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Friedrich Haider
Friedrich Haider (born 7 November 1961) is an Austrian conductor and pianist. Life and work Haider is a graduate of the Anton Bruckner Private University Linz (piano with Martha Picker and conducting with Leopold Mayer), the University of Music and Performing Arts Vienna (conducting with Karl Österreicher and the (master classes by Milan Horvat). His theatrical debut took place on 26 July 1984 in Klagenfurt with Johann Strauss II' '' Wiener Blut''. In the concert hall he introduced himself in the same year for the first time on the podium of the Vienna Chamber Orchestra. After various stations as an assistant, he developed a repertoire at mainly smaller opera houses, which today comprises more than 60 titles and combines the most diverse subjects and styles. Haider has repeatedly devoted himself to Italian bel canto, achieving personal success above all with his discovery of ''Roberto Devereux'' by Donizetti – especially in 2004 at the Bavarian State Opera. After his succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2015 Haider Friedrich-Musikdir
Fifteen or 15 may refer to: *15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in the United States * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama *Fif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Münchner Merkur
The ''Münchner Merkur'' (, literally "Munich Mercurius", i.e. the Roman god of messengers) is a German Bavarian daily subscription newspaper, which is published from Monday to Saturday. It is located in Munich and belongs to the Müncher Merkur/tz media group. The paid circulation of the ''Münchner Merkur'' is 271.335 copies. History The ''Merkur'' was the second newspaper after the ''Süddeutsche Zeitung'' which was allowed to be published in Munich. 1968 the subsidiary '' tz'' was brought onto the market as a tabloid. The first edition of what was initially named ''Münchner Mittag'' ("Munich Noon"), was released on 13 November 1946 through a licence of the American military government. One of the founding members and publishers was Felix Buttersack. In 1982, the Westphalia Westphalia (; german: Westfalen ; nds, Westfalen ) is a region of northwestern Germany and one of the three historic parts of the state of North Rhine-Westphalia. It has an area of and 7.9 m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edita Gruberová
Edita Gruberová (; 23 December 1946 – 18 October 2021) was a Slovak coloratura soprano. She made her stage debut in Bratislava in 1968 as Rosina in Rossini's ''Il barbiere di Siviglia'', and successfully auditioned at the Vienna State Opera the following year, which became her base. She received international recognition for roles such as Mozart's Queen of the Night in ''Die Zauberflöte'' and Zerbinetta in ''Ariadne auf Naxos'' by Richard Strauss. In her later career, she explored heavier roles in the Italian bel canto repertoire, such as the title role in Donizetti's ''Lucia di Lammermoor'', and Elvira in Bellini's ''I puritani''. In 2019, she portrayed Elisabetta in Donizetti's ''Roberto Devereux'', who leaves her throne, concluding a stage career performing leading roles over 51 years. She is remembered as the "" (Slovak Nightingale), and as prima donna assoluta. Early life and education Edita Gruberová was born on 23 December 1946 in Rača, Bratislava, to a German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Fuchs (artist)
Ernst Fuchs (13 February 19309 November 2015) was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. In 1972, he acquired the derelict Otto Wagner Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the Ernst Fuchs Museum in 1988. Education Born in Vienna as the only child of Maximilian and Leopoldine Fuchs, Fuchs attended the St. Anna Painting School, where he studied under Fritz Fröhlich (1944). He entered the Academy of Fine Arts Vienna (1945), where he began his studies under Professor , later moving to the class of Albert Paris von Gütersloh. Career At the Academy, he met Arik Brauer, Rudolf Hausner, Helmut Leherb, Fritz Janschka, Wolfgang Hutter, and Anton Lehmden, together with whom he later founded what has become known as the Vienna School of Fantastic Realism. He was also a founding member of the Art-Club (1946), as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra National Du Rhin
The Opéra national du Rhin is an opera company which performs in Alsace, eastern France. It includes the Opéras in Strasbourg, in Mulhouse, where the Ballet de l'Opéra national du Rhin, also known as the Ballet Du Rhin, is based, and in Colmar, with its Opéra Studio, a training centre for young singers. Thee organisation has held the status of "national opera" since 1997. The Orchestre philharmonique de Strasbourg and the Orchestre symphonique de Mulhouse are the usual orchestras of this institution. History The first opera house opened in Strasbourg in 1701 in a converted granary. After a fire and temporary locations, a new Théâtre municipal opened in the Place Broglie in 1821. This building was virtually gutted during the German bombardment of 1870, but it was rebuilt in identical style, re-opening in 1873.Pitt, C. "Strasbourg", ''The New Grove Dictionary of Opera.'' Macmillan, London & New York, 1997. During the German era up to 1919, several eminent conductors held po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruckner Orchester Linz
The Bruckner Orchester Linz is an Austrian orchestra based in Linz. Named for Anton Bruckner, the orchestra is the concert orchestra for the state of Upper Austria, and also the opera orchestra at the Landestheater Linz (Upper Austrian State Theatre). Consisting of 110 musicians, the orchestra participates in the Bruckner Festival, the Ars Electronica Festival and the Linzer Klangwolke. History The parent ensemble of the orchestra is the Linz Theater Orchestra. The orchestra acquired its current name in 1967, under conductor and musicologist Kurt Wöss, who subsequently served as chief conductor. From 2002 to 2017, the orchestra's chief conductor was Dennis Russell Davies. During his tenure, the orchestra began to perform the music of Philip Glass, including the premiere of his Symphony No. 8 (Glass), Symphony No. 8. In February 2015, the orchestra announced the appointment of Markus Poschner as its next chief conductor, effective with the 2017–2018 season. Past resident c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatskapelle Dresden
The Staatskapelle Dresden (known formally as the Sächsische Staatskapelle Dresden) is a German orchestra based in Dresden, the capital of Saxony. Founded in 1548 by Maurice, Elector of Saxony, it is one of the world's oldest and most highly regarded orchestras. Its precursor ensemble was Die Kurfürstlich-Sächsische und Königlich-Polnische Kapelle (The Electoral Saxon and Royal Polish Orchestra). The orchestra is the musical body of the Staatsoper Dresden (Dresden State Opera). The venue of the orchestra is the Semperoper. History Heinrich Schütz was associated with the orchestra early in its existence. In the nineteenth century, Carl Maria von Weber and Richard Wagner each served as ''Hofkapellmeister'' of the orchestra. In the twentieth century, Richard Strauss became closely associated with the orchestra as both conductor and composer, which premiered several of his works. Karl Böhm and Hans Vonk were notable among the orchestra's chief conductors in that they serv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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