Friandises
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Friandises
''Friandises'' is a ballet in five movements written by the American composer Christopher Rouse and originally choreographed by Peter Martins. The score was jointly commissioned by the New York City Ballet and the Juilliard School and was completed in September 2005. It was first performed by the New York City Ballet February 10, 2006 at the New York State Theater in Lincoln Center, New York City. The title of the piece loosely translates in the French language to "bits" or "morsels". Rouse, Christopher (2005)Friandises: Program Note by the Composer Retrieved July 25, 2015. Composition Structure ''Friandises'' has a duration of roughly 25 minutes and is composed in five movements in the style of a Baroque suite: #Intrada #Sicilienne #Passepied #Sarabande #Galop Instrumentation The work is scored for an orchestra comprising two flutes (2nd doubling piccolo), two oboes, two clarinets (2nd doubling bass clarinet), two bassoons, four French horns, two trumpets, three trombon ...
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Christopher Rouse (composer)
Christopher Chapman Rouse III (February 15, 1949 – September 21, 2019) was an American composer. Though he wrote for various ensembles, Rouse is primarily known for his orchestral compositions, including a Requiem, a dozen concertos, and six symphonies. His work received numerous accolades, including the Kennedy Center Friedheim Award, the Grammy Award for Best Classical Contemporary Composition, and the Pulitzer Prize for Music. He also served as the composer-in-residence for the New York Philharmonic from 2012 to 2015. Biography Rouse was born in Baltimore, Maryland, the son of Christopher Rouse Jr., a salesman at Pitney Bowes, and Margorie or Margery Rouse, a radiology secretary. He studied with Richard Hoffmann at Oberlin Conservatory of Music, graduating in 1971. He later completed graduate degrees under Karel Husa at Cornell University in 1977. In between, Rouse studied privately with George Crumb. Early recognition came from the BMI Foundation's BMI Student Composer ...
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Peter Martins
Peter Martins (born 27 October 1946) is a Danish ballet dancer and choreographer. Martins was a principal dancer with the Royal Danish Ballet and with the New York City Ballet, where he joined George Balanchine, Jerome Robbins, and John Taras as balletmaster in 1981. He retired from dancing in 1983, having achieved the rank of danseur noble, becoming Co-Ballet Master-In-Chief with Robbins. From 1990 until January 2018, he was solely responsible for artistic leadership of City Ballet. Early life Martins was born and raised in Copenhagen, Denmark.Mary Ellen Snodgrass (2015)''The Encyclopedia of World Ballet,''Rowman & Littlefield. His parents were Børge Martins, an engineer, and Tove Christa Ornberg, a pianist. His maternal aunt and uncle, Leif and Elna Ornberg, members of the Royal Danish Ballet, started teaching him ballroom combinations when he was five years of age; when he applied to ballet school, however, he was the subject of discrimination because his aunt and uncle had ...
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Ballets By Peter Martins
Peter Martins (born 27 October 1946) is a Danish ballet dancer and choreographer. Martins was a principal dancer with the Royal Danish Ballet and with the New York City Ballet, where he joined George Balanchine, Jerome Robbins, and John Taras as Ballet master, balletmaster in 1981. He retired from dancing in 1983, having achieved the rank of danseur noble, becoming Co-Ballet Master-In-Chief with Robbins. From 1990 until January 2018, he was solely responsible for artistic leadership of City Ballet. Early life Martins was born and raised in Copenhagen, Denmark.Mary Ellen Snodgrass (2015)''The Encyclopedia of World Ballet,''Rowman & Littlefield. His parents were Børge Martins, an engineer, and Tove Christa Ornberg, a pianist. His maternal aunt and uncle, Leif and Elna Ornberg, members of the Royal Danish Ballet, started teaching him ballroom combinations when he was five years of age; when he applied to ballet school, however, he was the subject of discrimination because his aunt ...
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Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ...
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Ballets By Christopher Rouse
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ''b ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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Gustav Mahler
Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. Born in Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising ...
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Anne Midgette
Anne Midgette (born June 22, 1965) is an American music critic who was the first woman to write classical music criticism regularly for ''The New York Times''. She was the chief classical music critic of ''The Washington Post'' from 2008 to 2019, prior to which she wrote for ''The New York Times'' from 2001 to 2007. A specialist in opera and composers of contemporary classical music, Midgette advocates the importance of online criticism and has previously maintained a classical music blog. As a freelance writer she published in a wide variety of publications, sometimes covering other fields such as dance, theater, film and the visual arts. She is the co-author of two books, one with Herbert Breslin on his management of Luciano Pavarotti, and another with the pianist Leon Fleisher on his career. Life and career Anne Midgette was born in Portland, Oregon on June 22, 1965. Midgette grew up in Brooklyn, later moving to Roswell, New Mexico in the middle high school. Her first liv ...
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The New York Sun
''The New York Sun'' is an American online newspaper published in Manhattan; from 2002 to 2008 it was a daily newspaper distributed in New York City. It debuted on April 16, 2002, adopting the name, motto, and masthead of the earlier New York paper, '' The Sun'' (1833–1950). It became the first general-interest broadsheet newspaper to be started in New York City in several decades. Its op-ed page became a prominent platform in the country for conservative viewpoints. From 2009 to 2021 ''The Sun'' operated as an (occasional and erratic) online-only publisher of political and economic opinion pieces, as well as occasional arts content. Following acquisition from Dovid Efune in November 2021, ''The New York Sun'' has returned to full-time online publication since 2022. ''The New York Sun'' claims to be the heir of '' The Sun'', a successful broadsheet newspaper published in New York City from 1833 until 1950. History ''The Sun'' was founded by a group of investors including p ...
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Pedal Harp
The pedal harp (also known as the concert harp) is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra. It typically has 47 strings with seven strings per octave, giving a range of six and a half octaves. In this type of harp the pedals alter the pitch of the strings, so that the pedal harp can easily play works written in any key. This is particularly important in the harmonically complex music of the Romantic period and later 20th-century classical music. Parts Body and strings A pedal harp typically stands about high, is deep, and wide at the bass end of the soundboard. It weighs about . The body of the harp consists of a straight upright pillar, sometimes adorned with a crown at the top; a soundboard, which in most harps is pear-shaped with additional width at the bottom, although some older instruments have soundboards that are straight-sided but widening toward t ...
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Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ...
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