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Free Fall (Jimmy Giuffre Album)
''Free Fall'' is a studio album by Jimmy Giuffre, released in 1963. accessed July 20, 2016 Track listing All tracks written by Jimmy Giuffre ;Side A # Propulsion - 1:44 # Threewe - 4:11 # Ornothoids - 2:42 # Dichotomy - 3:57 # Man Alone - 2:16 # Spasmodic - 3:22 ;Side B # Yggdrasill - 2:33 # Divided Man - 1:52 # Primordial Call - 2:17 # The Five Ways - 10:20 ;1999 CD reissue bonus tracks # Present Notion - 3:41 # Motion Suspended - 3:15 # Future Plans - 3:55 # Past Mistakes - 2:05 # Time Will Tell - 3:49 # Let's See - 3:25Personnel * - ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Giuffre
James Peter Giuffre (, ; April 26, 1921 – April 24, 2008) was an American jazz clarinetist, saxophonist, composer, and arranger. He is known for developing forms of jazz which allowed for free interplay between the musicians, anticipating forms of free improvisation. Biography Jimmy Giuffre was born in Dallas, Texas, United States, the son of Joseph Francis Giuffre (an Italian immigrant from Termini Imerese, Palermo Province, Sicily) and Everet McDaniel Giuffre. Giuffre was a graduate of Dallas Technical High School and North Texas State Teachers College (University of North Texas College of Music). He first became known as an arranger for Woody Herman's big band, for which he wrote " Four Brothers" (1947). He would continue to write creative, unusual arrangements throughout his career. He was a central figure in West Coast jazz and cool jazz. He became a member of Howard Rumsey's Lighthouse All Stars in 1951 as a full-time All Star, along with Shorty Rogers and Shelly Manne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Jazz
Avant-garde jazz (also known as avant-jazz and experimental jazz) is a style of music and improvisation that combines avant-garde art music and composition with jazz. It originated in the early 1950s and developed through to the late 1960s. Originally synonymous with free jazz, much avant-garde jazz was distinct from that style. History 1950s Avant-garde jazz originated in the mid- to late 1950s among a group of improvisors who rejected the conventions of bebop and post bop in an effort to blur the division between the written and the spontaneous. Ornette Coleman and Cecil Taylor led the way, soon to be joined by John Coltrane. Some would come to apply it differently from free jazz, emphasizing structure and organization by the use of composed melodies, shifting but nevertheless predetermined meters and tonalities, and distinctions between soloists and accompaniment. 1960s In Chicago, the Association for the Advancement of Creative Musicians began pursuing their own variety of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cool Jazz
Cool jazz is a style of modern jazz music that arose in the United States after World War II. It is characterized by relaxed tempos and lighter tone, in contrast to the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music. Broadly, the genre refers to a number of post-war jazz styles employing a more subdued approach than that found in other contemporaneous jazz idioms. As Paul Tanner, Maurice Gerow, and David Megill suggest, "the tonal sonorities of these conservative players could be compared to pastel colors, while the solos of izzy Gillespie and his followers could be compared to fiery red colors." The term ''cool'' started being applied to this music around 1953, when Capitol Records released the album ''Classics in Jazz: Cool and Quiet''. Mark C. Gridley, writing in the ''All Music Guide to Jazz'', identifies four overlapping sub-categories of cool jazz: # "Soft variants of bebop," including the Miles Dav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia Records
Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on January 15, 1889, evolving from the Graphophone#Commercialization, American Graphophone Company, the successor to the Volta Laboratory and Bureau#Commercialization of phonograph patents, Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records International, CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records. Artists who have recorded for Columbia include AC/DC, Adele, Aerosmith, Julie And ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Cuscuna
Michael Cuscuna (born September 20, 1949 in Stamford, Connecticut, United States) is an American jazz record producer and writer. He is the co-founder of Mosaic Records and a discographer of Blue Note Records. Cuscuna played drums, saxophone and flute while young, but placed his emphasis on founding his own record label. He had a jazz show on WXPN and worked for ESP-Disk late in the 1960s, in addition to writing for ''Jazz & Pop Magazine ''and ''Down Beat''. He moved from WXPN to WMMR in 1970, then onto WABC-FM (now WPLJ) as a progressive rock DJ at both stations. He took a position as a producer with Atlantic Records in the 1970s, recording Dave Brubeck and the Art Ensemble of Chicago. In the early 1970s, he also produced albums by Bonnie Raitt ('' Give It Up'') and Chris Smither. He also worked at Motown, ABC (for reissues of Impulse! albums), Arista, Muse, Freedom, Elektra and Novus. From 1975 to 1981, he searched the Blue Note archive for previously unissued sessions which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teo Macero
Attilio Joseph "Teo" Macero (October 30, 1925 – February 19, 2008) was an American jazz saxophonist, composer, and record producer. He was a producer at Columbia Records for twenty years. Macero produced Miles Davis' ''Bitches Brew'', and Dave Brubeck's '' Time Out'', two of the best-selling and most influential jazz albums of all time. Although the extent of his role has been disputed, he also has been associated with the production of Davis' 1959 album ''Kind of Blue'', jazz's best-selling record. Macero was known for his innovative use of editing and tape manipulation unprecedented in jazz and proving influential on subsequent fusion, experimental rock, electronica, post-punk, no wave, and acid jazz. Biography Early work Teo Macero was born and raised in Glens Falls, New York, United States. After serving in the United States Navy, he moved to New York City in 1948 to attend the Juilliard School of Music. He studied composition, and graduated from Juilliard in 1953 with B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flight, Bremen 1961
''Flight, Bremen 1961'' is an album by the Jimmy Giuffre 3 recorded live at Sendesaal of regional public broadcaster Radio Bremen, Germany, on November 23, 1961. It was first released in 1993 by hatArt, and re-released by HatOLOGY (another imprint of Hathut Records) in combination with a previous recording from the same concert tour called ''Emphasis & Flight 1961'' (2003)., and Track listing All songs written by Jimmy Giuffre unless otherwise noted. # "Call of the Centaur" - 3:59 # "Postures" (Paul Bley) - 6:56 # "Sonic" - 5:21 # "Goodbye" (Gordon Jenkins) - 5:56 # "Stretching Out (Suite for Germany)" - 11:12 # "Cry, Want" - 7:34 # "Flight" - 5:39 # "That's True, That's True" - 8:39 # "Trance" - 5:51 # "Whirrrr" - 2:31 Personnel *Jimmy Giuffre - clarinet *Steve Swallow - double bass *Paul Bley Paul Bley, CM (November 10, 1932 – January 3, 2016) was a jazz pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music For People, Birds, Butterflies And Mosquitoes
''Music for People, Birds, Butterflies and Mosquitoes'' is an album by American jazz composer and arranger Jimmy Giuffre which was released on the Choice label in 1973. accessed July 6, 2015 Reception Scott Yanow of states: "The music is moody, fairly spontaneous, and melodic, but often wandering and rather insubstantial... None of the songs clock in over 5:37, and although they form a sort of suite, the overall results are not too memorable".Track listing ''All compositions by Jimmy Giuffre'' # "Mosquito Dance" - 5:37 # "Night Dance" - 4:11 # "Flute Song" - 2:37 # "Eternal Chant" - 2:58 # "The Bird" - 2:44 # "The Wa ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull (critic)
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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