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Frank Morgan (album)
''Frank Morgan'' (also referred to as ''Gene Norman Presents Frank Morgan'') is an album by saxophonist Frank Morgan with trumpeter Conte Candoli and Machito's Rhythm Section which was recorded in 1955 and released on the Gene Norman Presents label. The album would be Morgan's only release for 30 years until his comeback in 1985.Palmer, RThe Pop Life; New Album, New Life for Frank Morgan at 53 ''The New York Times''. Retrieved December 18, 2018 Reception The review by Allmusic's Scott Yanow said: "When altoist Frank Morgan recorded his debut as a leader in 1955, he was being hyped as "the new Bird." Unfortunately, he seemed to generally follow in Charlie Parker's footsteps by becoming a drug addict. After 30 years passed, he recorded his second album and seriously began his successful comeback. This GNP album features Morgan back at the beginning, performing four numbers with Machito's rhythm section and six other songs with a septet that also includes tenor saxophonist, Wardel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Morgan (musician)
Frank Morgan (December 23, 1933 – December 14, 2007) was a jazz saxophonist with a career spanning more than 50 years. He mainly played alto saxophone but also played soprano saxophone. He was known as a Charlie Parker successor who primarily played bebop and ballads. Biography Early life (1933–1947) Frank Morgan was born in Minneapolis, Minnesota in 1933, but spent most of his childhood living with his grandmother in Milwaukee, Wisconsin while his parents were on tour. Morgan's father Stanley was a guitarist with Harlan Leonard and the Rockets and The Ink Spots, and his mother, Geraldine, was a 14-year-old student when she gave birth to him. Morgan took up his father's instrument at an early age, but lost interest the moment he saw Charlie Parker take his first solo with the Jay McShann band at the Paradise Theater in Detroit, Michigan. Stanley introduced them backstage, where Parker offered Morgan advice about starting out on the alto sax, and they met at a music store th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Coslow
Sam Coslow (December 27, 1902 – April 2, 1982) was an American songwriter, singer, film producer, publisher and market analyst. Coslow was born in New York City. He began writing songs as a teenager. He contributed songs to Broadway revues, formed the music publishing company Spier and Coslow with Larry Spier and made a number of recordings as a performer. With the explosion of film musicals in the late 1920s, Hollywood attracted a number of ambitious young songwriters, and Coslow joined them in 1929. Coslow and his partner Larry Spier sold their publishing business to Paramount Pictures and Coslow became a Paramount songwriter. One of his first assignments for the studio was the score for the 1930 film ''The Virtuous Sin''. He formed a successful partnership with composer Arthur Johnston and together they provided the scores for a number of films including Bing Crosby vehicles. Coslow became a film producer in the 1940s and won the Academy Award for Best Short Film for hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Koehler
Ted L. Koehler (July 14, 1894 – January 17, 1973) was an American lyricist. He was inducted into the Songwriters Hall of Fame in 1972. Life and career Koehler was born in 1894 in Washington, D.C. He started out as a photo-engraver, but was attracted to the music business, where he started out as a theater pianist for silent films. He moved on to write for vaudeville and Broadway theatre, and he also produced nightclub shows. His most successful collaboration was with the composer Harold Arlen, with whom he wrote many famous songs from the 1920s through the 1940s. In 1929 the duo composed their first well-known song, " Get Happy", and went on to create "Let's Fall in Love", " Stormy Weather", " Sing My Heart" and other hit songs. Throughout the early and mid-1930s they wrote for the Cotton Club, a popular Harlem night club, for big band jazz legend Duke Ellington and other top performers, as well as for Broadway musicals and Hollywood films. Koehler also worked with ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Get Happy (song)
"Get Happy" is a song composed by Harold Arlen, with lyrics written by Ted Koehler. It echoes themes of a Christian evangelical revivalist meeting song. It was the first song they wrote together, and was introduced in ''The Nine-Fifteen Revue'' in 1930. Influenced by the Get Happy (gospel music), Get Happy tradition, it is most associated with Judy Garland, who performed it in her last MGM film ''Summer Stock'' (1950) and in live concert performances throughout the rest of her life. The versions from ''Summer Stock'' finished at #61 in AFI's 100 Years...100 Songs survey of top tunes in American cinema. An instrumental, hot jazz arrangement of the song, performed by Abe Lyman's Brunswick Records, Brunswick Recording Orchestra, served as the original theme music for Warner Bros.' ''Merrie Melodies'' cartoons from 1931 to 1933. The song lyrics incorporate the title phrase in the longer phrase "Come on, get happy", but it should not be confused with the The Partridge Family#Music, ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, imprompt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ned Washington
Ned Washington (born Edward Michael Washington, August 15, 1901 – December 20, 1976) was an American lyricist born in Scranton, Pennsylvania. Life and career Washington was nominated for eleven Academy Awards from 1940 to 1962. He won the Best Original Song award twice: in 1940 for " When You Wish Upon a Star" in ''Pinocchio'' and in 1952 for " High Noon (Do Not Forsake Me, Oh My Darlin')" in '' High Noon''. Washington had his roots in vaudeville as a master of ceremonies. Having started his songwriting career with ''Earl Carroll's Vanities'' on Broadway in the late 1920s, he joined the ASCAP in 1930. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 1940s, he worked for a number of studios, including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Tiomkin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoagy Carmichael
Hoagland Howard Carmichael (November 22, 1899 – December 27, 1981) was an American musician, composer, songwriter, actor and lawyer. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s, and was among the first singer-songwriters in the age of mass media to utilize new communication technologies such as television, electronic microphones, and sound recordings. Carmichael composed several hundred songs, including 50 that achieved hit record status. He is best known for composing the music for " Stardust", "Georgia on My Mind" (lyrics by Stuart Gorrell), "The Nearness of You", and " Heart and Soul" (in collaboration with lyricist Frank Loesser), four of the most-recorded American songs of all time. He also collaborated with lyricist Johnny Mercer on " Lazybones" and "Skylark". Carmichael's "Ole Buttermilk Sky" was an Academy Award nominee in 1946, from ''Canyon Passage'', in which he co-starred as a musician riding a mule. " In the Cool, Cool, C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Nearness Of You
"The Nearness of You" is a popular song written in 1938 by Hoagy Carmichael with lyrics by Ned Washington. The song debuted in the 1938 movie Romance in the Dark. It is also heard in the 1940 recording In the Mood by Glenn Miller and His Orchestra, with vocals by Ray Eberle, and by many others. The song is on the Grammy-Award-winning album Come Away with Me by Norah Jones, at Track 14. Lyrics ''It's not the pale moon that excites me'' ''That thrills and delights me, oh no'' ''It's just the nearness of you'' ''It isn't your sweet conversation'' ''That brings this sensation, oh no'' ''It's just the nearness of you'' ''When you're in my arms and I feel you so close to me'' ''All my wildest dreams come true'' ''I need no soft lights to enchant me'' ''If you'll only grant me the right'' ''To hold you ever so tight'' ''And to feel in the night the nearness of you'' Covers The first big-selling version was recorded on April 28, 1940, by the Glenn Miller Orchestra, with a vocal by R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Raye
Don Raye (born Donald MacRae Wilhoite Jr., March 16, 1909 – January 29, 1985) was an American songwriter, best known for his songs for The Andrews Sisters such as "Beat Me Daddy, Eight to the Bar", " The House of Blue Lights", "Just for a Thrill" and "Boogie Woogie Bugle Boy." The latter was co-written with Hughie Prince. While known for such wordy novelty numbers, he also wrote the lyrics to "You Don't Know What Love Is," a simple, poetic lament of unusual power. He also composed the song "(That Place) Down the Road a Piece," one of his boogie woogie songs, which has a medium bright boogie tempo. It was written for the Will Bradley Orchestra, who recorded it in 1940, but the song was destined to become a rock and roll standard, recorded by The Rolling Stones, Chuck Berry, Jerry Lee Lewis, Foghat, Amos Milburn, Harry Gibson, and countless others. In 1940, he wrote the lyrics for the patriotic song "This Is My Country". In 1985, Don Raye was inducted into the Songwriters Hall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patricia Johnston
"I'll Remember April" is a popular song and jazz standard with music written in 1941 by Gene de Paul, and lyrics by Patricia Johnston and Don Raye. It made its debut in the 1942 Abbott and Costello comedy '' Ride 'Em Cowboy'', being sung by Dick Foran. The lyric uses the seasons of the year metaphorically to illustrate the growth and death of a romance. The lyric also uses the ideas of the hours in a day and the flames of a fire to illustrate a relationship growing stronger and subsequently losing strength. Another interpretation is the use of spring (the month of April) to express the loves that were had in youth and remember them when the autumn of life arrives with affection and nostalgia, smiling: "I'll remember April and I smile". The song has been described as one which makes use of nostalgia. Since then, a number of artists have covered the song as listed below. One of the most notable live renditions of the song is a radio performance by Judy Garland, on a broadcast of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
