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Francesco Nocchieri
Francesco Maria Nocchieri, born in Ancona, was a seventeenth-century Italian sculptor of minor reputation active in Rome, where he spent time in the large studio of Bernini. He worked largely as a restorer of antiquities. He was among the many Roman sculptors patronised by Christina, Queen of Sweden in her retirement in Rome; for Christina he executed an ''Apollo'' (1680) to complement a set of Roman sculptures of Muses that had been found at Hadrian's Villa, which were doubtless restored by Nocchieri; the ''Apollo'' is now at La Granja de San Ildefonso. The largest collection of Nocchieri's sculptures today are in the Gardens of Aranjuez, Madrid. A terracotta '' bozzetto'' at the Ashmolean Museum represents ''Apollo holding his lyre, attentive to the Muses''.acc. no.WA.OA291. Nicholas Penny, ''Catalogue of European Sculpture in the Ashmolean Museum: 1540 to the Present Day'', 3 vols., Oxford 1992:68Cultural Property, purchased ca. 1950/ref> Some other sculptors in Rome renowned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancona
Ancona (, also , ) is a city and a seaport in the Marche region in central Italy, with a population of around 101,997 . Ancona is the capital of the province of Ancona and of the region. The city is located northeast of Rome, on the Adriatic Sea, between the slopes of the two extremities of the promontory of Monte Conero, Monte Astagno and Monte Guasco. Ancona is one of the main ports on the Adriatic Sea, especially for passenger traffic, and is the main economic and demographic centre of the region. History Greek colony Ancona was populated as a region by Picentes since the 6th century BC who also developed a small town there. Ancona took a more urban shape by Greek settlers from Syracuse, Italy, Syracuse in about 387 BC, who gave it its name: ''Ancona'' stems from the Greek word (''Ankṓn''), meaning "elbow"; the harbour to the east of the town was originally protected only by the promontory on the north, shaped like an elbow. Greek merchants established a Tyrian pur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Albacini
Carlo Albacini (1734 — 1813) was an Italian sculptor and restorer of Ancient Roman sculpture. He was a pupil of Bartolomeo Cavaceppi, an eminent sculptor and restorer of Rome. Albacini was notable for his copies after classical originals such as the Farnese Hercules; his version of the ''Castor and Pollux'' at the Prado is now in the Hermitage Museum) or the Capitoline ''Flora'' from Hadrian's Villa, for the Grand Tourist market. Like Cavaceppi, he also restored classical sculptures, notably the Farnese marbles, which Albacini worked on in 1786-89, in preparation for their transfer to Naples under the direction of the German painter Hackert and Domenico Venuti. Some of his restorations were free, by modern standards: in the famous Farnese '' Aphrodite Kallipygos'' at Naples, the head, the exposed right breast, left arm and right leg below the knee are restorations by Albacini. Not restored in Rome before shipment to Naples, however, were the Farnese paired ''Tyrannicides'' re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Sculptors
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Sculptors
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Pacetti
Vincenzo Pacetti (1746–1820) was an Italian sculptor and restorer from Castel Bolognese, particularly active in collecting and freely restoring and completing classical sculptures such as the Barberini Faun (1799 – now in the Glyptothek, Munich)— his most famous work— the Hope Dionysus (now in the Metropolitan Museum of Art) and the Athena of Velletri (1797 – now in the Louvre) and selling them on to rich collectors as finished artefacts. He was the brother of Camillo Pacetti. Biography Vincenzo Pacetti was born in 1746. He studied at the Accademia del Nudo and then trained in the studio of the sculptor-restorer, Pietro Pacili, 1766–72, taking over Pacili's studio at the elder sculptor's death. As an independent sculptor he was accepted into the Accademia di San Luca, presenting his portrait (''illustration'') and serving as director, a testament to his reputation. Bartolomeo Cavaceppi, another leading sculptor-restorer esteemed Pacetti enough to make him executor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Piranesi
Giovanni Battista (or Giambattista) Piranesi (; also known as simply Piranesi; 4 October 1720 – 9 November 1778) was an Italian Classical archaeologist, architect, and artist, famous for his etchings of Rome and of fictitious and atmospheric "prisons" (''Carceri d'invenzione''). He was the father of Francesco Piranesi, Laura Piranesi and . Biography Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in ''Magistrato delle Acque'', the state organization responsible for engineering and restoring historical buildings. From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Fontana
Francesco Fontana (, Naples – July 1656, Naples) was an Italian lawyer and an astronomer. Biography Francesco Fontana studied law at the University of Naples and then he became a lawyer in the court at the Castel Capuano. But failing to always find truth in the Court, he began to study mathematics and astronomy. He created woodcuts lease add reference as there is no evidence that Fontana was an engravershowing the Moon and the planets as he saw them through a self-constructed telescope. Fontana traced, in 1636, the first drawing of Mars and discovered its rotation. In February 1646 he published the book ''Novae coelestium terrestriumq ererum observationes, et fortasse hactenus non-vulgatae'', where he presented all the observations of the Moon made from 1629 until 1645, the drawings of the bands seen on Jupiter's disc, the strange appearances of Saturn, as well as of the stars of the Milky Way. With a Fontana's telescope, the Jesuit Giovanni Battista Zupi observed for the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ercole Ferrata
Ercole Ferrata ( 1610 – 10 July 1686) was an Italian sculptor of the Roman Baroque. Biography A native of Pellio Inferiore, near Como, Ferrata initially apprenticed with Alessandro Algardi, and became one of his prime assistants. When his mentor died, Ferrata and another pupil, Domenico Guidi, completed Algardi's unfinished ''Vision of Saint Nicholas'' at San Nicola da Tolentino; ultimately, the innovative arrangement of two independent but interactive groups derives from the original design by Algardi. While Ferrata's initial work still owes much to Algardi, Ferrata distanced himself from the classical serenity found in the work of his mentor and Francois Duquesnoy, and moved towards the expressive emotionalism of Gian Lorenzo Bernini. He is best known for two works in Sant'Agnese in Agone in Rome, the Bernini-inspired ''The Death of St. Agnes'' (1660–64) as well as the marble relief ''Stoning of St Emerenziana'' (1660). The latter has a restraint influenced by his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Cavaceppi
Bartolomeo Cavaceppi (c. 1716 – December 9, 1799) was an Italian sculptor who worked in Rome, where he trained in the studio of the acclimatized Frenchman, Pierre-Étienne Monnot, and then in the workshop of Carlo Antonio Napolioni, a restorer of sculptures for Cardinal Alessandro Albani, who was to become a major patron of Cavaceppi, and a purveyer of antiquities and copies on his own account. The two sculptors shared a studio. Much of his work was in restoring antique Roman sculptures, making casts, copies, and fakes of antiques, fields in which he was pre-eminent and which brought him into contact with all the ''virtuosi'': he was a close friend of and informant for Johann Joachim Winckelmann. Winckelmann's influence and Cardinal Albani's own evolving taste may have contributed to Cavaceppi's increased self-consciousness of the appropriateness of restorations — a field in which earlier sculptors had improvised broadly — evinced in his introductory essay to his ''Raccolt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ippolito Buzzi
Ippolito Buzzi (or Buzio) (1562–1634) was an Italian sculptor from Viggiù, near Varese, in northernmost Lombardy, a member of a long-established dynasty of painters, sculptors and architects from the town, who passed his mature career in Rome. His personality as a sculptor is somewhat overshadowed by the two kinds of work he is known for: restorations to ancient Roman sculptures, some of them highly improvisatory by modern standards, and sculpture contributed to architectural projects and funeral monuments, where he was one among a team of craftsmen working under the general direction of an architect, like Giacomo della Porta - in projects for Pope Clement VIII, or Flaminio Ponzio - in projects for Pope Paul V - who would provide the designs from which the work was executed, always in consultation with the patron. Buzzi also turned his hand to garden sculpture of a high order, such as caryatids for the ''Teatro delle Acque'' in the Villa Aldobrandini, Frascati, works that wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orfeo Boselli
Orfeo Boselli, or ''Bosselli'', (1597–1667) was an Italian sculptor working in Rome. As with most Roman sculptors of the sixteenth through the eighteenth centuries, a great part of his commissioned work was in restoring and completing fragmentary ancient Roman sculptures. Biography He was a pupil of François Duquesnoy, whose classicising "Greek" manner was the antithesis to Gian Lorenzo Bernini's. Boselli was a member of the prestigious Accademia di San Luca in Rome, in which he served as its ''Principe'' for the year 1667 until his death on September 23. Boselli's ''Osservationi della Scoltura antica'' Theories of proportions as exhibited in sculpture and dialogues on the relative merits of painting and sculpture were common enough in Renaissance and Baroque Italy, but they remained theoretical and rarely descended to the artisanal level. The treatise by Pomponius Gauricus, ''De sculptura'' offers a passage on bronze-casting by the lost-wax method. The ''Proemio'' of Giorgio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashmolean Museum
The Ashmolean Museum of Art and Archaeology () on Beaumont Street, Oxford, England, is Britain's first public museum. Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677. It is also the world's second university museum, after the establishment of the Kunstmuseum Basel in 1661 by the University of Basel. The present building was built between 1841 and 1845. The museum reopened in 2009 after a major redevelopment, and in November 2011, new galleries focusing on Egypt and Nubia were unveiled. In May 2016, the museum also opened redisplayed galleries of 19th-century art. History Broad Street The museum opened on 24 May 1683, with naturalist Robert Plot as the first keeper. The building on Broad Street (later known as the Old Ashmolean) is sometimes attributed to Sir Christopher Wren or Thomas Wood. Elias Ashmole had acquired the collection from the gardeners, travellers, and collectors Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_02.jpg "Click for more on -> Carlo Albacini")
