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From The Lions Mouth
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The Sound (band)
The Sound were an English post-punk band, formed in South London in 1979 and dissolved in 1988. They were fronted by Adrian Borland, and evolved from his previous band, the Outsiders. While never commercially successful, the Sound have long been championed by critics. Background Beginnings The Sound were formed in South London in 1979 from the remnants of the punk band the Outsiders. The original lineup of the Sound consisted of Adrian Borland (vocals, guitar) and Graham Bailey (bass guitar), both ex-Outsiders, along with Mike Dudley (drums) and woodwinds player Bi Marshall (born Benita Biltoo). While not a member, ex-Outsider Adrian Janes would contribute ideas and co-write lyrics to the Sound's music. Borland and Bailey also made up the band Second Layer, formed around the same time as the Sound. The Sound made their debut with the EP ''Physical World'' in 1979, released on manager Stephen Budd's Tortch label. It was favourably received by '' NME'' and received airpla ...
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Remaster
Remaster refers to changing the quality of the sound or of the image, or both, of previously created recordings, either audiophonic, cinematic, or videographic. The terms digital remastering and digitally remastered are also used. Mastering A master is the definitive recording version that will be replicated for the end user, commonly into other formats (e.g. LP records, CDs, DVDs, Blu-rays). A batch of copies is often made from a single original master recording, which might itself be based on previous recordings. For example, sound effects (e.g. a door opening, punching sounds, falling down the stairs, a bell ringing) might have been added from copies of sound effect tapes similar to modern sampling to make a radio play for broadcast. Problematically, several different levels of masters often exist for any one audio release. As an example, examine the way a typical music album from the 1960s was created. Musicians and vocalists were recorded on multi-track tape. This tape w ...
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Albums Produced By Hugh Jones (producer)
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at  rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared duri ...
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The Sound (band) Albums
The Sound or The Sounds may refer to: Film * ''The Sound'' (film), a Canadian psychological thriller film Geography * The Sound or Øresund, the strait between Sweden and Denmark * Plymouth Sound, the inlet of the English Channel at Plymouth, England * Long Island Sound, the body of water between Connecticut and Long Island, United States * Puget Sound, an inlet of the Pacific Ocean in the U.S. state of Washington * The Sounds of the Outer Banks, North Carolina, these include Currituck Sound, Pamlico Sound, Albemarle Sound, Croatan Sound and Roanoke Sound. * The Sound, a small cay rising above sea level at Middleton Reef in the Coral Sea Islands, Australia Music * The Sound (band), an English post-punk band * The Sounds, a Swedish indie-rock band * "The Sound", a nickname of the saxophonist Stan Getz * "The Sound", a track from the Swans album '' Soundtracks for the Blind'' * ''The Sound'', 2007 album by Elevation Worship * ''The Sound'' (Mary Mary album) (2008) * ''The Sound'' ...
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1981 Albums
Events January * January 1 ** Greece enters the European Economic Community, predecessor of the European Union. ** Palau becomes a self-governing territory. * January 10 – Salvadoran Civil War: The FMLN launches its first major offensive, gaining control of most of Morazán and Chalatenango departments. * January 15 – Pope John Paul II receives a delegation led by Polish Solidarity leader Lech Wałęsa at the Vatican. * January 20 – Iran releases the 52 Americans held for 444 days, minutes after Ronald Reagan is sworn in as the 40th President of the United States, ending the Iran hostage crisis. * January 21 – The first DeLorean automobile, a stainless steel sports car with gull-wing doors, rolls off the production line in Dunmurry, Northern Ireland. * January 24 – An earthquake of magnitude in Sichuan, China, kills 150 people. Japan suffers a less serious earthquake on the same day. * January 25 – In South Africa the largest part of the town Laingsburg ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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The Big Takeover
''The Big Takeover'' is a bi-annual music magazine published out of New York City since May 1980 by critic Jack Rabid. History Establishment Jack Rabid and Dave Stein began publishing ''The Big Takeover'' in May 1980 as a fanzine dedicated to New York punk band the Stimulators. The pair had formed a garage band the previous month called Even Worse, originally playing mainly punk rock cover songs. Even Worse was quickly tapped to open a show for the Stimulators, and the publication followed."New York: Part One: Jack Rabid — 'Encyclopedia of Punk,'" ''Flipside,'' whole no. 37 (February 1983), pp. 47-48. The interview was conducted in Whittier, California on December 31, 1982. Rabid, an intense music fan, ended up taking over the project, which evolved into a general punk rock fanzine. In a 1983 '' Flipside'' interview, Rabid recalled: "I'm a genuine fanatic, there's probably a good 3 or 4 or 5 in every city. Just love the music, that's all it is, I love the music. i try to f ...
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Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional magazine w ...
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Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ...
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Uncut (magazine)
''Uncut'' is a monthly magazine based in London. It is available across the English-speaking world, and focuses on music, but also includes film and books sections. A DVD magazine under the ''Uncut'' brand was published quarterly from 2005 to 2006. The magazine was acquired in 2019 by Singaporean music company BandLab Technologies, and has been published by NME Networks since December 2021. ''Uncut'' (main magazine) ''Uncut'' was launched in May 1997 by IPC as "a monthly magazine aimed at 25- to 45-year-old men that focuses on music and movies", edited by Allan Jones (former editor of ''Melody Maker''). Jones has stated that " e idea for Uncut came from my own disenchantment about what I was doing with ''Melody Maker''. There was a publishing initiative to make the audience younger; I was getting older and they wanted to take the readers further away from me", specifically referring to the then dominant Britpop genre. According to IPC Media, 86% of the magazine's readers are mal ...
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Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a Spin-off (media), spin-off Smash Hits (TV channel), digital television channel, now named Box Hits, and website. A Smash Hits Radio, digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for ...
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Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ...
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