|
Freak Out! (Teenage Bottlerocket Album)
''Freak Out!'' is the fifth album by Teenage Bottlerocket. It was released on July 3, 2012 on Fat Wreck Chords. The band began work on the album in February 2012 at The Blasting Room with engineer Andrew Berlin, who also co-produced the album with the band, and finished in April. Two of the songs, "Mutilate Me" and "Punk House of Horror", were previously released on the 2011 "'Mutilate Me" EP. Another song, "Headbanger", was previously recorded by Sack, a band which featured TBR members Kody Templeman, Ray Carlisle and Brandon Carlisle. The band shot a music video for "Headbanger". Track listing Credits ;Teenage Bottlerocket *Ray Carlisle - Vocals/Guitar *Kody Templeman - Vocals/Guitar *Miguel Chen - Bass guitar *Brandon Carlisle - Drum kit, Drums ;Artwork *Dawn Wilson - Photography ;Production *Andrew Berlin - Record producer, Producer, engineer, Audio mastering, Mastering, mixing References {{Authority control 2012 albums Fat Wreck Chords albums Teenage Bottlero ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Press (music Magazine)
''Alternative Press'' is an American entertainment magazine primarily focused on music and culture, now based in Los Angeles, CA. It generally provides readers with band interviews, photos, and relevant news. It was founded in 1985 by Mike Shea in Cleveland, OH. The company is now looked after by MDDN. Beginnings The first issue of ''Alternative Press'' was distributed at concerts in Cleveland, Ohio beginning in June 1985 by ''APs founder, Mike Shea to advocate bands playing underground music. The name for the magazine, ''Alternative Press'', was not a reference to the alternative rock genre, but referred to the fanzine being an alternative to the local press. Shea began working on his first issue in his mother's house in Aurora, Ohio. Shea and a friend, Jimmy Kosicki, targeted the Cleveland neighborhood of Coventry. Financial problems plagued ''AP'' in its early years and by the end of 1986, publication had ceased due to its financial problems, not resuming until the spring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2012 Albums
The following is a list of Album, albums, Extended play, EPs, and Mixtape, mixtapes released in 2012. These albums are (1) original, i.e. excluding Reissue, reissues, Remasters, remasters, and Compilation album, compilations of previously released recordings, and (2) WP:MUS, notable, defined as having received significant coverage from reliable sources independent of the subject. For additional information for deaths of musicians and for links to other music lists, see 2012 in music. First quarter January February March Second quarter April May June Third quarter July August September Fourth quarter October November December References {{Albums by release date 2012 albums, 2012-related lists, Albums Lists of albums by release date, 2012 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Blasting Room
The Blasting Room is a recording studio in Fort Collins, Colorado. Founded by members of the punk rock band All in 1994, it is owned and operated by musician Bill Stevenson (Descendents, Black Flag, All, Only Crime) and Jason Livermore. The studio is known for recording and producing many punk rock bands, with Stevenson and Livermore serving as in-house audio engineers and record producers. In July 1994, the members of All relocated from Brookfield, Missouri to Fort Collins. Using money from their recent recording contract with Interscope Records, they designed and began construction of The Blasting Room with the help of guitarist Stephen Egerton's father, Dan O' Reilly. The studio opened four months later, featuring a two-inch analog 24-track tape machine, a mixing console manufactured by Solid State Logic, and a variety of outboard gear. The 4,000 square foot facility includes three recording studios: Studio A, the largest, features three isolation booths; The smaller Stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teenage Bottlerocket
Teenage Bottlerocket is an American punk rock band formed in Laramie, Wyoming in 2000. The band was formed by twin brothers Ray and Brandon Carlisle, following the dissolution of their previous band, Homeless Wonders. The band's music is heavily influenced by guitarist and co-vocalist Kody Templeman's other band, The Lillingtons, and punk rock acts such as Ramones, Screeching Weasel, Green Day, The Bouncing Souls, and Misfits; Their music has been referred to as "Ramones-core", "Weasel-core" and "leather jacket punk". In a 2006 interview with the band, Punknews described Teenage Bottlerocket as "the last decent band around playing Ramones-y pop punk", stating that Teenage Bottlerocket "certainly owe nothing to the trends" and naming the band "the best punk band from the Cowboy State since The Lillingtons". On November 3, 2015, Brandon Carlisle was found unresponsive in his Fort Collins home by his roommate. On November 7, the remaining band members confirmed via Twitter that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Deutsch Bag
American Deutsch Bag is an EP by Teenage Bottlerocket. It was released on November 26, 2013 on Fat Wreck Chords. It was recorded at The Blasting Room with Andrew Berlin. The EP features one original song and two covers. One of the covers is a pop punk version of the German song "Ich bin Auslander und Spreche Nicht Gut Deutsch". The other, "Via Munich" is originally by Tony Sly Anthony James Sly (November 4, 1970 – July 31, 2012) was an American singer, songwriter and guitarist, best known as the front man of the punk rock band No Use for a Name. In his later years he also gained attention for his acousti ... and was recorded for '' The Songs of Tony Sly: A Tribute''. Track listing Personnel * Kody Templeman – guitar, vocals * Ray Carlisle – guitar, vocals * Miguel Chen – bass * Brandon Carlisle – drums * Andrew Berlin – engineer, mixer References {{Authority control 2013 EPs Fat Wreck Chords albums Teenage Bottlerocket al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> Album")