Freddie Keppard
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Freddie Keppard
Freddie Keppard (sometimes rendered as Freddy Keppard; February 27, 1890 – July 15, 1933) was an American jazz cornetist who once held the title of "King" in the New Orleans jazz scene. This title was previously held by Buddy Bolden and succeeded by Joe Oliver. Early life and career in New Orleans Keppard (pronounced in the French fashion, with relatively even accentuation and a silent ''d'') was born in the Creole of Color community of downtown New Orleans, Louisiana. Born in 1889, Freddie Keppard was Buddy Bolden's junior by thirteen years and Louis Armstrong's senior by eleven years. Keppard's father, Louis Keppard (Sr.), had been a New Orleans man and had worked as a cook in the Vieux Café until his early death. His mother, Emily Peterson Keppard, was from St. James parish. His older brother Louis Keppard was his elder by one year and also became a professional musician later in life. The first tune they learned to play together was called "Just Because She Made Dem ...
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New Orleans
New Orleans ( , ,New Orleans
Merriam-Webster.
; french: La Nouvelle-Orléans , es, Nueva Orleans) is a Consolidated city-county, consolidated city-parish located along the Mississippi River in the southeastern region of the U.S. state of Louisiana. With a population of 383,997 according to the 2020 U.S. census, it is the List of municipalities in Louisiana, most populous city in Louisiana and the twelfth-most populous city in the southeastern United States. Serving as a List of ports in the United States, major port, New Orleans is considered an economic and commercial hub for the broader Gulf Coast of the United States, Gulf Coast region of the United States. New Orleans is world-renowned for its Music of New Orleans, distinctive music, Louisiana Creole cuisine, Creole cuisine, New Orleans English, uniq ...
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Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featured and musically influential band soloist ...
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William Manuel Johnson
William Manuel "Bill" Johnson (died December 3, 1972) was an American jazz musician who played banjo and double bass; he is considered the father of the " slap" style of double bass playing. In New Orleans, he played at Lulu White's legendary house of prostitution, with the Eagle Band, and with the Excelsior Brass Band. Johnson claimed to have started "slapping" the strings of his bass (a more vigorous technique than the classical pizzicato) after he accidentally broke his bow on the road with his band in northern Louisiana in the early 1910s. Other New Orleans string bass players picked up this style, and spread it across the country with the spread of New Orleans Jazz. Johnson was founder and manager of the first jazz band to leave New Orleans and tour widely in the 1910s, The Original Creole Orchestra. They participated in vaudeville skits centered around the "Uncle" character and the "boys," performing in the Midwest, Northwest, and Canada. He brought the Creole Band to Chi ...
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Jazz Royalty
Jazz royalty is a term encompassing the many jazz musicians who have been termed as exceptionally musically gifted and informally granted honorific, "aristocratic" or "royal" titles as nicknames. The practice of affixing honorific titles to the names of jazz musicians goes back to New Orleans at the start of the 20th century, before the genre was commonly known as "jazz". History In New York City in the 1920s, Paul Whiteman was billed as the "King of Jazz". His popular band with many hit records arguably played more jazz-influenced popular music than jazz ''per se'', but to the dismay of many later jazz fans, Whiteman's self-conferred moniker stuck, and a film ''The King of Jazz'' starring Whiteman and his band appeared in 1930. The "King of Jazz" title was a publicity stunt in 1923 by an instrument manufacturer that Whiteman endorsed. Titles King * King Bolden: Buddy Bolden * The King of Swing: Benny Goodman * King Oliver * Nat King Cole Queen * The Queen of Jazz: Ella Fitzg ...
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Frankie Dusen
Frankie Dusen (1878–1936) was an early New Orleans jazz trombonist. He played with Buddy Bolden Charles Joseph "Buddy" Bolden (September 6, 1877 – November 4, 1931) was an African American cornetist who was regarded by contemporaries as a key figure in the development of a New Orleans style of ragtime music, or "jass", which later ca ...'s band, and following Bolden's health problems took over as bandleader of the group and renamed it The Eagle Band, considered one of the best in New Orleans for more than a decade. He was born in Algiers section of New Orleans. During the Great Depression he played with the era orchestra on the ship "S.S Capitol," and later played alongside Louis Dumaine. Dusen also taught music. He died in 1936 at the age of 58. References {{DEFAULTSORT:Dusen, Frankie 1878 births 1936 deaths American jazz trombonists Male trombonists Musicians from New Orleans The Eagle Band members ...
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Alphonse Picou
Alphonse Floristan Picou (October 19, 1878 – February 4, 1961) was an important very early American jazz clarinetist of New Orleans, Louisiana, who also wrote and arranged music. Early life and education Alphonse Picou was born into a prosperous middle-class Creole of Color family in downtown New Orleans, Louisiana, United States. His parents were Alfred Picou and Clotilde (Serpas) Picou, who also had other children: Cecilia, Willie, Feriol, Joseph, and Philomene Picou. Cecilia married Alfred Forrestier on August 1, 1900. Alphonse Picou took to music early. Career By the age of 16, he was working as a professional musician on both the guitar and clarinet, but then concentrated on the latter instrument. As his family frowned on music being a person's sole trade, Picou trained and worked as a tinsmith, including putting the copper sheeting on church steeple (architecture), steeples. Soon Picou was so much in demand as a clarinetist that he made most of his living from music. ...
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Olympia Orchestra
The Olympia Orchestra was an American jazz dance band active in New Orleans from around 1906 into the late 1910s. The Olympia Orchestra was founded by Freddie Keppard, and typically held between five and seven members. The instrumentation usually consisted of cornet, trombone, clarinet, guitar or banjo, piano, tuba or double bass, and drums. This group established Keppard's reputation as a cornetist; when he left the group in 1914, A.J. Piron became its leader, and he added King Oliver as the group's cornetist. Under Keppard, the group's personnel included Joseph Petit, Alphonse Picou, Sidney Bechet, Louis Keppard and Ernest Trepagnier; under Piron, they included Zue Robertson, Clarence Williams, Billy Marrero (Lawrence Marrero's father), John Lindsay John Vliet Lindsay (; November 24, 1921 – December 19, 2000) was an American politician and lawyer. During his political career, Lindsay was a U.S. congressman, mayor of New York City, and candidate for U.S. president ...
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Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is likely th ...
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Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of musical ...
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Mandolin
A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of 8 strings, although five (10 strings) and six (12 strings) course versions also exist. There are of course different types of strings that can be used, metal strings are the main ones since they are the cheapest and easiest to make. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin (G3, D4, A4, E5). Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass. There are many styles of mandolin, but the three most common types are the ''Neapolitan'' or ''round-backed'' mandolin, the ''archtop'' mandolin and the ''flat-backed'' mandolin. The round-backed version has a deep bottom, constructed of strips of wood, glued togethe ...
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Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ...
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Cambridge Companions To Music
The Cambridge Companions to Music form a book series published by Cambridge University Press Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing hou .... Each book is a collection of essays on the topic commissioned by the publisher."Cambridge Companions to Music"
on Cambridge University Press website, accessed 21 September 2015.


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