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Francisco Gianotti
Francesco Gianotti (''Francisco'' in Spanish; April 4, 1881February 13, 1967) was an Italian architect who designed many important Art Nouveau buildings in Buenos Aires, Argentina. Born in 1881 in Lanzo, near Turin, Italy, he graduated as an architect from the Fine Arts Academy of Turin in 1904, together with his brother, Giovanni Battista. In 1905 the two brothers took a post-graduate course together in Brussels and later they designed various pavilions for the 1906 International Exhibition in Milan. Gianotti arrived in Buenos Aires, in 1909 where, together with his compatriot, Mario Palanti, he took charge of the construction and decoration of the Italian Pavilion at the International Centennial Exposition of 1910. In 1911 he opened his own studio and started to work on the design of residential houses and apartment buildings, using a mixture of Italian and French styles. Unlike his colleagues Virginio Colombo and Mario Palanti, who worked for wealthy compatriots, Gianot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Gianotti
Francesco Gianotti (''Francisco'' in Spanish; April 4, 1881February 13, 1967) was an Italian architect who designed many important Art Nouveau buildings in Buenos Aires, Argentina. Born in 1881 in Lanzo, near Turin, Italy, he graduated as an architect from the Fine Arts Academy of Turin in 1904, together with his brother, Giovanni Battista. In 1905 the two brothers took a post-graduate course together in Brussels and later they designed various pavilions for the 1906 International Exhibition in Milan. Gianotti arrived in Buenos Aires, in 1909 where, together with his compatriot, Mario Palanti, he took charge of the construction and decoration of the Italian Pavilion at the International Centennial Exposition of 1910. In 1911 he opened his own studio and started to work on the design of residential houses and apartment buildings, using a mixture of Italian and French styles. Unlike his colleagues Virginio Colombo and Mario Palanti, who worked for wealthy compatriots, Gianot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florida Street
Florida Street ( es, Calle Florida) is a popular shopping street in Downtown Buenos Aires, Argentina. A pedestrian street since 1971, some stretches have been pedestrianized since 1913. The pedestrian section as such starts at the intersection of Perú Street and Avenida de Mayo, a block north of the Plaza de Mayo; Perú Street crosses Rivadavia Avenue, and becomes Florida Street. Florida Street runs northwards for approximately one kilometer to Plaza San Martín, in the Retiro area. It intersects Buenos Aires's other pedestrian street, Lavalle, at the heart of the former cinema district. Florida is one of the city's leading tourist attractions. Florida Street bustles with shoppers, vendors, and office workers alike because of its proximity to the financial district. By evening, the pace relaxes as street performers flock to the area, including tango singers and dancers, living statues, and comedy acts. Its variety of retail stores, shopping arcades, and restaurants is of grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Lanzo Torinese
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Albertina Alumni
Accademia (Italian for "academy") often refers to: * The Galleria dell'Accademia, an art museum in Florence * The Gallerie dell'Accademia, an art museum in Venice Accademia may also refer to: Academies of art * The Accademia Carrara di Belle Arti di Bergamo, an art school and museum in Bergamo * The Accademia di Architettura di Mendrisio, a Swiss school of architecture * The Accademia di Belle Arti di Bari, an art school in Bari * The Accademia di Belle Arti di Bologna, also known as the Accademia Clementina * The Accademia di Belle Arti di Carrara, an art school in Carrara * The Accademia di Belle Arti di Firenze, an art school in Florence * The Accademia di Belle Arti di Milano "Brera" or Brera Academy, an art school in Milan * The Accademia di Belle Arti di Napoli, an art school in Naples * The Accademia di Belle Arti di Roma, an art school in Rome * The Accademia di Belle Arti di Torino "Albertina" or Accademia Albertina, an art school in Turin * The Accademia di Belle Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau Architects
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient El Molino Confiteria
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diagonal Norte
In geometry, a diagonal is a line segment joining two vertices of a polygon or polyhedron, when those vertices are not on the same edge. Informally, any sloping line is called diagonal. The word ''diagonal'' derives from the ancient Greek διαγώνιος ''diagonios'', "from angle to angle" (from διά- ''dia-'', "through", "across" and γωνία ''gonia'', "angle", related to ''gony'' "knee"); it was used by both Strabo and Euclid to refer to a line connecting two vertices of a rhombus or cuboid, and later adopted into Latin as ''diagonus'' ("slanting line"). In matrix algebra, the diagonal of a square matrix consists of the entries on the line from the top left corner to the bottom right corner. There are also other, non-mathematical uses. Non-mathematical uses In engineering, a diagonal brace is a beam used to brace a rectangular structure (such as scaffolding) to withstand strong forces pushing into it; although called a diagonal, due to practical considerations d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moorish Revival
Moorish Revival or Neo-Moorish is one of the exotic revival architectural styles that were adopted by architects of Europe and the Americas in the wake of Romanticist Orientalism. It reached the height of its popularity after the mid-19th century, part of a widening vocabulary of articulated decorative ornament drawn from historical sources beyond familiar classical and Gothic modes. Neo-Moorish architecture drew on elements from classic Moorish architecture and, as a result, from the wider Islamic architecture. In Europe The "Moorish" garden structures built at Sheringham Hall, Norfolk, ca. 1812, were an unusual touch at the time, a parallel to chinoiserie, as a dream vision of fanciful whimsy, not meant to be taken seriously; however, as early as 1826, Edward Blore used Islamic arches, domes of various size and shapes and other details of Near Eastern Islamic architecture to great effect in his design for Alupka Palace in Crimea, a cultural setting that had already been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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