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Fôrça Bruta
''Fôrça Bruta'' () is the seventh studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was recorded with the Trio Mocotó band and released by Philips Records in September 1970, during a time of political tension in Brazilian military government, dictatorial Brazil. Its title comes from the Portuguese language, Portuguese term meaning "brute force". The album introduced an acoustic samba-based music that is mellower, moodier, and less ornate than Ben's preceding work. Its largely unrehearsed, nighttime recording session found the singer improvising with Trio Mocotó's groove (music), groove-oriented accompaniment while experimenting with unconventional rhythmic arrangements, musical techniques, and elements of soul music, soul, funk, and rock music, rock. Ben's lyrics explore themes of romantic passion, melancholy, sensuality, and – in a departure from the carefree sensibility of past releases – identity politics and elements of postmodernism, while featu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jorge Ben
Jorge Duílio Lima Menezes (born March 22, 1939) is a Brazilian popular musician, performing under the stage name Jorge Ben Jor since the 1980s, though commonly known by his former stage name Jorge Ben (). His characteristic style fuses samba, funk, rock and bossa nova with lyrics that blend humor and satire with often esoteric subject matter. _Biography_))).html" ;"title="allmusic ((( Jorge Ben > Biography )))">allmusic ((( Jorge Ben > Biography )))/ref> His hits include "Chove Chuva", " Mas, que Nada!", "Ive Brussel" and "Balança Pema", and have been interpreted by artists such as Caetano Veloso, Sérgio Mendes, Miriam Makeba, Soulfly and Marisa Monte. Ben's broad-minded and original approach to samba led him through participation in some of Brazilian popular music's most important musical movements, such as bossa nova, Jovem Guarda, and Tropicália, with the latter period defined by his albums ''Jorge Ben'' (1969) and ''Fôrça Bruta'' (1970). He has been called "the father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Identity Politics
Identity politics is a political approach wherein people of a particular race, nationality, religion, gender, sexual orientation, social background, social class, or other identifying factors develop political agendas that are based upon these identities. Identity politics is deeply connected with the idea that some groups in society are oppressed and begins with analysis of that oppression. The term is used primarily to describe political movements in western societies, covering nationalist, multicultural, women's rights, civil rights, and LGBT movements. The term "identity politics" dates to the late twentieth century although it had precursors in the writings of individuals such as Mary Wollstonecraft and Frantz Fanon. Many contemporary advocates of identity politics take an intersectional perspective, which accounts for the range of interacting systems of oppression that may affect their lives and come from their various identities. According to many who describe themselves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atabaque
The atabaque (; ) is a tall, wooden, Afro-Brazilian hand drum. The shell is made traditionally of Jacaranda wood from Brazil. The head is traditionally made from calfskin. A system of ropes are intertwined around the body, connecting a metal ring near the base to the head. Because of this tuning mechanism the drum is sometimes known as 'Atabaque de Corda'. Wooden wedges are jammed between this ring and the body and a hammer is used to tighten or loosen the ropes, raising or lowering the pitch of the drum. In Africa, cord-and-peg tension atabaques had a distribution area roughly congruent with the iron double bell (Agogo). This included the Guinea Coast from the Niger River and west to Benin, Togo, and Ghana. Beyond West Africa, cord-and-peg tension drums appeared in Bahia, Suriname, St. Domingue, Cuba, and the southern states of America. These drums traveled with the Ewe, Fon, Akan, and Yoruba people during the New World diaspora.Taylor, G. Capoeira: The Jogo de Angola from Lua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iê-iê-iê
Brazilian rock refers to rock music produced in Brazil and usually sung in Portuguese. In the 1960s it was known as , from the Portuguese transcription of the line "Yeah, yeah, yeah" from the Beatles song "She Loves You". Overview Rock entered the Brazilian music scene in 1956, with the screening of the film ''The Blackboard Jungle'', featuring Bill Haley's "Rock Around the Clock", which would later be covered in Portuguese by Nora Ney. The electric guitar was already used in Brazil in 1948, in Salvador carnival bloc of Dodô e Osmar. They invented the famous ( en, "electric stick"), the first electric guitar without microphonic feedback, with its typical acute color characteristic and sustained sound, no more similar to the previous jazzistic electric guitar models (then they developed another with two arms) and in 1949 they played carnival songs with this guitar at the first time in an open car named then "Trio Elétrico" on the Salvador streets (today in the big trucks with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Tuning
In music, there are two common meanings for tuning: * Tuning practice, the act of tuning an instrument or voice. * Tuning systems, the various systems of pitches used to tune an instrument, and their theoretical bases. Tuning practice Tuning is the process of adjusting the pitch of one or many tones from musical instruments to establish typical intervals between these tones. Tuning is usually based on a fixed reference, such as A = 440 Hz. The term "''out of tune''" refers to a pitch/tone that is either too high (sharp) or too low (flat) in relation to a given reference pitch. While an instrument might be in tune relative to its own range of notes, it may not be considered 'in tune' if it does not match the chosen reference pitch. Some instruments become 'out of tune' with temperature, humidity, damage, or simply time, and must be readjusted or repaired. Different methods of sound production require different methods of adjustment: * Tuning to a pitch with one's voic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuning Fork
A tuning fork is an acoustic resonator in the form of a two-pronged fork with the prongs (tines) formed from a U-shaped bar of elastic metal (usually steel). It resonates at a specific constant pitch when set vibrating by striking it against a surface or with an object, and emits a pure musical tone once the high overtones fade out. A tuning fork's pitch depends on the length and mass of the two prongs. They are traditional sources of standard pitch for tuning musical instruments. The tuning fork was invented in 1711 by British musician John Shore, sergeant trumpeter and lutenist to the royal court. Description A tuning fork is a fork-shaped acoustic resonator used in many applications to produce a fixed tone. The main reason for using the fork shape is that, unlike many other types of resonators, it produces a very pure tone, with most of the vibrational energy at the fundamental frequency. The reason for this is that the frequency of the first overtone is about = = t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola Caipira
The ''viola caipira'', often simply ''viola'', (Portuguese for ''country guitar'') is a Brazilian ten-string guitar with five courses of strings arranged in pairs. It was introduced in the state of São Paulo, where it is widely played as the basis for the música caipira, a type of folk-country music originating in the caipira country of south-central Brazil. Origins The origins of the viola caipira are uncertain, but evidence suggests it evolved from the vihuela/viola de mano that Spanish and Portuguese settlers took to the new world. It has also similarities with the 5 course baroque guitar, that elsewhere evolved into the modern guitar. It is likely a descendant of one of the many folk guitars that have traditionally been played in Portugal. The viola braguesa and viola amarantina, for instance, are two types of ten-string guitars from the north of Portugal, which are closely related to the viola caipira. Some have described the viola caipira as Brazil's national instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jorge Ben E O Trio Mocotó No Teatro Da Lagoa, 1971
Jorge is a Spanish and Portuguese given name. It is derived from the Greek name Γεώργιος (''Georgios'') via Latin ''Georgius''; the former is derived from (''georgos''), meaning "farmer" or "earth-worker". The Latin form ''Georgius'' had been rarely given in Western Christendom since at least the 6th century. The popularity of the name however develops from around the 12th century, in Occitan in the form ''Jordi'', and it becomes popular at European courts after the publication of the ''Golden Legend'' in the 1260s. The West Iberian form ''Jorge'' is on record as the name of Jorge de Lencastre, Duke of Coimbra (1481–1550). List of people with the given name Jorge * Jorge (footballer, born 1946), Brazilian footballer * Jorge (Brazilian singer), Brazilian musician and singer, Jorge & Mateus * Jorge (Romanian singer), real name George Papagheorghe, Romanian singer, actor, TV host * Jorge Betancourt, Cuban diver * Jorge Campos, Mexican football player * Jorge Cantú, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuíca
The cuíca () is a Brazilian friction drum with a large pitch range, produced by changing tension on the head of the drum. ''Cuíca'' is Portuguese for the gray four-eyed opossum (''Philander opossum'') which is known for its high-pitched cry. It is frequently used in carnivals, as well as often in samba music. The tone it produces has a high-pitched squeaky timbre. It has been called a 'laughing gourd' due to this sound. Many also liken its sound to that of a monkey. History There are a number of styles of found around the globe. Its origins are disputed: Different sources trace it to Bantu slaves, to Spain, and to Muslim traders - structurally it is identical, among other instruments in the same category, to the Portuguese , Spanish , Catalan and Balearic The cuica was used in Africa as a call for the male lion since the sound mimics the roar of the female lioness. The instrument was introduced to Brazil by African slaves, where it found its place in samba music. Charact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Backing Band
A backup band or backing band is a musical ensemble that typically accompanies a single artist who is the featured performer. The situation may be a live performance or in a recording session, and the group may or may not have its own name, such as "The Heartbreakers" (the band of Tom Petty), or " Bob Wills and his Texas Playboys" in the 1930s. Often, backup bands contain sidemen who are skilled but not known to the public; these musicians may be replaced or substituted at any time without noticeable impact on the performance. A number of cohesive stand-alone groups of musicians have emerged from the shadow of the starring celebrity (whom they are backing) to achieve a stature of their own. An example is the Eagles in 1971, emerging from being the backing band for Linda Rondstadt. Another example is The Band, a group who backed Bob Dylan on his world tour in 1966, his first tour with electric instruments. A backing band may also be a cadre of elite studio musicians who serve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dusty Groove America
Dusty Groove is a Chicago-based online record store specializing in new and vintage jazz, funk, soul, hip-hop, world, rare, collectible, and vinyl records and CDs. History Online record store Founded in 1996 by University of Chicago alumni Rick Wojcik and JP Schauer as an online-only record store, the websitdustygroove.comsoon attracted the interest of global record collectors. The site has been featured in publications such as ''The New York Times'', ''Rolling Stone'', ''Billboard'', ''The Wire'', ''Spin'', '' GQ'', ''Esquire'', and ''Vibe''. Retail operations Dusty Groove operated its mail-based shipping business an office in the Hyde Park neighborhood of Chicago before moving to a loft in Wicker Park in 1997, adding a brick-and-mortar retail storefront with weekend hours. The store opened for business daily 2001, expanding to a nearby location where it remains. Dusty Groove maintains an extensive warehouse and retail presence with up to 30,000 items in inventory a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Rolling Stone Brasil 100 Greatest Brazilian Music Records
The 100 greatest Brazilian music records list was chosen by voting held by the ''Rolling Stone Brasil'' magazine published in October 2007. Election The choice of the "100 greatest" was based on the sum of votes of 60 scholars, producers and Brazilian music journalists. Each of the voters chose 20 albums, in no order of preference, which according to ''Rolling Stone'', should be based on criteria like ''"intrinsical artistic value and historical importance, that is, how much the album influenced other artists."'' The list Statistics Among the top 10, three albums were released in 1972, including the most voted ''Acabou Chorare'', by the group Novos Baianos. Of the 25 best records, 14 were released in the 1970 decade. The artists with more than one record in the list are: * Caetano Veloso, Gilberto Gil (7) * Gal Costa, Jorge Ben, Os Mutantes, Tom Jobim (5) * João Gilberto, Roberto Carlos, Tim Maia (4) * Elis Regina (3) * Cartola, Chico Buarque, Chico Science & Nação Zu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
