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Frédéric Dupetit-Méré
Frédéric Dupetit-Méré (16 September 1785 extraite du fichier de l'état-civil reconstitué des archives numérisées de la Ville de Paris. – 4 July 1827), was a French and dramatist. Dupetit-Méré, alone and in collaboration with [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
6th Arrondissement Of Paris
The 6th arrondissement of Paris (''VIe arrondissement'') is one of the 20 Arrondissements of Paris, arrondissements of the capital city of France. In spoken French, it is referred to as ''le sixième''. The arrondissement, called Luxembourg in a reference to the Luxembourg Palace, seat of the Senate (France), Senate and its Jardin du Luxembourg, garden, is situated on the Rive Gauche of the Seine, River Seine. It includes educational institutions such as the École nationale supérieure des Beaux-Arts, the École des hautes études en sciences sociales and the Institut de France, as well as Parisian monuments such as the Odéon-Théâtre de l'Europe, the Pont des Arts, which links the 1st and 6th arrondissements over the Seine, Saint-Germain-des-Prés (abbey), Saint-Germain Abbey and Church of Saint-Sulpice, Paris, Saint-Sulpice Church. This central arrondissement, which includes the historic districts of Saint-Germain-des-Prés (surrounding the Saint-Germain-des-Prés (abbey), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tableau Vivant
A (; often shortened to ; plural: ), French language, French for "living picture", is a static scene containing one or more actors or models. They are stationary and silent, usually in costume, carefully posed, with props and/or scenery, and may be Theatre, theatrically lit. It thus combines aspects of theatre and the visual arts. A tableau may either be 'performed' live, or depicted in painting, photography and sculpture, such as in many works of the Romanticism, Romantic, Aestheticism, Aesthetic, Symbolism (arts), Symbolist, Pre-Raphaelite, and Art Nouveau movements. In the late 19th and early 20th centuries, tableaux sometimes featured ('flexible poses') by virtually nude models, providing a form of Erotica, erotic entertainment, both on stage and in print. Tableaux continue to the present day in the form of living statues, street performers who busk by posing in costume. Origin Occasionally, a Mass (liturgy), Mass was punctuated with short dramatic scenes and paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baron Isidore Justin Séverin Taylor
Isidore Justin Séverin Taylor was born in Brussels on 5 August 1789 and died in Paris on 6 September 1879. He was closely associated with the development of French theatre, a noted traveller and author, and a philanthropist. Life and career Isidore's father Hélie Taylor was English born and took French nationality. His mother was the Belgian Marie-Jacqueline Walwein (from what was then the Austrian Netherlands). Originally destined for a military career, the young man neglected this in favour of travelling about Europe and later the Near East. Among the fruits of his travels was a series of books on the French regions, ''Voyages pittoresques et romantiques dans l'ancienne France'' (1820–63), the nearly 7000 lithographs in which were the first to catalogue the French artistic patrimony. Another book, ''La Syrie, l'Égypte, la Palestine et la Judée'' (Paris, 1839), was illustrated with the author's watercolours, two of which are now in the collection of the Victoria and Albert M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Antier
Benjamin Antier, real name Benjamin Chevrillon, (21 March 1787 – 25 April 1870), was a 19th-century French playwright. An author of melodramas and vaudevilles written in collaboration with other dramatists, he is mostly known for his drama ''L'Auberge des Adrets'', premiered in 1823. The play featured the villain Robert Macaire, played on stage by Frédérick Lemaître, who, in 1835, wrote with Antier a second play called ''Robert Macaire''. The character was then popularized by Daumier's caricatures to become, after James Rousseau's word in his ''Physiologie du Robert Macaire'', "the embodiment of our positive, selfish, greedy, liar, boastful era... basically blagueuse. In 1945, ''L'Auberge des Adrets'' would be the basis of Marcel Carné's film, ''Children of Paradise'', with Jean-Louis Barrault and Arletty. Most of his plays were signed "Benjamin", as it was then customary for melodrama writers and actors to make them known by their first names. He was made chevalier de la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One-act Play
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, '' Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a stand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Toussaint Merle
Jean-Toussaint Merle (10 June 1785– 27 February 1852) was a French playwright and journalist. Biography Merle had a good education at the Central School of the department of Hérault before arriving in Paris in 1803. At first an employee at the Ministry of Interior, he soon left the position for military service, and returned to Paris only towards the end of 1808. He then made his debut in literature. His amiable character and easy spirit made him a reputation for indolence which seems in little agreement with the activity of his literary life. He put his name to more than one hundred and twenty plays, almost all of them made in collaboration. In turn attached to various newspapers, he has written numerous articles in the ''Mercure de France'', '' la Gazette de France'', , '' Le Nain jaune'', etc. For a long time he wrote the dramatic serial of . A spiritual critic and pleasant writer, he was among those who were appreciated by their contemporaries and whose name tend to di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Variétés
The Théâtre des Variétés is a theatre and "salle de spectacles" at 7–8, boulevard Montmartre, 2nd arrondissement, in Paris. It was declared a monument historique in 1974. History It owes its creation to the theatre director Mademoiselle Montansier (Marguerite Brunet). Imprisoned for debt in 1803 and frowned upon by the government, a decree of 1806 ordered her company to leave the Théâtre du Palais-Royal which then bore the name of "Variétés". The decree's aim was to move out Montansier's troupe to make room for the company from the neighbouring Théâtre-Français, which had stayed empty even as the Variétés-Montansier had enjoyed immense public favour. Strongly unhappy about having to leave the theatre by 1 January 1807, the 77-year-old Montansier gained an audience with Napoleon himself and received his help and protection. She thus reunited the "Société des Cinq", which directed her troupe, in order to found a new theatre, the one which stands at the side of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Couplet
A couplet is a pair of successive lines of metre in poetry. A couplet usually consists of two successive lines that rhyme and have the same metre. A couplet may be formal (closed) or run-on (open). In a formal (or closed) couplet, each of the two lines is end-stopped, implying that there is a grammatical pause at the end of a line of verse. In a run-on (or open) couplet, the meaning of the first line continues to the second. Background The word "couplet" comes from the French word meaning "two pieces of iron riveted or hinged together". The term "couplet" was first used to describe successive lines of verse in Sir P. Sidney's '' Arcadia '' in 1590: "In singing some short coplets, whereto the one halfe beginning, the other halfe should answere." While couplets traditionally rhyme, not all do. Poems may use white space to mark out couplets if they do not rhyme. Couplets in iambic pentameter are called ''heroic couplets''. John Dryden in the 17th century and Alexander Pope in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aimé Desprez
Claude-Aimé Desprez-Saint-Clair (5 April 1783 – 26 April 1824) was a French vaudeville playwright and chansonnier. He himself performed comedy plays and, around 1810, joined the troupe of the Théâtre de l'Ambigu-Comique under the name Saint-Clair. He died in April 1824 from tuberculosis. Works * ''Le Foyer ou le Couplet d'annonce'', with Varez, vaudeville presented at the Théâtre des Jeunes-Artistes. * ''Kikiki'', with Brazier and Varez, parody of ''Tékêli'', presented at the Nouveaux-Troubadours. * ''Le Mariage de la Valeur'', vaudeville, presented at the Ambigu-Comique. * ''L'Espoir réalisé'', vaudeville, ''ibid.'' * ''Le Jardin d'Oliviers'', ''ibid.'' * ''Le Mariage sous d'heureux auspices'', with Ferrière, vaudeville in 1 act, on the occasion of the marriage of the Duke of Beni, presented at the Ambigu-Comique, Paris, 1816, in-8°. * ''Marguerite de Straffort, ou le Retour à la royauté'', with the same, melodrama in 3 acts, in prose, presented on the same sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Alexandre Piccinni
Louis Alexandre Piccinni (variously Louis Alexandre, Luigi Alessandro or Lodovice Alessandro) (10 September 1779 – 24 April 1850) was a prolific music composer born in Paris of Italian ancestry. Alexandre Piccinni was born in Paris. The grandson of the Italian composer of symphonies, sacred music, chamber music, and opera, Niccolò Piccinni, and the son of Giuseppe Luigi Piccinni, Louis was already giving piano lessons at age 13. He studied piano, and later attended the Conservatoire where he studied composition from Jean-François Le Sueur. He was accompanist at the Théâtre Feydeau, and from 1802 at the Opéra-Comique. From 1803 to 1816, he was conductor of the Théâtre de la Porte Saint-Martin, and from 1804 to 1818 accompanist in the chapels of Louis XVIII at the court. Piccinni taught singing and piano at Paris until 1836, when he moved to Boulogne to teach and direct at the National Conservatory in Toulouse. He later moved to Strasburg and directed the Baden-B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantomime
Pantomime (; informally panto) is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and (to a lesser extent) in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It employs gender-crossing actors and combines topical humour with a story more or less based on a well-known fairy tale, fable or folk tale.Reid-Walsh, Jacqueline. "Pantomime", ''The Oxford Encyclopedia of Children's Literature'', Jack Zipes (ed.), Oxford University Press (2006), Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers. Pantomime has a long theatrical history in Western culture dating back to the era of classical theatre. It developed partly from the 16th century c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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