Francesco Rovigo
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Francesco Rovigo
Francesco Rovigo (1540/1541 – 7 October 1597) was an Italian composer and organist of the late Renaissance, active in Mantua and Graz. Life Nothing is known of his life prior to 1570, when he went to Venice, already 29 or 30 years old, to receive a musical education with the renowned organist and composer Claudio Merulo of the Venetian School. By 1573 he was in Mantua, where he composed hymns which were used in the church of Santa Barbara, which was the ducal chapel of the Gonzaga family. He served that aristocratic family until 1582, when he went to Graz to work for Archduke Charles II of Austria both as court organist and music tutor to the Archduke's children. When the Archduke died in 1590 he returned to Mantua and resumed his former service of the Gonzaga family, specifically as organist at the chapel. While in Mantua, and under the patronage of the artistically inclined Gonzaga family, he was part of an illustrious group of composers that included some of the most ...
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Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ...
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Canzonetta
In music, a canzonetta (; pl. canzonette, canzonetti or canzonettas) is a popular Italian secular vocal composition that originated around 1560. Earlier versions were somewhat like a madrigal but lighter in style—but by the 18th century, especially as it moved outside of Italy, the term came to mean a song for voice and accompaniment, usually in a light secular style. Origins in Italy In its earliest form, the canzonetta was closely related to a popular Neapolitan form, the villanella. The songs were always secular, and generally involved pastoral, irreverent, or erotic subjects. The rhyme and stanza schemes of the poems varied but always included a final "punch line." Typically the early canzonetta was for three unaccompanied voices, moved quickly, and shunned contrapuntal complexity, though it often involved animated cross-rhythms. It was fun to sing, hugely popular, and quickly caught on throughout Italy, paralleling the madrigal, with which it later began to interact. ...
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Italian Male Classical Composers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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Italian Classical Composers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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Renaissance Composers
The Renaissance ( , ) , from , with the same meanings. is a Periodization, period in History of Europe, European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the Early modern period, early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Italian Renaissance painting#Proto-Renaissance painting, Pr ...
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1597 Deaths
Events January–June * January 24 – Battle of Turnhout: Maurice of Nassau defeats a Spanish force under Jean de Rie of Varas, in the Netherlands. * February – Bali is discovered, by Dutch explorer Cornelis Houtman. * February 5 – In Nagasaki, Japan, 26 people are martyred by crucifixion. They practiced Catholicism, and were taken captive after all forms of Christianity were outlawed the previous year. * February 8 – Sir Anthony Shirley, England's "best-educated pirate", raids Jamaica. * February 24 – The last battle of the Cudgel War was fought on the Santavuori Hill in Ilmajoki, Ostrobothnia. * March 11 – Amiens is taken by Spanish forces. * After April 10 – The Serb uprising of 1596–97 ends in defeat for the rebels, at the field of Gacko (Gatačko Polje). * April 23 – Probable first performance of William Shakespeare's ''The Merry Wives of Windsor''. * April 27 – Johannes Kepler marries Barbara Muhleck. July–December * c. July – Tho ...
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1540s Births
Year 154 ( CLIV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Lateranus (or, less frequently, year 907 ''Ab urbe condita''). The denomination 154 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * King Eupator of Bosphorus pays tribute to Rome, due to the threat posed by the Alani. * The Antonine Wall is completed. Asia * Last (2nd) year of ''Yongxing'' era of the Chinese Han Dynasty. * Adalla becomes ruler of the Korean kingdom of Silla. By topic Religion * Anicetus becomes pope of Rome (approximate date). * Anicetus meets with Polycarp of Smyrna to discuss the Computus, the date of Easter in the Christian liturgical calendar. * Change of Patriarch of Constantinople from Patriarch Euzois to Patriarch La ...
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Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ...
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Dafne
''Dafne'' is the earliest known work that, by modern standards, could be considered an opera. The libretto by Ottavio Rinuccini survives complete; the mostly lost music was completed by Jacopo Peri, but at least two of the six surviving fragments are by Jacopo Corsi. ''Dafne'' was first performed during Carnival of 1598 (1597 old style) at the Palazzo Corsi. History ''Dafne'' is scored for a much smaller ensemble than Claudio Monteverdi's slightly later operas, namely, a harpsichord, a lute, a viol, an archlute, and a triple flute. Drawing on a new development at the time, Peri established recitatives, melodic speech set to music, as a central part of opera. The story of Apollo falling in love with the eponymous nymph, Daphne, the opera was written for an elite circle of humanists in Florence, the Florentine Camerata, between 1594 and 1597, with the support, and possibly the collaboration, of the composer and patron Jacopo Corsi. An attempt to revive Greek drama, according to mo ...
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Il Pastor Fido
''Il pastor fido'' (''The Faithfull Shepherd'' in Richard Fanshawe's 1647 English translation) is a pastoral tragicomedy set in Arcadia by Giovanni Battista Guarini, first published in 1590 in Venice. Plot summary To redress an ancient wrong, the gods of Arcadia every year demand the sacrifice of a virgin. According to the oracle, this curse can only be lifted when a young man and a young woman, each of godly descent, are wed. In Arcadia there are now only two that can claim such lineage: the young Silvio (the son of the priest Montano, and a descendant of Hercules) and the nymph Amarilli (the daughter of Titiro, and a descendant of Pan). Thus the two have been promised to each other in marriage. The play unfolds a double plot. One storyline follows Silvio, who cares only for the hunt and gives no thought to love or to his impending marriage. Silvio is pursued by a nymph named Dorinda. She tries to win his love in several ways, but he scorns her affections. One day Do ...
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Giovanni Battista Guarini
Giovanni Battista Guarini (10 December 1538 – 7 October 1612) was an Italian poet, dramatist, and diplomat. Life Guarini was born in Ferrara. On the termination of his studies at the universities of Pisa, Padua and Ferrara, he was appointed professor of literature at Ferrara. Soon after his appointment, he published some sonnets which obtained for him great popularity as a poet. In 1567, he entered the service of Alfonso II d'Este, Duke of Ferrara. After about 20 years of service, differences with the Duke led him to resign. After residing successively in Savoy, Mantua, Florence and Urbino, he returned to his native Ferrara. There he discharged one final public mission, that of congratulating Pope Paul V on his election (1605). He died in Venice, where he had been summoned to attend a lawsuit, aged 73. He was the father of Anna Guarini, one of the famous ''virtuose'' singers of the Ferrara court, the three women of the ''concerto di donne''. She was murdered by her husband in ...
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Canzona
The canzona is an Italian musical form derived from the Franco-Flemish and Parisian chansons, and during Giovanni Gabrieli's lifetime was frequently spelled canzona, though both earlier and later the singular was spelled either canzon or canzone with the plural canzoni. The use of canzone as the plural is sometimes found in Italian, but is not common. English (and often German) uses the form canzona, with canzonas as the plural. Background The canzona is an instrumental musical form that differs from the similar forms of ricercare and fantasia in its livelier, markedly rhythmic material and separation into distinct sections. At first based on the Franco-Flemish polyphonic songs (chansons) that gave it its name, the instrumental canzona was soon independently composed, not least by Gabrieli in his brass canzonas and by Girolamo Frescobaldi in his keyboard canzonas. As a form, the canzona would influence the fugue, and the ensemble canzonas were the direct ancestors of the 17th-centu ...
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