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Frottage (art)
In art, frottages (from French ''frotter'', "to rub", Rubbing) is a surrealist and " automatic" method of creative production developed by Max Ernst. Details In frottage, the artist places a piece of paper over an uneven surface, then marks the paper with a drawing tool (such as a pastel or pencil), thus creating a rubbing. The drawing can be left as it is or used as the basis for further refinement. While superficially similar to brass rubbing and other forms of rubbing intended to reproduce an existing subject, and in fact sometimes being used as an alternative term for it, frottage implies using this rubbing technique to create an original image. It was developed by surrealist artist Max Ernst in 1925. Ernst was inspired by an ancient wooden floor where the grain of the planks had been accentuated by many years of scrubbing. The patterns of the graining suggested strange images to him. He captured these by laying sheets of paper on the floor and then rubbing over them with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubbing
A rubbing ('' frottage'') is a reproduction of the texture of a surface created by placing a piece of paper or similar material over the subject and then rubbing the paper with something to deposit marks, most commonly charcoal or pencil but also various forms of blotted and rolled ink, chalk, wax, and many other substances. For all its simplicity, the technique can be used to produce blur-free images of minuscule elevations and depressions on areas of any size in a way that can hardly be matched by even the most elaborate, state-of-the-art methods. In this way, surface elevations measuring only a few thousandths of a millimeter can be made visible. Common uses for this technique include: * Brass rubbing, to make copies of monumental brasses * Forensic uses, including finding out what was written on a sheet of paper removed from a pad by rubbing the impressions left on subsequent sheets or other backing materials * Frottage, a surrealist art form * Stone rubbing Stone rubbi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealist Automatism
Surrealist automatism is a method of art-making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway. Early 20th-century Dadaists, such as Hans Arp, made some use of this method through chance operations. Surrealist artists, most notably André Masson, adapted to art the automatic writing method of André Breton and Philippe Soupault who composed with it '' Les Champs Magnétiques'' (The Magnetic Fields) in 1919.Chilvers, Ian and Glaves-Smith, John, ''A Dictionary of Modern and Contemporary Art'', second edition (Oxford and New York: Oxford University Press, 2009), p. 45-46. . '' The Automatic Message'' (1933) was one of Breton's significant theoretical works about automatism. Origins Automatism has taken on many forms: the automatic writing and drawing initially (and still to this day) explored by the surrealists can be compared to similar or parallel phenomena, such as the non-idiomatic improvisation. "Psychi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Ernst
Max Ernst (2 April 1891 – 1 April 1976) was a German (naturalised American in 1948 and French in 1958) painter, sculptor, printmaker, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and Surrealism in Europe. He had no formal artistic training, but his experimental attitude toward the making of art resulted in his invention of frottage (surrealist technique), frottage—a technique that uses pencil rubbings of textured objects and relief surfaces to create images—and Grattage (art), grattage, an analogous technique in which paint is scraped across canvas to reveal the imprints of the objects placed beneath. Ernst is noted for his unconventional drawing methods as well as for creating novels and pamphlets using the method of collages. He served as a soldier for four years during World War I, and this experience left him shocked, traumatised and critical of the modern world. During World War II he was designated an "undesirable forei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surface Texture
Surface finish, also known as surface texture or surface topography, is the nature of a surface as defined by the three characteristics of lay, surface roughness, and waviness.. It comprises the small, local deviations of a surface from the perfectly flat ideal (a true plane). Surface texture is one of the important factors that control friction and transfer layer formation during sliding. Considerable efforts have been made to study the influence of surface texture on friction and wear during sliding conditions. Surface textures can be isotropic or anisotropic. Sometimes, stick-slip friction phenomena can be observed during sliding, depending on surface texture. Each manufacturing process (such as the many kinds of machining) produces a surface texture. The process is usually optimized to ensure that the resulting texture is usable. If necessary, an additional process will be added to modify the initial texture. The latter process may be grinding (abrasive cutting), polishing, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pencil
A pencil () is a writing or drawing implement with a solid pigment core in a protective casing that reduces the risk of core breakage, and keeps it from marking the user's hand. Pencils create marks by physical abrasion, leaving a trail of solid core material that adheres to a sheet of paper or other surface. They are distinct from pens, which dispense liquid or gel ink onto the marked surface. Most pencil cores are made of graphite powder mixed with a clay binder. Graphite pencils (traditionally known as "lead pencils") produce grey or black marks that are easily erased, but otherwise resistant to moisture, most chemicals, ultraviolet radiation and natural aging. Other types of pencil cores, such as those of charcoal, are mainly used for drawing and sketching. Coloured pencils are sometimes used by teachers or editors to correct submitted texts, but are typically regarded as art supplies, especially those with cores made from wax-based binders that tend to smear when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Rubbing
Brass rubbing was originally a largely British enthusiasm for reproducing onto paper monumental brasses – commemorative brass plaques found in churches, usually originally on the floor, from between the thirteenth and sixteenth centuries. The concept of recording textures of things is more generally called making a rubbing. What distinguishes rubbings from frottage is that rubbings are meant to reproduce the form of something being transferred, whereas frottage is usually only intended to use a general texture. Brass rubbings are created by laying a sheet of paper on top of a brass (then called "latten" - a zinc-copper alloy produced via the obsolete calamine brass process) and rubbing the paper with graphite, wax, or chalk, a process similar to rubbing a pencil over a piece of paper placed on top of a coin. In the past rubbings were most commonly made using the equivalent of what nowadays is called "butcher's paper" roll of whitish paperlaid down over the brass and rubb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubbing
A rubbing ('' frottage'') is a reproduction of the texture of a surface created by placing a piece of paper or similar material over the subject and then rubbing the paper with something to deposit marks, most commonly charcoal or pencil but also various forms of blotted and rolled ink, chalk, wax, and many other substances. For all its simplicity, the technique can be used to produce blur-free images of minuscule elevations and depressions on areas of any size in a way that can hardly be matched by even the most elaborate, state-of-the-art methods. In this way, surface elevations measuring only a few thousandths of a millimeter can be made visible. Common uses for this technique include: * Brass rubbing, to make copies of monumental brasses * Forensic uses, including finding out what was written on a sheet of paper removed from a pad by rubbing the impressions left on subsequent sheets or other backing materials * Frottage, a surrealist art form * Stone rubbing Stone rubbi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealist
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealist Techniques
Surrealism in art, poetry, and literature uses numerous techniques and games to provide inspiration. Many of these are said to free imagination by producing a creative process free of conscious control. The importance of the unconscious as a source of inspiration is central to the nature of surrealism. The Surrealist movement has been a fractious one since its inception. The value and role of the various techniques has been one of many subjects of disagreement. Some Surrealists consider automatism and games to be sources of inspiration only, while others consider them starting points for finished works. Others consider the items created through automatism to be finished works themselves, needing no further refinement. Aerography Aerography is a technique in which a 3-dimensional object is used as a stencil with spraypainting. Automatism Automatism was used in different ways for each art : * Automatic drawing * Automatic painting * Automatic writing * Automatic poetry is po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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