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French Flute School
The French Flute School, as practiced by pupils of Paul Taffanel at the Paris Conservatoire, employed a playing style featuring a light tone and vibrato. Students strived to capture the sound quality of Taffanel in their own playing. Louis Fleury described Taffanel's tone as, "captivating, and also very full."This reference of a full sound has often been described as powerful and brassy, which can be taken as derogatory. However, when Gaubert was questioned once about this, he redressed the balance by reiterating the word 'full' by insisting that Taffanel produced a perfectly homogeneous tone throughout the entire range of the instrument. This became fundamental quality common to the great flautists of the French School and can be seen in Taffanel's successors.Dorgeuille, pg. 16 These flautists used metal flutes of the modified Boehm system by Louis Lot and others. This stood in contrast to the mostly wooden German and English instruments, which their flautists played with a strong a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Taffanel
Claude-Paul Taffanel (16 September 1844 – 22 November 1908) was a French flautist, conductor and instructor, regarded as the founder of the French Flute School that dominated much of flute composition and performance during the mid-20th century. Early years Born in Bordeaux, Taffanel received his first lessons on the flute from his father at the age of nine. After giving his first concert at the age of ten, he studied with Vincent Dorus at the Paris Conservatoire. Once he graduated in 1860, he won his first of several awards for flute performance at age sixteen. Taffanel built a substantial career as both soloist and orchestral player over 30 years, becoming known as the foremost flautist of his time and reestablishing the instrument in the mainstream of music. Professorship In 1893, Taffanel became Professor of Flute at the Conservatoire. As Professor, he revised the institute's repertoire and teaching methods, restructuring the traditional masterclass format to give students ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Conservatoire
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibrato
Vibrato (Italian language, Italian, from past participle of "wikt:vibrare, vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch (music), pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterised in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato"). In singing it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato and tremolo The terms vibrato and tremolo are sometimes incorrectly used interchangeably, although (in the classical world) they are properly defined as separate effects with vibrato defined as a periodic variation in the pitch (frequency) of a musical note, and tremolo as a fast repetition of the same note (usually a semiquaver) in order to produce the audible effect of a longer note, es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flautist
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boehm System
The Boehm system is a system of keywork for the flute, created by inventor and flautist Theobald Boehm between 1831 and 1847. History Immediately prior to the development of the Boehm system, flutes were most commonly made of wood, with an inverse conical bore, eight keys, and tone holes (the openings where the fingers are placed to produce specific notes) that were small in size, and thus easily covered by the fingertips. Boehm's work was inspired by an 1831 concert in London, given by soloist Charles Nicholson who, with his father in the 1820s, had introduced a flute constructed with larger tone holes than were used in previous designs. This large-holed instrument could produce greater volume of sound than other flutes, and Boehm set out to produce his own large-holed design. In addition to large holes, Boehm provided his flute with "full venting", meaning that all keys were normally open (previously, several keys were normally closed, and opened only when the key was oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Lot , names sometimes translated to English as "Louis"
{{disambiguation ...
Louis may refer to: * Louis (coin) * Louis (given name), origin and several individuals with this name * Louis (surname) * Louis (singer), Serbian singer * HMS ''Louis'', two ships of the Royal Navy See also Derived or associated terms * Lewis (other) * Louie (other) * Luis (other) * Louise (other) * Louisville (other) * Louis Cruise Lines * Louis dressing, for salad * Louis Quinze, design style Associated names * * Chlodwig, the origin of the name Ludwig, which is translated to English as "Louis" * Ladislav and László - names sometimes erroneously associated with "Louis" * Ludovic, Ludwig, Ludwick, Ludwik Ludwik () is a Polish given name. Notable people with the name include: * Ludwik Czyżewski, Polish WWII general * Ludwik Fleck (1896–1961), Polish medical doctor and biologist * Ludwik Gintel (1899–1973), Polish-Israeli Olympic soccer player ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Dorus
Louis Dorus (born Vincent Joseph van Steenkiste; 1 March 1812 – 9 June 1896) was a 19th-century French classical flautist. Vincent-Joseph van Steenkiste, his real name, was instrumental in the adoption of the modern concert flute. He is the younger brother of Julie Dorus-Gras, the father of the singer and pianist Juliette Vansteenkiste called Dorus, known after her marriage as Rabaud-Dorus, and Henri Rabaud's grandfather. Family and training The birth name of Louis Dorus is Vincent Joseph van Steenkiste called Dorus. Dorus has been the nickname of the family since the 18th century, probably since the arrival of his great-great-grandfather Theodorus in Valenciennes. In 1705 he was a knave-worker (role of capitations) and came from Kortrijk. He is at the origin of all the bearers of the name in the Valenciennois. His family has no ties with another bourgeois family Van Steenkiste, originally from Thielt. Vincent Joseph van Steenkiste was born 1 March 1812 in Valenciennes. His m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph-Henri Altès
Joseph-Henri Altès (18 January 1826 – 24 July 1899) was a 19th-century French flautist, composer and pedagogue. Biography Born in Rouen, Joseph-Henri Altès was the son of a soldier. Violinist and conductor Ernest Eugène Altès was his younger brother. He began studying the flute at the age of ten and enrolled in the Conservatoire de Paris in December 1840, where he studied in 1840-1842. Like his teacher, Jean-Louis Tulou, he played a flute with four valves and only later changed to a Theobald Boehm model. As early as 1841, in the competition of the Conservatory, he received a second prize and the following year a First Prize. From 1848 to 1872, he was first flautist at the Orchestre de l'Opéra national de Paris and in 1868 he was the successor of Louis Dorus as a flute teacher at the Conservatoire, where he remained until 1893. Among his pupils were Georges Barrère and Adolphe Hennebains. Altès is the author of a method of flute, ''Célèbre méthode complète de flû ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Barrère
Georges Barrère (Bordeaux, October 31, 1876 - New York, June 14, 1944) was a French flutist.Grove Dictionary of Music and Musicians (2001) Early life Georges Barrère was the son of a cabinetmaker, Gabriel Barrère, and Marie Périne Courtet, an illiterate farmer's daughter from Guilligomarc'h. They married in 1874. They had previously had a son Étienne, out of wedlock, in 1872. George did not regard his parents as musical although his father wished he had been a tenor instead of a carpenter. In 1879, the family moved to Paris. By the year 1886, they had moved to Épernon near Chartres.Nancy Toff (2005) ''Monarch of the Flute'', Oxford University Press US The story goes that Étienne had a tin whistle which he discarded in favour of a violin. Georges got the whistle and later boasted that he had become a virtuoso on the six-holed instrument while Étienne was still struggling with elementary scales on the fiddle. The boys went to École Drouet, the village school and althou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Le Roy
René Le Roy (; 4 March 1898 – 3 January 1985) sometimes spelled René LeRoy, was a French 20th-century flutist and a pedagogue. Biography René Le Roy was born in 1898 in Maisons-Laffitte. His parents were both amateur musicians, his father playing the flute and his mother the piano. It was his father who began his education as early as 1906. In 1916, he studied with Adolphe Hennebains, Léopold Lafleurance and Philippe Gaubert at the Conservatoire de Paris, where he graduated in 1918. In 1922, he established the ''Quintette instrumental de Paris'' with flute, harp and string trio. Several composers wrote for the ensemble, including Albert Roussel (Sérénade pour flûte, harpe, violon, alto et violoncelle opus 30), Vincent d'Indy (suite, opus 91), Joseph Jongen and Cyril Scott. From 1952 to 1968, René Le Roy was a solo flute at the New York City Opera The New York City Opera (NYCO) is an American opera company located in Manhattan in New York City. The company has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Moyse
Marcel Moyse (pron. ''moh-EEZ''; May 17, 1889, in St. Amour, France – November 1, 1984, in Brattleboro, Vermont, United States) was a French flautist. Moyse studied at the Paris Conservatory and was a student of Philippe Gaubert, Adolphe Hennebains, and Paul Taffanel; all of whom were flute virtuosos in their time. Moyse played principal flute in various Paris orchestras and appeared widely as a soloist and made many recordings. His trademark tone was clear, flexible, penetrating, and controlled by a fast vibrato. This was a characteristic of the 'French style' of flute playing that was to influence the modern standard for flutists worldwide. Moyse taught on the faculty of the Conservatoire de musique du Québec à Montréal, and was a founder of the Marlboro Music School and festival in Vermont. Moyse strove to teach his students "not how to play the flute, but to make music". Among his students were James Galway, Paula Robison, Trevor Wye, William Bennett, Carol Wincenc, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Classical Flautists
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
