Frustration Plantation
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Frustration Plantation
''Frustration Plantation'' is the fourth studio album by American rock band Rasputina, released by Instinct Records on March 16, 2004. While not strictly a concept album, ''Frustration Plantation'' does have many songs darkly relating to women's lives in the Old South. Critical reception In a review for ''AllMusic'', Heather Phares said of the album, "The idea of mixing eerie, Deliverance-style Southern ambience with Rasputina's aesthetic is an inspired one, and it results in their strongest work to date." Andy Hermann of ''PopMatters'' praised Melora Creager's songwriting, and said, "Eccentric instrumentation aside, Rasputina are ultimately just a great pop band with an immensely talented frontwoman, and Frustration Plantation is their most entertaining, consistent work to date." Jamie Kiffel of ''Lollipop Magazine'' said of the album, "While it might be easy to call Rasputina’s product a gimmick, Creager’s genuine fascination with her subject matter keeps her death and o ...
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Rasputina (band)
Rasputina is an American rock band based in New York City, known for their unconventional music style, as well as their fascination with historical allegories and fashion, especially those pertaining to the Victorian era. The group is fronted by cellist/vocalist Melora Creager, who writes the music and lyrics and creates art for the band's albums, singles, and website. History In 1989, Creager wrote a manifesto, and placed an ad in The Village Voice seeking women to form an electric cello choir. Julia Kent, then an editor at the Village Voice, was the first respondent. The original group of nine was whittled to three. They named themselves "Rasputina", after one of Creager's songs. The group performed frequently and became a local favorite in New York City. Columbia Records' A&R representative and producer Jimmy Boyle saw the group perform at a New York festival. He signed the group to the Columbia Records label in 1996. Creager and Boyle produced their first album on Columbi ...
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