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François Périnet
Étienne-François Périnet (known professionally as François Périnet) was a French instrument maker, best known for his development of an early piston valve system for brass instruments. Work Périnet was originally from Savoy. He apprenticed with instrument builder Auguste Raoux, where Périnet took an interest in the new valved brass instruments being produced in Germany, based on the invention of valved horns by Heinrich Stölzel and Friedrich Blühmel. In 1829, Périnet designed a new model of the cornet, adding a third valve and allowing it to play a full range of notes. In the same year, he left Raoux and started his own business. In 1838, he patented the system of valves with staggered openings which became known as the "Périnet system"; this is the basis for the system still used for most trumpets and brass instruments today. Competition with other manufacturers (notably Adolphe Sax, who held a monopoly on the supply of instruments to the military and numerous theatre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Instrument Valve
Brass instrument valves are valves used to change the length of tubing of a brass instrument allowing the player to reach the notes of various harmonic series. Each valve pressed diverts the air stream through additional tubing, individually or in conjunction with other valves. This lengthens the vibrating air column thus lowering the fundamental tone and associated harmonic series produced by the instrument. Valves in brass instruments require regular maintenance and lubrication to ensure fast and reliable movement. Piston valve The first musical instruments with piston valves were developed just after the start of the 19th century. Stölzel valve The first of these types was the Stölzel valve, bearing the name of its inventor Heinrich Stölzel, who first applied these valves to the French horn in 1814. Until that point, there had been no successful valve design, and horn players had to stop off the bell of the instrument, greatly compromising tone quality to achieve a partia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Instrument
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'. There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks (though they are rarely used today), or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series. The view of most scholars (see organology) is that the term "brass instrument" should be defined by the way the sound is made, as above, and not by whether the instrument is actually made of brass. Thus one finds brass instruments made of wood, like the alphorn, the cornett, the serpent and the didgeridoo, while some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savoy
Savoy (; frp, Savouè ; french: Savoie ) is a cultural-historical region in the Western Alps. Situated on the cultural boundary between Occitania and Piedmont, the area extends from Lake Geneva in the north to the Dauphiné in the south. Savoy emerged as the feudal County of Savoy ruled by the House of Savoy during the 11th to 14th centuries. The original territory, also known as "ducal Savoy" or "Savoy proper", is largely co-terminous with the modern French Savoie and Haute-Savoie ''départements'', but the historical expansion of Savoyard territories, as the Duchy of Savoy (1416–1860) included parts of what is now western Italy and southwestern Switzerland. The current border between France and Italy is due to the Plombières Agreement of 1858, which in preparation for the unification of Italy ceded western Savoy to France, while the eastern territories in Piedmont and Liguria were retained by the House of Savoy, which was to become the ruling dynasty of Italy. Geogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Stölzel
Heinrich David Stölzel (7 September 1777 – 16 February 1844) was a German horn player who developed some of the first valves for brass instruments. He developed the first valve for a brass musical instrument, the Stölzel valve, in 1818, and went on to develop various other designs, some jointly with other inventor musicians. Biography Stölzel was born in Schneeberg, Saxony. His father was also a musician, and as a young man he learnt to play numerous instruments, including harp, violin, trumpet and horn. From 1800 he was employed as a military musician for the Duke of Pless, Silesia, mainly playing the horn. During this time, the horn used was essentially a natural horn, which restricted the range of notes that were able to be easily used to only those in the instrument's natural harmonic series, and variations thereof created by using the hand in the bell to alter the pitch. German musicians also used an ''Inventionshorn'', which allowed some further range of notes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Blühmel
Friedrich Blühmel (born 1777, died before 1845) was a German horn player and musical instrument builder. He is credited as one of the earliest inventors of brass instrument valves. Biography Friedrich Blühmel initially worked as a coal miner, whilst also learning to play the violin and various woodwind instruments. In 1808 he started playing trumpet and horn and began calling himself a ''Berghautboist'', an old German term for a mine musician, playing in a band in Waldenburg, Silesia. Around 1813, Blühmel designed a valve system for brass instruments, apparently independently of his fellow horn player Heinrich Stölzel who created a similar system at around the same time. Both inventors added two valves to the natural horn, allowing the instrument to play a full chromatic series. This allowed the horn to develop into a more useful melodic instrument, eventually becoming the instrument known today as the French horn. In 1818, Friedrich Blühmel and Heinrich Stölzel regi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is likely th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Sax
Antoine-Joseph "Adolphe" Sax (; 6 November 1814 – 4 February 1894) was a Belgian inventor and musician who invented the saxophone in the early 1840s, patenting it in 1846. He also invented the saxotromba, saxhorn and saxtuba. He played the flute and clarinet. Early life Antoine-Joseph Sax was born on 6 November 1814 in Dinant, in what is now Belgium, to Charles-Joseph Sax and his wife Marie-Joseph (Masson). While his given name was Antoine-Joseph, he was referred to as Adolphe from childhood. His father and mother were instrument designers themselves, who made several changes to the design of the French horn. Adolphe began to make his own instruments at an early age, entering two of his flutes and a clarinet into a competition at the age of 15. He subsequently studied performance on those two instruments as well as voice at the Royal Conservatory of Brussels. Sax faced many brushes with death. As a child, he once fell from a height of three floors, hit his head on a stone an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Horn
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth century the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. It consists of a mouthpiece, long coiled tubing, and a large flared bell. This instrument was used extensively until the emergence of the valved horn in the early 19th century. Hand stopping technique The natural horn has several gaps in its harmonic range. To play chromatically, in addition to crooking the instrument into the right key, two additional techniques are required: ''bending'' and ''hand-stopping''. Bending a note is achieved by modifying the embouchure to raise or lower the pitch fractionally, and compensates for the slightly out-of-pitch " wolf tones" which all brass instruments have. Hand-stopping is a technique whereby the player can modify the pitch of a note by up to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
