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Furry Lewis
Walter E. "Furry" Lewis (March 6, 1893 or 1899 – September 14, 1981) was an American country blues guitarist and songwriter from Memphis, Tennessee. He was one of the first of the blues musicians active in the 1920s to be brought out of retirement and given new opportunities to record during the folk blues revival of the 1960s. Life and career Lewis was born in Greenwood, Mississippi. His birth year is uncertain. Many sources give 1893, the date he gave in his later years, but the researchers Bob Eagle and Eric LeBlanc suggest 1899, based on his 1900 census entry, and other sources suggest 1895 or 1898. His family moved to Memphis when he was seven. He acquired the nickname "Furry" from childhood playmates. By 1908, he was playing solo at parties, in taverns, and on the street. He was also invited to play several dates with W. C. Handy's Orchestra. In his travels as a musician, he was exposed to a wide variety of performers, including Bessie Smith, Blind Lemon Jefferson, and ...
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Memphis, Tennessee
Memphis is a city in the U.S. state of Tennessee. It is the seat of Shelby County in the southwest part of the state; it is situated along the Mississippi River. With a population of 633,104 at the 2020 U.S. census, Memphis is the second-most populous city in Tennessee, after Nashville. Memphis is the fifth-most populous city in the Southeast, the nation's 28th-largest overall, as well as the largest city bordering the Mississippi River. The Memphis metropolitan area includes West Tennessee and the greater Mid-South region, which includes portions of neighboring Arkansas, Mississippi and the Missouri Bootheel. One of the more historic and culturally significant cities of the Southern United States, Memphis has a wide variety of landscapes and distinct neighborhoods. The first European explorer to visit the area of present-day Memphis was Spanish conquistador Hernando de Soto in 1541. The high Chickasaw Bluffs protecting the location from the waters of the Mississipp ...
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Memphis Jug Band
The Memphis Jug Band was an American band (music), musical group active from the mid-1920s to the late-1950s. The band featured harmonica, kazoo, fiddle and mandolin or banjolin, backed by guitar, piano, washboard (musical instrument), washboard, washtub bass and Jug (musical instrument), jug. They played slow blues, pop songs, humorous songs and upbeat dance numbers with jazz and string band flavors. The band made the first commercial recordings in Memphis, Tennessee, and recorded more sides than any other prewar jug band. Beginning in 1926, African American, African-American musicians in the Memphis area grouped around the singer, songwriter, guitarist, and harmonica player Will Shade (also known as Son Brimmer or Sun Brimmer). The personnel of the band varied from day to day, with Shade booking gigs and arranging recording sessions. The band was as a training ground for musicians who would go on to make careers of their own. Members Among the recorded members of the Memphis Jug ...
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Bukka White
Booker T. Washington "Bukka" White (November 12, 1906 February 26, 1977) was an American Delta blues guitarist and singer. Biography White was born south of Houston, Mississippi. He was a first cousin of B.B. King's mother (White's mother and King's grandmother were sisters). ''Bukka'' is a phonetic spelling of White's first name; he was named after the African-American educator and civil rights activist Booker T. Washington. He played National resonator guitars, typically with a slide, in an open tuning. He was one of the few, along with Skip James, to use a crossnote tuning in E minor, which he may have learned, as James did, from Henry Stuckey. He also played piano, but less adeptly. White started his career playing the fiddle at square dances. He claimed to have met Charley Patton soon after, but some have doubted this recollection. Nonetheless, Patton was a strong influence on White. "I wants to come to be a great man like Charlie Patton", White told his friends. H ...
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Bob West (radio Host)
Bob West (March 27, 1942 – July 31, 2016) was an American ethnomusicologist, radio host, musician, and record producer. He became involved in radio in 1966 at KRAB Radio in Seattle. Lorenzo Milam, who heard him as a guest on another KRAB show, asked him in 1967 to host a weekly jazz and blues show on KRAB. A year later, West made his first field trip to Memphis to record Furry Lewis and Bukka White. In 2001 he founded Arcola Records in Seattle to create and distribute CDs of his field recordings. Early life and education West began his interest in jazz and blues at an early age, with his musical interests coming from his father and mother, who collected records. His father, Frank, appreciated blues players, and favored such bands as Billie Holiday, Lester Young, Coleman Hawkins, Fletcher Henderson, and Earl Hines. However, it was his mother, Taimi, who really liked the blues, especially Peetie Wheatstraw. After graduating from high school in Seattle in 1960 West, learning ...
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Document Records
Document Records is an independent record label, founded in Austria and now based in Scotland, that specializes in reissuing vintage blues and jazz. The company has been recognised by The Blues Foundation, being honoured with a Keeping the Blues Alive Award. Document Records is the only UK-based recipient of the award in 2018. History Document was established in 1986 by Johnny Parth, the former owner of Roots Records, in Austria to make previously unreleased blues and gospel records from before the 1942–44 musicians' strike available on a number of European labels. In 1990, Parth felt obliged to switch production from LP to CD. With this change, he consolidated the catalogue into complete reissues in chronological order, increasingly on the Document label as other label names were dropped. The new policy was to reissue as many as possible of the recordings listed in the book, ''Blues and Gospel Records: 1890–1943''. The scope was expanded to include bluegrass, spiritu ...
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Prestige Records
Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City which issued recordings in the mainstream, bop, and cool jazz idioms. The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them on subsidiary labels. In 1971, the company was sold to Fantasy, which was later absorbed by Concord. History The Prestige office was located at 446 West 50th Street, New York City. Its catalogue included Gene Ammons, John Coltrane, Miles Davis, Stan Getz, Wardell Gray, Thelonious Monk, and Sonny Rollins. Audio engineer Rudy Van Gelder was the recording engineer of many Prestige albums in the 1950s and early-to-mid-1960s. Prestige created new labels in 1960: Swingville, Moodsville, covering jazz, Bluesville featuring blues revival artists, Lively Arts featuring spoken word recordings and Prestige International, Prestige Folklore, Irish and Near East with folk and world music. By the later 1950s, We ...
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Sun Studio
Sun Studio is a recording studio opened by rock-and-roll pioneer Sam Phillips at 706 Union Avenue in Memphis, Tennessee, on January 3, 1950. It was originally called Memphis Recording Service, sharing the same building with the Sun Records label business. Sun Studio is perhaps most famous for its role in the early years of Elvis Presley’s career. Reputedly the first rock and roll single, Jackie Brenston and his Delta Cats' "Rocket 88" was recorded there in 1951 with song composer Ike Turner on keyboards, leading the studio to claim status as the birthplace of rock & roll. Blues and R&B artists like Howlin' Wolf, Junior Parker, Little Milton, B.B. King, James Cotton, Rufus Thomas, and Rosco Gordon recorded there in the early 1950s. Rock and roll, country, and rockabilly artists, including Johnny Cash, Elvis Presley, Carl Perkins, Roy Orbison, Charlie Feathers, Ray Harris, Warren Smith, Charlie Rich, and Jerry Lee Lewis, recorded there throughout the mid-to-late 1950s until t ...
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Folkways Records
Folkways Records was a record label founded by Moses Asch that documented folk, world, and children's music. It was acquired by the Smithsonian Institution in 1987 and is now part of Smithsonian Folkways. History The Folkways Records & Service Co., and its music publishing subsidiary Folkways Music Publishers, Inc., were founded by Moses Asch and Marian Distler in 1948 in New York City. Harold Courlander was editor of the ''Folkways Ethnic Library'' at the time and is credited with coming up with the name "Folkways" for the label. Asch sought to record and document sounds and music from everywhere in the world. From 1948 until Asch's death in 1986, Folkways Records released 2,168 albums. In December 1950, Folkways Music Publishers, Inc. was acquired by Howard S. Richmond. In 1964, Asch helped MGM Records start Verve Folkways Records which evolved in 1967 into Verve Forecast Records. The Folkways catalog includes traditional and contemporary music from around the world as well as ...
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Ann Charters
Ann Charters (; born November 10, 1936) is a professor of American Literature at the University of Connecticut at Storrs. She is a Jack Kerouac and Beat Generation scholar. Early life and career Charters was born on November 10, 1936, in Bridgeport, Connecticut. She is a professor of American Literature at the University of Connecticut at Storrs and has been interested in Beat writers since 1956, when as an undergraduate English major at the University of California, Berkeley (B.A. 1957) she attended the repeat performance of the Six Gallery Poetry reading in San Francisco where Allen Ginsberg gave his second public reading of "Howl." She began collecting books written by Beat writers when she was a graduate student at Columbia University (M.A. 1960; Ph.D 1965). After completing her doctorate, she worked with Jack Kerouac to compile his bibliography. After his death she wrote the first Kerouac biography, ''Kerouac: A Biography'' (1973). Charters' book is unique as she was th ...
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Sam Charters
Sam, SAM or variants may refer to: Places * Sam, Benin * Sam, Boulkiemdé, Burkina Faso * Sam, Bourzanga, Burkina Faso * Sam, Kongoussi, Burkina Faso * Sam, Iran * Sam, Teton County, Idaho, United States, a populated place People and fictional characters * Sam (given name), a list of people and fictional characters with the given name or nickname * Sam (surname), a list of people with the surname ** Cen (surname) (岑), romanized "Sam" in Cantonese ** Shen (surname) (沈), often romanized "Sam" in Cantonese and other languages Religious or legendary figures * Sam (Book of Mormon), elder brother of Nephi * Sām, a Persian mythical folk hero * Sam Ziwa, an uthra (angel or celestial being) in Mandaeism Animals * Sam (army dog) (died 2000) * Sam (horse) (b 1815), British Thoroughbred * Sam (koala) (died 2009), rescued after 2009 bush fires in Victoria, Australia * Sam (orangutan), in the movie ''Dunston Checks In'' * Sam (ugly dog) (1990–2005), voted the world's ugliest ...
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Stagger Lee (song)
"Stagger Lee", also known as "Stagolee" and other variants, is a popular American folk song about the murder of Billy Lyons by "Stag" Lee Shelton, in St. Louis, Missouri, at Christmas 1895. The song was first published in 1911 and first recorded in 1923, by Fred Waring's Pennsylvanians, titled "Stack O' Lee Blues". A version by Lloyd Price reached number one on the ''Billboard'' Hot 100 in 1959. Background The historical Stagger Lee was Lee Shelton, an African American pimp living in St. Louis, Missouri, in the late 19th century. He was nicknamed Stag Lee or Stack Lee, with a variety of explanations being given: he was given the nickname because he "went stag", meaning he was without friends; he took the nickname from a well-known riverboat captain called Stack Lee; or, according to John and Alan Lomax, he took the name from a riverboat owned by the Lee family of Memphis called the ''Stack Lee'', which was known for its on-board prostitution. Shelton was well known locally as ...
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Slide (guitar Technique)
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position (flat against the body) with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle. The term bottleneck was historically used to describe this type of playing. The strings are typically plucked (not strummed) while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar (lap steel guitar). Creating music with a slide of some type has been traced back to African stringed instruments and also to the origin of the steel guitar in Hawaii. Near the beginning of the twe ...
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