole, was characterized by planting beds, or parterres, created in geometric shapes, and laid out symmetrical patterns; the use of fountains and cascades to animate the garden; stairways and ramps to unite different levels of the garden; grottos, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susan Jellicoe
Lady Susan Jellicoe ( Pares; 30 June 1907 – 1 August 1986) was an English plantswoman, photographer, writer, and editor who worked in collaboration with her husband, the landscape architect Sir Geoffrey Jellicoe. Her main interest was in landscape and garden design. Life Susan Jellicoe (christened Ursula but known as Susan or Sue) was born in Liverpool on 30 June 1907, the third child of Margaret "Daisy" Ellis ( Dixon; 1879–1964) and Sir Bernard Pares, KBE (1867–1949), a historian and academic known for his work on Russia. She was educated at St Paul's Girls School, Hammersmith, and the Sorbonne, Paris. On 11 July 1936, she married the landscape architect Geoffrey Jellicoe. During the war she served in the Ministry of Information department that countered enemy propaganda, working on the analysis of aerial reconnaissance photography. From 1945, she worked with her husband, designing planting schemes and taking the photographs for his architectural practice. She ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geoffrey Jellicoe
Sir Geoffrey Allan Jellicoe (8 October 1900 – 17 July 1996) was an English architect, town planner, landscape architect, garden designer, landscape and garden historian, lecturer and author. His strongest interest was in landscape and garden design. As a designer, he often included "his distinctive signature characteristics, such as canals, weirs, bridges, viewing platforms and associated planting by Jellicoe's wife, Susan," as at the Hemel Hempstead water gardens he designed for this new town in the late 1950s. Fittingly, the garden canal he designed in the 1970s for the Royal Horticultural Society's gardens at RHS Wisley to display waterlilies was later renamed the "Jellicoe Canal" as a memorial. Life Jellicoe was born in Chelsea, London the younger son of Florence Waterson (''née'' Waylett) and her husband, George Edward Jellicoe, a publisher's manager, and later publisher. He studied at the Architectural Association in London in 1919 and won a British Prix de Rome for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Borrowed Scenery
Borrowed scenery (; Japanese: ; Chinese: ) is the principle of "incorporating background landscape into the composition of a garden" found in traditional East Asian garden design. The term borrowing of scenery ("shakkei") is Chinese in origin, and appears in the 17th century garden treatise '' Yuanye''. Borrowed scenery in garden design A garden that borrows scenery is viewed from a building and designed as a composition with four design essentials: 1) The garden should be within the premises of the building; 2) ''Shakkei'' requires the presence of an object to be captured alive as borrowed scenery, i.e. a view on a distant mountain for example; 3) The designer edits the view to reveal only the features he wishes to show; and 4) The borrowed scenery is linked with and reflects the foreground of the garden. Chinese gardens that borrow scenery * Humble Administrator's Garden, Suzhou * Summer Palace, Beijing * Master of the Nets Garden, Suzhou Japanese gardens that borrow scenery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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