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Freddie Jones
Frederick Charles Jones''Births, Marriages & Deaths Index of England & Wales, 1916-2005.''; at ancestry.com (12 September 1927 – 9 July 2019) was an English actor who had an extensive career in television, theatre and cinema productions for almost sixty years. In theatre, he was best known for originating the role of Sir in ''The Dresser''; in film, he was best known for his role as the showman Bytes in ''The Elephant Man'' (1980); and in television, he was best known for playing Sandy Thomas in the ITV soap opera ''Emmerdale'' from 2005 to 2018. Early life Jones was born on 12 September 1927 in Dresden, a suburb of the town of Longton, Stoke-on-Trent, the son of Ida Elizabeth (née Goodwin) and Charles Edward Jones. Charles was a porcelain thrower, Ida a clerk and pub pianist. He worked briefly at Creda, the consumer electrical goods vendors, in Longton before he joined the British Ceramic Research Association in Penkhull, where he worked for ten years. His girlfriend at the ...
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Steven Whyte
Steven Whyte (born 17 March 1969) is a sculptor classically trained in the traditional methodology of figurative bronze and portrait sculpture living in Carmel, California. He has produced many public memorials and installations in both England and throughout the United States with subjects ranging from miners, to soldiers and fire fighters. He is credited with over fifty life size and larger bronze public figures and major monuments including ''The Silverdale Mining Memorial'', ''The Lance Sergeant Jack Baskeyfield VC Tribute'', ''The Spirit of 1948'', and ''The Dr. John Roberts Monument''. Whyte's multimillion-dollar, sixteen-figure monument in San Diego, California entitled ''National Salute to Bob Hope and the Military'' is one of his most notable works. In 2010, Whyte unveiled a twice life size portrait monument of the 1957 Heisman Trophy Winner, John David Crow at Texas A&M University in College Station, Texas and a life size full relief statue of St. Anthony and Child ...
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Rose Bruford Training College Of Speech And Drama
Rose Bruford College (formerly Rose Bruford College of Theatre & Performance) is a drama school in the south London suburb of Sidcup. The college has degree programmes in acting, actor musicianship, directing, theatre arts and various disciplines of stagecraft. Its undergraduate and postgraduate qualifications and programmes were validated by the University of Manchester, until it received taught degree awarding powers in 2017. It is a member of the Federation of Drama Schools. History Rose Elizabeth Bruford established The Rose Bruford Training College of Speech and Drama in 1950, with the help of poet laureate John Masefield, and actors Laurence Olivier, and Peggy Ashcroft, who formed part of the Board of Governors. Rose Bruford "pioneered the first acting degree in 1976." The Kent Education Committee offered to lease to her Lamorbey House, an eighteenth-century, Grade II listed manor house in the Lamorbey district of Sidcup, for £5 per year. Grants helped sustain the colle ...
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Glenda Jackson
Glenda May Jackson (born 9 May 1936) is an English actress and former Member of Parliament (MP). She has won the Academy Award for Best Actress twice: for her role as Gudrun Brangwen in the romantic drama ''Women in Love'' (1970); and again for her role as Vickie Allessio in the romantic comedy '' A Touch of Class'' (1973). She received praise for her performances as Alex Greville in the drama film ''Sunday Bloody Sunday'' (1971) and Elizabeth I in the BBC television serial '' Elizabeth R'' (1971), winning two Primetime Emmy Awards for the latter. In 2018, she won the Tony Award for Best Actress in a Play for her role in a revival of Edward Albee's ''Three Tall Women'', becoming one of the few performers to achieve the Triple Crown of Acting in the US. Jackson took a hiatus from acting to take on a career in politics from 1992 to 2015, and was elected as the Labour Party MP for Hampstead and Highgate in the 1992 general election. She served as a junior transport minister f ...
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Marat/Sade
''The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade'' (german: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), usually shortened to ''Marat/Sade'' (), is a 1963 play by Peter Weiss. The work was first published in German. Incorporating dramatic elements characteristic of both Antonin Artaud and Bertolt Brecht, it is a depiction of class struggle and human suffering that asks whether true revolution comes from changing society or changing oneself. Plot Set in the historical Charenton Asylum, ''Marat/Sade'' is almost entirely a "play within a play". The main story takes place on 13 July 1808; the play directed by the Marquis de Sade within the story takes place fifteen years earlier, during the French Revolution, culminating in the assassination (13 July 1793) of Jean-Paul Marat, then ...
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Peter Brook
Peter Stephen Paul Brook (21 March 1925 – 2 July 2022) was an English theatre and film director. He worked first in England, from 1945 at the Birmingham Repertory Theatre, from 1947 at the Royal Opera House, and from 1962 for the Royal Shakespeare Company (RSC). With them, he directed the first English-language production in 1964 of ''Marat/Sade'' by Peter Weiss, which was transferred to Broadway theatre, Broadway in 1965 and won the Tony Award for Best Play, and Brook was named Tony Award for Best Direction of a Play, Best Director. He also directed films such as an iconic version of ''Lord of the Flies (1963 film), Lord of the Flies'' in 1963. He was based in France from the early 1970s on, where he founded an international theatre company, playing in developing countries, in an approach of great simplicity. He was often referred to as "our greatest living theatre director". He won multiple Emmy Awards, a Laurence Olivier Award, the Japanese Praemium Imperiale, the Prix It ...
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Aldwych Theatre
The Aldwych Theatre is a West End theatre, located in Aldwych in the City of Westminster, central London. It was listed Grade II on 20 July 1971. Its seating capacity is 1,200 on three levels. History Origins The theatre was constructed in the newly built Aldwych as a pair with the Waldorf Theatre, now known as the Novello Theatre. Both buildings were designed in the Edwardian Baroque style by W. G. R. Sprague. The Aldwych Theatre was funded by Seymour Hicks in association with the American impresario Charles Frohman, and built by Walter Wallis of Balham. The theatre opened on 23 December 1905 with a production of ''Blue Bell'', a new version of Hicks's popular pantomime ''Bluebell in Fairyland''. In 1906, Hicks's ''The Beauty of Bath'', followed in 1907 by '' The Gay Gordons'', played at the theatre. In February 1913, the theatre was used by Serge Diaghilev and Vaslav Nijinsky for the first rehearsals of ''Le Sacre du Printemps'' before its première in Paris during May. In ...
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Lower Depths
''The Lower Depths'' (russian: На дне, translit=Na dne, literally: ''At the bottom'') is a play by Russian dramatist Maxim Gorky written in 1902 and produced by the Moscow Arts Theatre on December 18, 1902 under the direction of Konstantin Stanislavski. It became his first major success, and a hallmark of Russian social realism. The play depicts a group of impoverished Russians living in a shelter near the Volga. When it first appeared, ''The Lower Depths'' was criticized for its pessimism and ambiguous ethical message. The presentation of the lower classes was viewed as overly dark and unredemptive, and Gorky was clearly more interested in creating memorable characters than in advancing a formal plot. However, in this respect, the play is generally regarded as a masterwork. The theme of harsh truth versus the comforting lie pervades the play from start to finish, as most of the characters choose to deceive themselves over the bleak reality of their condition. Characters * M ...
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Maxim Gorky
Alexei Maximovich Peshkov (russian: link=no, Алексе́й Макси́мович Пешко́в;  – 18 June 1936), popularly known as Maxim Gorky (russian: Макси́м Го́рький, link=no), was a Russian writer and socialist political thinker and proponent. He was nominated five times for the Nobel Prize in Literature. Before his success as an author, he travelled widely across the Russian Empire changing jobs frequently, experiences which would later influence his writing. Gorky's most famous works are his early short stories, written in the 1890s (" Chelkash", " Old Izergil", and " Twenty-Six Men and a Girl"); plays '' The Philistines'' (1901), '' The Lower Depths'' (1902) and '' Children of the Sun'' (1905); a poem, " The Song of the Stormy Petrel" (1901); his autobiographical trilogy, '' My Childhood, In the World, My Universities'' (1913–1923); and a novel, ''Mother'' (1906). Gorky himself judged some of these works as failures, and ''Mother'' has ...
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The Birthday Party (play)
''The Birthday Party'' (1957) is the first full-length play by Harold Pinter, first published in London by Encore Publishing in 1959. It is one of his best-known and most frequently performed plays. In the setting of a rundown seaside boarding house, a little birthday party is turned into a nightmare when two sinister strangers arrive unexpectedly. The play has been classified as a comedy of menace, characterised by Pinteresque elements such as ambiguous identity, confusions of time and place, and dark political symbolism. Pinter began writing ''The Birthday Party'' in the summer of 1957 while touring in ''Doctor in the House''. He later said: "I remember writing the big interrogation scene in a dressing room in Leicester." Characters * Petey, a man in his sixties * Meg, a woman in her sixties * Stanley, a man in his late thirties * Lulu, a girl in her early twenties * Goldberg, a man in his fifties * McCann, a man of thirty (''The Birthday Party'', Grove Press ed., 8) Sum ...
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Harold Pinter
Harold Pinter (; 10 October 1930 – 24 December 2008) was a British playwright, screenwriter, director and actor. A Nobel Prize winner, Pinter was one of the most influential modern British dramatists with a writing career that spanned more than 50 years. His best-known plays include '' The Birthday Party'' (1957), ''The Homecoming'' (1964) and ''Betrayal'' (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include ''The Servant'' (1963), ''The Go-Between'' (1971), ''The French Lieutenant's Woman'' (1981), ''The Trial'' (1993) and ''Sleuth'' (2007). He also directed or acted in radio, stage, television and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refus ...
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Michael Coveney
Michael Coveney (born 24 July 1948) is a British theatre critic. Education and career Coveney was born in London and educated at St Ignatius’ College, Stamford Hill, and Worcester College, Oxford. After graduation, he worked as a script reader for the Royal Court Theatre and from 1972 he contributed theatre reviews to the ''Financial Times''. He was deputy editor (1973–75) and editor (1975–78) of ''Plays and Players'' magazineDennis Griffiths (ed.), ''The Encyclopedia of the British Press 1492–1992'', London and Basingstoke: Macmillan Publishers, 1992, P. 172. and theatre critic and deputy arts editor of the ''Financial Times'' throughout the 1980s.About Michael Coveney page
at .
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Afore Night Come
''Afore Night Come'' is a play by the British playwright David Rudkin, first staged by the Royal Shakespeare Company in 1962. The subject matter of the play meant that any production in a public theatre would probably have been vetoed by the Lord Chamberlain, so the RSC mounted the play at the members-only Arts Theatre. As a result of the widespread critical acclaim that the play received, Rudkin was awarded the ''Evening Standard'' Drama Award for most promising playwright of 1962.Lambert (1963, 10). The play is set in an orchard in the Black Country region of England's Midlands. Two young men and a tramp arrive one morning looking for work picking fruit, but as the day wears on there is violence and bloodshed. Rudkin harks back to a pagan era where the crops were fertilised by human blood. Kenneth Tynan, reviewing the play in The Observer, wrote "Not since ''Look Back In Anger'' has a playwright made a debut more striking than this." When writing programme notes for the revival ...
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