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From Here To Infinity
''From Here to Infinity'' (rendered on the cover and label art as ''From Here → Infinity'') is the first solo album by the Sonic Youth guitarist/songwriter Lee Ranaldo. The album consists of several compositions performed by Ranaldo with guitar, amplifier feedback, and guitar stompbox effects recorded onto extended tape loops. Album history The album was originally released by SST Records on lock groove vinyl, which allowed the listener to listen to the remaining few seconds of each composition for as long as they desired. On the original vinyl recording, Ranaldo created a few of the tracks directly in the mastering studio where the cutting of the original vinyl version took place.Lee Ranaldo, untitled liner notes from ''From Here to Infinity'' CD, dated December 1987, SST Records In addition to the locked grooves, the LP was mastered at 45 RPM (although the vinyl's record label also gave a "varispeed" designation, suggesting that the record could be enjoyed at any speed) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Ranaldo
Lee Mark Ranaldo (born February 3, 1956) is an American musician, singer-songwriter, guitarist, writer, visual artist and record producer, best known as a co-founder of the alternative rock band Sonic Youth (guitar and vocals). In 2004, ''Rolling Stone'' ranked Ranaldo at number 33 on its "Greatest Guitarists of All Time" list. In May 2012, '' Spin'' published a staff-selected top 100 guitarist list, ranking Ranaldo and his Sonic Youth bandmate Thurston Moore together at number 1. Biography Ranaldo was born in Glen Cove, Long Island, studied art and graduated from Binghamton University. He has three sons, Cody, Sage and Frey, and is married twice, first with Amanda Linn in 1981 but later divorced, and now with experimental artist Leah Singer. Ranaldo started his career in New York in several bands, including The Flucts, and by playing guitar in ''Guitar Trio'' with Rhys Chatham before joining the electric guitar orchestra of Glenn Branca. In Branca's orchestra he played mainly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lock Groove
The overwhelming majority of records manufactured have been of certain sizes (7, 10, or 12 inches), playback speeds (33, 45, or 78 RPM), and appearance (round black discs). However, since the commercial adoption of the gramophone record (called a phonograph record in the U.S., where both cylinder records and disc records were invented), a wide variety of records have also been produced that do not fall into these categories, and they have served a variety of purposes. Unusual sizes The most common diameter sizes for gramophone records are 12-inch, 10-inch, and 7-inch. Early American shellac records were all 7-inch until 1901, when 10-inch records were introduced. 12-inch records joined them in 1903. By 1910, other sizes were retired and nearly all discs were either 10-inch or 12-inch, although both sizes were normally a bit smaller than their official diameter. In Europe, early 10-inch and 12-inch shellac records were produced in the first three decades of the twentieth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
