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Galician Rumba
Galician rumba (''rumba gallega'') belongs to those songs and dances called '' cantes de ida y vuelta'', "of departure and return", like the Habanera, that travelled back from Cuba to the Spanish motherland to establish themselves as musical genres cultivated and cherished by the Spanish population. Like the rumba flamenca, the Galician rumba originated from a fusion of certain Cuban and Spanish elements of style. The characteristics of that new genre are similar to those of the new song-dances that appeared in the Caribbean Basin area during the 19th century, which were the result of a combination of Iberian and African elements. This new musical style has been called by Armando Rodríguez Ruidíaz the ''Rumba prototype'' and defined as follows: “That original product, which we can call the ''Rumba prototype'', was the result of a process of cultural fusion, in which certain European components, such as the lyrics, the tonal relationships (Major-Minor), the melodic and harmonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantes De Ida Y Vuelta
Cantes de ida y vuelta () is a Spanish expression literally meaning roundtrip songs. It refers to a group of flamenco musical forms or palos with diverse musical features, which "travelled back" from Latin America (mainly Cuba) as styles that, having originated in the interplay between musical traditions of peninsular Spain and those of Latin America, developed into renewed forms that were reintroduced in Spain. Usually they have a more mellow character than the more traditional flamenco songs. History In the Spanish Golden Age, dramatists like Lope de Vega and Tirso de Molina already included songs and dances of Latin American influence.BLAS VEGA, José: ''Magna Antología del Cante'', Introduction booklet, Hispavox, CD Edition 1992 (First Edition 1982) There is also evidence of their popularity in the 19th century: many examples still remain of printed songbooks and sheets, often mixing Andalusian and Latin American songs, which were sold in the streets, and Baron Charles Davill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contradanza
''Contradanza'' (also called ''contradanza criolla'', ''danza'', ''danza criolla'', or ''habanera'') is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the Country dance, English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama and Ecuador. In Cuba during the 19th century, it became an important genre, the first written music to be rhythmically based on an Rhythm in Sub-Saharan Africa, African rhythm pattern and the first Cuban dance to gain international popularity, the progenitor of danzón, mambo (music), mambo and cha-cha-chá (music), cha-cha-cha, with a characteristic "habanera rhythm" and sung lyrics. Outside Cuba, the Cuban contradanza became known as the ''habanera'' – the dance of Havana – and that name was adopted in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rumba Flamenca
Rumba flamenca, also known as flamenco rumba or simply rumba (), is a ''palo'' (style) of flamenco music developed in Andalusia, Spain. It is known as one of the ''cantes de ida y vuelta'' (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in Andalusia, southern Spain, where Cuban music first reached the country. History Rumba flamenca was primarily influenced by guaracha, an uptempo style of vocal music which originated in Havana's musical theatre. Some elements from Cuban rumba were also incorporated, although minor, despite the name. Although unlikely, both guaracha and Cuban rumba might have been influenced by flamenco earlier in the 19th century. Guarachas can be traced back to the Spanish jácaras, thus justifying the classification of rumba flamenca as a '' cante de ida y vuelta''. The first rumba flamenca recordings were made by La Niña de los Peines in the 1910s. During the late 20th c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrygian Andalusian Cadence
Phrygian can refer to: *Anything relating to the region of Phrygia *Anything relating to the Phrygians, an ethnic group *Phrygian language, their language * Phrygian cap, once characteristic of the region *Phrygian helmet, used historically in Thracian, Dacian, Classical and Hellenistic Greek armies, and later among Romans * Phrygian mode in music *A follower of Montanism Montanism (), known by its adherents as the New Prophecy, was an early Christian movement of the late 2nd century, later referred to by the name of its founder, Montanus. Montanism held views about the basic tenets of Christian theology simi ..., an early Christian movement in Phrygia {{disambig Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andalusian Cadence
The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise – a iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode(minor).Mojácar Flamenco , a website about basics in Flamenco music It is otherwise known as the minor descending tetrachord. Traceable back to the , its effective sonorities made it one of the most popular progressions in |
Guaracha
The guaracha () is a genre of music that originated in Cuba, of rapid tempo and comic or picaresque lyrics. The word had been used in this sense at least since the late 18th and early 19th century. Guarachas were played and sung in musical theatres and in low-class dance salons. They became an integral part of bufo comic theatre in the mid-19th century. During the later 19th and the early 20th century the guaracha was a favourite musical form in the brothels of Havana. The guaracha survives today in the repertoires of some trova musicians, conjuntos and Cuban-style big bands. Early uses of the word Though the word may be historically of Spanish origin, its use in this context is of indigenous Cuban origin. These are excerpts from reference sources, in date order: A Latin American carol "Convidando esta la noche" dates from at least the mid 17th century and both mentions and is a guaracha. It was composed or collected by Juan Garcia de Zespedes, 1620-1678, Puebla, Mexico. This i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Rumba
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka, as well as the Spanish-based ''coros de clave''. According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, and the term rumba complex is now commonly used by musicologists. This complex encompasses the three traditional forms of rumba (yambú, guaguancó and columbia), as well as their contemporary derivatives and other minor styles. Traditionally performed by poor workers of African descent in streets and ''solares'' (courtyards), rumba remains one of Cuba's most characteristic forms of music and dance. Vocal improvisation, elaborate dancing and polyrhythmic drumming are the key components of all rumba styles. '' Cajones'' (wooden boxes) were used as drums until the early 20th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romería
Christianity has a strong tradition of pilgrimages, both to sites relevant to the New Testament narrative (especially in the Holy Land) and to sites associated with later saints or miracles. History Christian pilgrimages were first made to sites connected with the birth, life, crucifixion and resurrection of Jesus. Aside from the early example of Origen in the third century, surviving descriptions of Christian pilgrimages to the Holy Land date from the 4th century, when pilgrimage was encouraged by church fathers including Saint Jerome, and established by Saint Helena, the mother of Constantine the Great. The purpose of Christian pilgrimage was summarized by Pope Benedict XVI this way: Pilgrimages are made to Rome and other sites associated with the apostles, saints and Christian martyrs, as well as to places where there have been apparitions of the Virgin Mary. A popular pilgrimage journey is along the Way of St. James to the Santiago de Compostela Cathedral, in Galic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muiñeira
The muiñeira ( Galician: ''muiñeira'', Castilian: ''muñeira'') is a traditional dance and musical genre of Galicia (Spain). It is distinguished mainly by its expressive and lively tempo, played usually in , although some variants are performed in other time signatures. There are also variant types of muiñeira which remain in the tempo of but which displace the accent in different ways. Muiñeira is associated with traditional choreographic schemes and the associated instrumentation is a form of bagpipe known as a gaita. It is subject to highly varied interpretation in differing local traditions. According to "Galicia-The Spanish Cousins", an article on Roots World, muiñeira is the Galician "equivalent" of a jig, which is consistent with the time signature of . The word "muiñeira" (the same pronunciation in Portuguese, but spelled "moinheira") means literally both millstone and a mill landlady (or the miller's wife, if a man). Galician music is classified as part of Celt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Núñez Muñoz
Carlos Núñez Muñoz (born 1971) is a Spanish musician and multi-instrumentalist who plays the gaita, the traditional Galician bagpipe, Galician flute, ocarina, Irish flute, whistle and low whistle. Life and career Nuñez was born in 1971 in Vigo, Galicia. He began playing the bagpipes when he was eight years old. In his early teens, he was invited to play with the Festival Orchestra of the Festival Interceltique de Lorient in Brittany. He studied the recorder at the Royal Conservatory in Madrid, Spain and quickly gained stature as a young virtuoso. He met Paddy Moloney of The Chieftains and performed with the band two years later, becoming referred to as the "7th member" of the band. He appeared on their Grammy-winning ''Santiago'', which focused on Galician music and included other artists such as Los Lobos and Linda Ronstadt. He has collaborated with Ry Cooder, Sharon Shannon, Sinéad O'Connor, The Chieftains, Altan and La Vieja Trova Santiaguera. He collaborated with L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Chieftains
The Chieftains are a traditional Irish folk band formed in Dublin in 1962, by Paddy Moloney, Seán Potts and Michael Tubridy. Their sound, which is almost entirely instrumental and largely built around uilleann pipes, has become synonymous with traditional Irish music. They are regarded as having helped popularise Irish music around the world. They have won six Grammy Awards during their career and they were given a Lifetime Achievement Award at the 2002 BBC Radio 2 Folk Awards. Some music experts have credited The Chieftains with bringing traditional Irish music to a worldwide audience, so much so that the Irish government awarded them the honorary title of 'Ireland's Musical Ambassadors' in 1989. Name The band's name came from the book ''Death of a Chieftain'' by Irish author John Montague. Assisted early on by Garech Browne, they signed with his company Claddagh Records. They needed financial success abroad, and succeeded in this. Career Origins Paddy Moloney was a member ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
