|
Freddie McGregor
Freddie McGregor (born 27 June 1956, in Clarendon, Jamaica) is a Jamaican singer, musician and record producer. His music career began when he was seven years old. Biography In 1963 he joined with Ernest Wilson and Peter Austin to form The Clarendonians, and began to record for the Studio One label. He was only seven years old at the time and was known as 'Little Freddie'. He was also a member of the Generation Gap. McGregor converted to Rastafari in 1975. He is a member of the Twelve Tribes organisation. McGregor worked with producer Niney the Observer during the late 1970s and early 1980s, and in the same period was part of the resurgence of Studio One. His popularity soared in the early 1980s with the release of "Bobby Babylon". Other popular hits of McGregor's include "Big Ship", "Push Comes to Shove", " Just Don't Want to Be Lonely" (a top ten hit in the UK), and "I Was Born a Winner"; as well as cover versions of many early reggae standards. He has also worked with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rastafari
Rastafari, sometimes called Rastafarianism, is a religion that developed in Jamaica during the 1930s. It is classified as both a new religious movement and a social movement by scholars of religion. There is no central authority in control of the movement and much diversity exists among practitioners, who are known as Rastafari, Rastafarians, or Rastas. Rastafari beliefs are based on a specific interpretation of the Bible. Central is a monotheistic belief in a single God, referred to as Jah, who is deemed to partially reside within each individual. Rastas accord key importance to Haile Selassie, the emperor of Ethiopia between 1930 and 1974; many regard him as the Second Coming of Jesus and Jah incarnate, while others see him as a human prophet who fully recognised Jah's presence in every individual. Rastafari is Afrocentric and focuses attention on the African diaspora, which it believes is oppressed within Western society, or "Babylon". Many Rastas call for this diaspora's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award
The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most prestigious, significant awards in the music industry worldwide. It was originally called the Gramophone Awards, as the trophy depicts a gilded gramophone. The Grammys are the first of the Big Three networks' major music awards held annually, and is considered one of the four major annual American entertainment awards, alongside the Academy Awards (for films), the Emmy Awards (for television), and the Tony Awards (for theater). The first Grammy Awards ceremony was held on May 4, 1959, to honor the musical accomplishments of performers for the year 1958. After the 2011 ceremony, the Recording Academy overhauled many Grammy Award categories for 2012. History The Grammys had their origin in the Hollywood Walk of Fame project in the 1950 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judy Mowatt
Judith Veronica Mowatt, (born 1952) is a Jamaican reggae artist. As well as being a solo artist, from 1974 she was also a member of the I Threes, the trio of backing vocalists for Bob Marley & The Wailers. Early life Mowatt was born in Gordon Town, Jamaica, Gordon Town, Saint Andrew Parish, Jamaica, St. Andrew Parish, Jamaica. At the age of 13, she became a member of a dance troupe which toured Jamaica and other islands in the Caribbean. Her initial ambition was to become a registered nurse. Her earliest musical influences were Aretha Franklin, Otis Redding, Curtis Mayfield, Dionne Warwick, Bob Marley, Marcia Griffiths, The Staple Singers and The Soulettes. A coincidental meeting with two teenage girls who were earlier in her dance troupe led to the formation of the Gaylettes, in 1967. Career In 1974, Mowatt got her big break by joining Bob Marley's backing vocal trio the "I Threes". Her ''Black Woman'' album (Ashandan, 1979) came out the same year as I Three member Marcia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sugar Minott
Lincoln Barrington "Sugar" Minott (25 May 1956 – 10 July 2010)Campbell, Howard (2010)Reggae singer Sugar Minott dies at 54, Associated Press, 11 July 2010. Retrieved 12 July 2010Peru, Yasmine (2010)Godfather of Dancehall, Sugar Minott, dead at 54", ''Jamaica Observer'', 12 July 2010. Retrieved 12 July 2010 was a Jamaican reggae singer, producer and sound-system operator.Barrow, Steve and Dalton, Peter: "Reggae: The Rough Guide", Rough Guides, 1997, Thompson, Dave (2002) "Reggae & Caribbean Music", Backbeat Books, Biography After working as a selector on the ''Sound of Silence Keystone'' sound system, and then his own ''Gathering of Youth'' system, he began his singing career as part of The African Brothers in 1969, along with Tony Tuff and Derrick Howard. The group released several singles in the first half of the 1970s on labels such as Micron and their own Ital label, and were an early example of the Rastafari movement's influence on the Jamaican music scene, taking a cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gussie Clarke
Augustus "Gussie" Clarke (born 1954) is a reggae producer who worked with some of the top Jamaican reggae artists in the 1970s and later set up his own Music Works studio. Career Clarke started working in the music industry by cutting dub plates.Larkin, Colin (1998), ''The Virgin Encyclopedia of Reggae'', Virgin Books, . He made his debut as a producer in 1972, with U-Roy's "The Higher The Mountain".Thompson, Dave (2002), ''Reggae & Caribbean Music'', Backbeat Books, . He established himself as the top producer of deejays in the early 1970s with albums such as Big Youth's ''Screaming Target'', and I-Roy's ''Presenting I Roy'', both regarded as among the best deejay albums ever produced.Barrow, Steve & Dalton, Peter (2004), ''The Rough Guide to Reggae'', Rough Guides, . Through the 1970s and early 1980s he worked with artists such as Dennis Brown, Gregory Isaacs, Augustus Pablo, Leroy Smart, and The Mighty Diamonds, including on the latter's influential "Pass the Kouchie" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linval Thompson
Leval Alphonso Thompson (born 12 October 1954, Kingston, Jamaica), also known as Linval Thompson, is a Jamaican reggae and dub musician and record producer. Biography Thompson was raised in Kingston, Jamaica, but spent time with his mother in Queens, New York City, and his recording career began around the age of 20 with the self-released "No Other Woman," recorded in Brooklyn, New York. Returning to Jamaica in the mid 1970s he recorded with Phil Pratt, only to return to New York to study engineering. Returning again to Jamaica, he worked with Lee "Scratch" Perry at his Black Ark studio, recording "Kung Fu Man", and recorded with Bunny Lee, which resulted in his debut album, ''Don't Cut Off Your Dreadlocks'', in 1976. Thompson began to produce his own material, the first fruits being the Trojan album, ''I Love Marijuana'' (1978), and its dub counterpart ''Negrea Love Dub''. Although he continued to work as a singer, he became increasingly prominent as a producer, working wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry "Junjo" Lawes
Henry "Junjo" Lawes (1960 in Kingston, Jamaica – 13 June 1999 in London, England) was a highly influential Jamaican record producer and a sound engineer. Biography Born in the Waterhouse district of Kingston, Jamaica, Lawes began working as a producer in the late 1970s. He worked with many reggae, dancehall and dub artists such as Linval Thompson, Scientist, Toyan, Barrington Levy, Don Carlos, Frankie Paul and most importantly with Yellowman, all for his record label Volcano, which spawned a highly popular sound system of the same name.Campbell, Howard (2012)Unsung: The law according to Junjo, ''Jamaica Observer'', 2 November 2012, retrieved 10 November 2012 He used the Roots Radics as his regular studio band. Lawes served a prison term in the United States after being convicted of drug-related charges in the mid-1980s. He later worked with Beenie Man and Ninjaman. On 14 June 1999, he was shot dead in a drive-by shooting in Harlesden, northwest London. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Standards
Traditional pop (also known as classic pop and pre-rock and roll pop) is Western pop music that generally pre-dates the advent of rock and roll in the mid-1950s. The most popular and enduring songs from this era of music are known as pop standards or American standards. The works of these songwriters and composers are usually considered part of the canon known as the "Great American Songbook". More generally, the term " standard" can be applied to any popular song that has become very widely known within mainstream culture. AllMusic defines traditional pop as "post-big band and pre-rock & roll pop music". Origins Classic pop includes the song output of the Broadway, Tin Pan Alley, and Hollywood show tune writers from approximately World War I to the 1950s, such as Irving Berlin, Frederick Loewe, Victor Herbert, Harry Warren, Harold Arlen, Jerome Kern, George Gershwin and Ira Gershwin, Richard Rodgers and Lorenz Hart, Oscar Hammerstein, Johnny Mercer, Dorothy Fields, Hoagy C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song " Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Just Don't Want To Be Lonely
"Just Don't Want to Be Lonely" is a song written by Bobby Eli, John Freeman and Vinnie Barrett, originally recorded in 1973 by Ronnie Dyson and popularized internationally by The Main Ingredient. Dyson's version reached No. 60 in the US Pop chart, No. 30 Adult Contemporary, and No. 29 in the US R&B chart. Its flipside was "Point of No Return", a song written by Thom Bell & Linda Creed. Chart history The Main Ingredient cover The Main Ingredient's version of the song was released in 1974 on RCA Victor and reached No.10 in the US, No.8 in US R&B and No.42 in US AC. It reached No.7 in Canada. The recording was arranged by Bert de Coteaux. It became a gold record. Chart history Weekly charts Year-end charts Other cover versions * Freddie McGregor recorded the song in a reggae version and released it in 1987. The track had Robbie Lyn on keyboards, synthesizer and Oberheim DMX programming and Dean Frazer on saxophone. Errol Thompson engineered and it was produced by D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.svg "Click for more on -> Rastafari")
.jpg "Click for more on -> Grammy Award")
.jpg "Click for more on -> Pop Standards")
