Francesco Santafede
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Francesco Santafede
Francesco Santafede (16th century) was an Italian painter of the Renaissance period, active mainly in Naples. He was the father of the painter Fabrizio Santafede, a pupil of Andrea Sabbatini (Andrea di Salerno). He was a colleague of Francesco Imparato, and like his son, emerged from the studio of Andrea Sabbatini, although he appears to have also followed the style of Giovanni Filippo Criscuolo Giovanni Filippo Criscuolo (c. 1500–1584) was an Italian painter, active during the late-Renaissance period, mainly in Naples. Born in Gaeta, He trained with Andrea da Salerno and with Perino del Vaga in Rome. His brother Giovanni Angelico .... References * 16th-century Neapolitan people 16th-century Italian painters Italian male painters Painters from Naples Italian Renaissance painters Year of death unknown Year of birth unknown {{Italy-painter-16thC-stub ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ...
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Fabrizio Santafede
Fabrizio Santafede or Fabrizio Santaféde (c. 1560–1623/28) was an Italian painter known for his altarpieces. He painted in a style that rejected the Mannerism popular in the Naples of his time and evident in the works of Francesco Curia. Life Born in Naples, he began as a pupil of his father, the painter Francesco Santafede,Giovan Battista Chiarini (a cura di), ''Delle notizie del bello, dell'antico, e del curioso della città di Napoli raccolte dal canonico Carlo Celano'', Vol. I, Napoli, Stamperia Floriana, 1856, p. 154 and later became a pupil of Marco Pino. He may have been one of the collaborators of Pino on the decoration of the church of S Giovanni Fiorentini in Naples.Antonella D’Autilia. "Santafede, Fabrizio." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 14 March 2017 He traveled extensively, including to Bologna, Florence, Rome, and Venice in his study of the great masters.
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Andrea Sabbatini
Andrea Sabbatini (1487–1530) (var. Andrea Sabatini or Andrea da Salerno) was an Italian painter of the Renaissance. He was born in Salerno, and initially trained under Raimondo Epifanio in Naples, but move to Rome and became a close disciple of Raphael. Andrea da Salerno created a number of important paintings with religious motives, such as ''The Adoration of the Cross'', ''The Seven Church Teachers'', ''Saint Nicholas in a Throne Between his Saviors'', ''Offering of the Kings'', ''Madonna with Child'', etc., which are displayed in the Museum of Naples. He also produced fresco Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaste ...es in churches, such as in Santa Maria delle Grazie, San Gennaro dei Poveri, and others. It is said that Andrea da Salerno was Raphael's disciple, ...
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Francesco Imparato
Francesco Imparato (1570)M. Farquhar was an Italian painter of the Renaissance period, active mainly in his city of birth, Naples. Father of Girolamo Imparato. He trained under Giovanni Filippo Criscuolo, where he became a close friend and fellow-pupil of Fabrizio Santafede. He became a follower of Andrea Sabbatini Andrea Sabbatini (1487–1530) (var. Andrea Sabatini or Andrea da Salerno) was an Italian painter of the Renaissance. He was born in Salerno, and initially trained under Raimondo Epifanio in Naples, but move to Rome and became a close discipl ... (di Salerno). References * 16th-century Neapolitan people 16th-century Italian painters Italian male painters Painters from Naples Italian Mannerist painters Year of birth uncertain 1570 deaths {{Italy-painter-16thC-stub ...
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Giovanni Filippo Criscuolo
Giovanni Filippo Criscuolo (c. 1500–1584) was an Italian painter, active during the late-Renaissance period, mainly in Naples. Born in Gaeta, He trained with Andrea da Salerno and with Perino del Vaga in Rome. His brother Giovanni Angelico and daughter Mariangiola were also painters. He apparently wrote a series of biographies of Neapolitan painters. In Naples, he painted a ''Adoration of the Magi'' in Santa Maria del Rosario. In Santa Maria delle Grazie, he painted a ''Madonna and Child''. In San Lorenzo, he painted a ''Christ bearing his Cross''. He also left paintings in Gaeta. One of his pupils was Francesco Curia. His brother, Gian Angelo, (Cosenza Cosenza (; local dialect: ''Cusenza'', ) is a city in Calabria, Italy. The city centre has a population of approximately 70,000; the urban area counts more than 200,000 inhabitants. It is the capital of the Province of Cosenza, which has a populati ..., 1500–1573) was also a painter. References * 16th-century I ...
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16th-century Neapolitan People
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ...
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16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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Painters From Naples
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Italian Renaissance Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ...
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Year Of Death Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the mea ...
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