Frisky And Mannish
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Frisky And Mannish
Frisky & Mannish is a British musical comedy double act, created and performed by singer Laura Corcoran and pianist-singer Matthew Floyd Jones. Known for their pop music parodies, the duo have toured the fringe festival and comedy festival circuits in the United Kingdom and Australia, and appeared on a number of British television and radio programmes. The act's name derives from two incidental characters mentioned in one couplet of Byron's ''Don Juan'': "Lady Fitz-Frisky, and Miss Maevia Mannish, / Both longed extremely to be sung in Spanish" (Canto XI, LIII.) Background Jones was born in south-west London and brought up in Surrey, whilst Corcoran hails from Greater Manchester. They first met as undergraduates at Oxford University and began a partnership writing comic songs for the student sketch troupe The Oxford Revue. After graduating, they moved into a shared flat in London. On 5 March 2008, at a music hall-themed fundraiser on a barge in Battersea, Corcoran and Jones deci ...
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Cabaret
Cabaret is a form of theatrical entertainment featuring music, song, dance, recitation, or drama. The performance venue might be a pub, a casino, a hotel, a restaurant, or a nightclub with a stage for performances. The audience, often dining or drinking, does not typically dance but usually sits at tables. Performances are usually introduced by a master of ceremonies or MC. The entertainment, as done by an ensemble of actors and according to its European origins, is often (but not always) oriented towards adult audiences and of a clearly underground nature. In the United States, striptease, burlesque, drag shows, or a solo vocalist with a pianist, as well as the venues which offer this entertainment, are often advertised as cabarets. Etymology The term originally came from Picard language or Walloon language words ''camberete'' or ''cambret'' for a small room (12th century). The first printed use of the word ''kaberet'' is found in a document from 1275 in Tournai. The term was ...
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Music Hall
Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous ''Music Hall'' and subsequent, more respectable ''Variety'' differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within public houses during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food ...
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Lyric Theatre, London
The Lyric Theatre is a West End theatre in Shaftesbury Avenue in the City of Westminster. It was built for the producer Henry Leslie, who financed it from the profits of the light opera hit, '' Dorothy'', which he transferred from its original venue to open the new theatre on 17 December 1888. Under Leslie and his early successors the house specialised in musical theatre, and that tradition has continued intermittently throughout the theatre's existence. Musical productions in the theatre's first four decades included ''The Mountebanks'' (1892), ''His Excellency'' (1894), '' The Duchess of Dantzig'' (1903), ''The Chocolate Soldier'' (1910) and '' Lilac Time'' (1922). Later musical shows included ''Irma La Douce'' (1958), ''Robert and Elizabeth'' (1964), '' John, Paul, George, Ringo ... and Bert'' (1974), '' Blood Brothers'' (1983), ''Five Guys Named Moe'' (1990) and '' Thriller – Live'' (2009). Many non-musical productions have been staged at the Lyric, from Shakespeare to ...
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West End Theatre
West End theatre is mainstream professional theatre staged in the large theatres in and near the West End of London.Christopher Innes, "West End" in ''The Cambridge Guide to Theatre'' (Cambridge: Cambridge University Press, 1998), pp. 1194–1195, Along with New York City's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English-speaking world. Seeing a West End show is a common tourist activity in London. Famous screen actors, British and international alike, frequently appear on the London stage. There are a total of 39 theatres in the West End, with the Theatre Royal, Drury Lane, opened in May 1663, the oldest theatre in London. The Savoy Theatre – built as a showcase for the popular series of comic operas of Gilbert and Sullivan – was entirely lit by electricity in 1881. Opening in October 2022, @sohoplace is the first new West End theatre in 50 years. The Society of London Theatre (SOLT) announced ...
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Sentimental Ballad
A sentimental ballad is an emotional style of music that often deals with romantic and intimate relationships, and to a lesser extent, loneliness, death, war, drug abuse, politics and religion, usually in a poignant but solemn manner.J. M. Curtis, ''Rock Eras: Interpretations of Music and Society, 1954-1984'' (Popular Press, 1987), p. 236. Ballads are generally melodic enough to get the listener's attention. Sentimental ballads are found in most music genres, such as pop, R&B, soul, country, folk, rock and electronic music. Usually slow in tempo, ballads tend to have a lush musical arrangement which emphasizes the song's melody and harmonies. Characteristically, ballads use acoustic instruments such as guitars, pianos, saxophones, and sometimes an orchestral set. Many modern mainstream ballads tend to feature synthesizers, drum machines and even, to some extent, a dance rhythm. Sentimental ballads had their origins in the early Tin Pan Alley music industry of the la ...
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Come On Eileen
"Come On Eileen" is a song by the English group Dexys Midnight Runners (credited to Dexys Midnight Runners and the Emerald Express), released in the United Kingdom in June 1982 as a single from their second studio album '' Too-Rye-Ay''. It reached number one in the United States and was their second number one hit in the UK, following 1980's "Geno". The song was produced by Clive Langer and Alan Winstanley and was initially claimed to be written by Kevin Rowland, Jim Paterson and Billy Adams, although Rowland later stated that the essence of the tune should be attributed to Kevin Archer. "Come On Eileen" won Best British Single at the 1983 Brit Awards, and in 2015 the song was voted by the British public as the nation's sixth favourite 1980s number one single in a poll for ITV. It was ranked number eighteen on VH1's "100 Greatest Songs of the '80s" and was Britain's best-selling single of 1982. Composition There are various versions of the song; some, in addition to the mai ...
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I'd Do Anything For Love
"I'd Do Anything for Love (But I Won't Do That)" is a song written by Jim Steinman, and recorded by American rock singer Meat Loaf featuring Lorraine Crosby. The song was released in August 1993 as the first single from his sixth album, '' Bat Out of Hell II: Back into Hell'' (1993). The last six verses feature Crosby, who was credited only as "Mrs. Loud" in the album notes. She does not appear in the video, in which her vocals are lip-synched by Dana Patrick. Meat Loaf promoted the single with American singer Patti Russo. The power ballad was a commercial success, reaching number one in 28 countries. The single was certified platinum in the United States and became Meat Loaf's first and only number-one single on the ''Billboard'' Hot 100 chart and the UK Singles Chart, and was the best-selling single of 1993 in the United Kingdom. The song earned Meat Loaf a Grammy Award for Best Rock Vocal Performance, Solo. Music and lyrics The timings in this article refer to the ...
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Bluegrass Music
Bluegrass music is a genre of American roots music The term American folk music encompasses numerous music genres, variously known as ''traditional music'', ''traditional folk music'', ''contemporary folk music'', ''vernacular music,'' or ''roots music''. Many traditional songs have been sung ... that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe, Bill Monroe and the Blue Grass Boys. Like Country music, mainstream country music, it largely developed out of Old-time music, old-time string music, though in contrast, bluegrass is traditionally played exclusively on Acoustic music, acoustic instruments and also has roots in traditional English, Scottish, and Irish Ballads, Irish ballads and dance tunes as well as in blues and jazz. Bluegrass was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Monroe characterized the genr ...
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Eye Of The Tiger
"Eye of the Tiger" is a song by American rock band Survivor. It was released as a single from their third album of the same name and was also the theme song for the 1982 film ''Rocky III'', which was released a day before the single. The song was written by Survivor guitarist Frankie Sullivan and keyboardist Jim Peterik, and it was recorded at the request of ''Rocky III'' star, writer, and director Sylvester Stallone, after Queen denied him permission to use " Another One Bites the Dust", the song Stallone intended as the ''Rocky III'' theme. The version of the song that appears in the film is the demo version of the song. The film version also contained tiger growls, which did not appear on the album version. It features original Survivor singer Dave Bickler on lead vocals. The song is also the title song to the 1986 film of the same name. "Eye of the Tiger" is written in the key of C minor. It gained tremendous MTV and radio airplay and topped charts worldwide during 1982. ...
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Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ...
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Operatic
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Papa Don't Preach
"Papa Don't Preach" is a song recorded by American singer-songwriter Madonna for her third studio album '' True Blue'' (1986). The song was written by Brian Elliot with additional lyrics by Madonna, who produced it alongside Stephen Bray. Furthermore, it was included in the compilation albums ''The Immaculate Collection'' (1990) and '' Celebration'' (2009). Musically, "Papa Don't Preach" combines pop and classical styling, with lyrics that talk about teenage pregnancy, and the choices that come with it. The teen gossip Elliot would hear outside his recording studio inspired him to write it. Released as the album's second single in mid-1986, it saw commercial success, becoming Madonna's fourth number-one single on the ''Billboard'' Hot 100; "Papa Don't Preach" also performed well internationally, reaching the top position in the United Kingdom and Australia. It was lauded by contemporary critics, who noted an artistic growth in Madonna's work, and frequently cited it as a high ...
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