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Francesco Loredan
Francesco Loredan (, ; 9 February 1685 – 19 May 1762) was a Venetian statesman and magnate who served as the 116th Doge of Venice from 18 March 1752 until his death in 1762. He was a member of the noble House of Loredan, head of its Santo Stefano branch, and the only Doge, as well as the last male, to be awarded the Golden Rose by the Papacy. Dogeship Francesco Loredan was elected doge on 18 March 1752 but the announcement was made on 6 April, postponed because of Easter. By this point, the dogal figure had lost nearly all his power and he quickly adapted to this new situation. As Giacomo Nani wrote in 1756, Loredan was able to face the burdens of becoming doge and exercising the office because his family was one of those of the "first class", that is, "very rich" families. In 1741 he declared revenues of nearly 11,000 ducats; in 1758 alone he spent almost 43,000 for dogal endeavours and when he died, his income still exceeded 118,000 ducats. This was joined by the v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortunato Pasquetti
Gerolamo Querini, Pinacoteca Querini Stampalia Fortunato Pasquetti (1690–1773) was a Venetian painter of the Rococo period. He is known for his formal portraits of royalty and Venetian Patriciate. He was born in Venice and died in Portogruaro. He trained under Niccolò Cassana. He painted a portrait of Charles VI, Holy Roman Emperor , house = Habsburg , spouse = , issue = , issue-link = #Children , issue-pipe = , father = Leopold I, Holy Roman Emperor , mother = Eleonore Magdalene of Neuburg , birth_date .... engraving after Pasquetti. References 1690 births[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Francesco Loredan By Jacopo Guarana
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mazzorbo
Mazzorbo is one of various islands in the northern part of the Lagoon of Venice. Like the other islands in this part of the lagoon, it was the site one of the earliest settlements in the lagoon which predated the development of Venice. However, these islands then declined and were eventually abandoned. In the 1980s the architect Giancarlo De Carlo built a brightly coloured residential neighbourhood to help to repopulate Mazzorbo. In 2019 its population was 256. It is linked to Burano by a wooden bridge. It was once an important trading centre but is now known for its vineyards and orchards. Its main attraction is the fourteenth century church of Santa Caterina. Geography Mazzorbo is situated next to the island of Burano, to its north, to which it is linked by a bridge, and to the west of the island of Torcello. It lies to the north of the palude di Santa Caterina marsh and to the west of the palude del Monte marsh. The canals around the island are the Canale Borgogni and Canale di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tithe
A tithe (; from Old English: ''teogoþa'' "tenth") is a one-tenth part of something, paid as a contribution to a religious organization or compulsory tax to government. Today, tithes are normally voluntary and paid in cash or cheques or more recently via online giving, whereas historically tithes were required and paid in kind, such as agricultural produce. After the separation of church and state, church tax linked to the tax system are instead used in many countries to support their national church. Donations to the church beyond what is owed in the tithe, or by those attending a congregation who are not members or adherents, are known as offerings, and often are designated for specific purposes such as a building program, debt retirement, or mission work. Many Christian denominations hold Jesus taught that tithing must be done in conjunction with a deep concern for "justice, mercy and faithfulness" (cf. Matthew 23:23). Tithing was taught at early Christian church councils, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Basso
San Basso is a Baroque style deconsecrated Roman Catholic church in central Venice, Italy; it now serves as a concert hall. According to the Venetian historian Flaminio Corner, the church was erected in the year 1079. It was rebuilt after fires in 1105 and again in 1661, the latter to a design by Baldassarre Longhena. Located nearby the St. Mark's Clocktower, it has a side façade on the Piazza San Marco. It has four Corinthian columns and two single mullioned window A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. It is also often used as a division between double doors. When dividing adjacent window units its primary purpose is a rigid supp ...s. In 1806, during the Napoleonic occupation, the church was closed and sold to a private source. In 1847 it was ceded to the Basilica di San Marco, which used it to store marbles and sculptures until, in the 1890s, it was restored as a meeting and concert hall. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santo Stefano, Venice
The Chiesa di Santo Stefano (Church of St. Stephen) is a large Roman Catholic church at the northern end of the Campo Santo Stefano in the sestiere of San Marco, Venice, Italy. History It was founded in the 13th century, rebuilt in the 14th century and altered again early in the 15th century, when the fine gothic doorway and ship's keel roof were added. The tall interior is also Gothic in style and has three apses. Santo Stefano is parish church of one of the parishes in the Vicariate of San Marco-Castello. The other churches of the parish are San Samuele, San Maurizio, San Vidal and the Oratorio di San Angelo degli Zoppi. File:Campanile of Santo Stefano (Venice).jpg, Campanile of Santo Stefano Venice, seen from the Campo Sant'Angelo. File:Santo Stefano (Venice) Campaniles.jpg, Leaning campanile, and empty bellcote File:Portal of Santo Stefano (Venice).jpg, Gothic portal attributed to Bartolomeo Bon. File:Ponte sotto San Stefano (Venice).jpg, ''Ponte sotto San Stefano'' File ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Loredan In Campo Santo Stefano
The Palazzo Loredan at Campo Santo Stefano is a palace in the San Marco district of Venice, overlooking Campo Santo Stefano. Before the acquisition by the Loredan family in 1536 and the restoration by the architect Antonio Abbondi, it was a group of adjacent buildings, in the Gothic style, belonging to the Mocenigo family. The purchased buildings were substantially restored and made into a single building for the residence of the wealthy noble family of Loredan. The palace has throughout history been home to at least seven Doges of Venice. History After the fall of the Republic of Venice, an heir of the Loredan family sold the building to a businessman around 1802–1805. In 1813 the building was purchased by the United Kingdom, and it became the seat of the Ministry of Defence with its military court and residence of the Governor. Between 1855 and 1862, the building became the seat of the provincial public buildings office. On this occasion, radical works have been carrie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Angeli
''Immaculate Conception with Saints'' (ca 1760) Giuseppe Angeli (Venice 1709- Venice, 1798) was an Italian painter of the late- Baroque, known for depicting both genre and religious subjects. Biography He trained in the studio of Giambattista Piazzetta. By 1741, he was enrolled in the guild of painters. In 1756, he began as an instructor at the Academy of Fine Arts of Venice; in 1772, he became president of the Academy. He is known for two canvases in the church of San Stae and for fresco murals at the Villa Widmann-Foscari at Mira, near Padua. His other works include an ''Immaculate Conception with Saints'' (ca. 1760) moved to sacristy of San Francesco della Vigna; two scenes of the Via Crucis for the church of Santa Maria Zobenigo; the altarpiece of ''St Pietro I Orseolo receives the monk's habit from St Romuald'' in the church of Santa Maria della Pietà; an ''Immaculate Conception with Saints'' in the basilica of Santa Maria Gloriosa dei Frari; an ''Ecstasy of St Francis'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doge's Palace
The Doge's Palace ( it, Palazzo Ducale; vec, Pałaso Dogal) is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the supreme authority of the former Republic of Venice. It was built in 1340 and extended and modified in the following centuries. It became a museum in 1923 and is one of the 11 museums run by the Fondazione Musei Civici di Venezia. History In 810, Doge Agnello Participazio moved the seat of government from the island of Malamocco to the area of the present-day Rialto, when it was decided a ''palatium duci'' (Latin for "ducal palace") should be built. However, no trace remains of that 9th-century building as the palace was partially destroyed in the 10th century by a fire. The following reconstruction works were undertaken at the behest of Doge Sebastiano Ziani (1172–1178). A great reformer, he would drastically change the entire layout of the St. M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Nazari
Bartolomeo Nazari (May 31, 1693 – August 24, 1758) was an Italian painter of the late- Baroque, mainly active in Venice as a portraitist. Biography Born in Clusone, near Bergamo. By 1716, he had become an apprentice under Angelo Trevisani, but visited in 1723 the Roman studio of Angelo's brother, the Venetian Francesco Trevisani, and then also studied with Benedetto Luti. Nazari likely knew personally Fra Galgario, the renowned portraitist from Bergamo, and is described by some as a pupil. He returns to Venice in 1724, and is registered with the ''Fraglia dei Pittori'' by 1726. In 1744, he traveled to Frankfurt to paint the emperor Charles VII and his family and other members of the court. In 1756, he was inducted into the newly founded Accademia di Belle Arti of Venice. His son Nazario Nazari was also a painter, as was his daughter Maria. Among his patrons were Consul Joseph Smith and the former general Johann Matthias von der Schulenburg (who owned over eight diverse portr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Longhi
Pietro Longhi (1702 or November 5, 1701 – May 8, 1785) was a Venetian painter of contemporary genre scenes of life. Biography Pietro Longhi was born in Venice in the parish of Saint Maria, first child of the silversmith Alessandro Falca and his wife, Antonia. He adopted the Longhi last name when he began to paint. He was initially taught by the Veronese painter Antonio Balestra, who then recommended the young painter to apprentice with the Bolognese Giuseppe Maria Crespi, who was highly regarded in his day for both religious and genre painting and was influenced by the work of Dutch painters. Longhi returned to Venice before 1732. He was married in 1732 to Caterina Maria Rizzi, by whom he had eleven children (only three of which reached the age of maturity). Among his early paintings are some altarpieces and religious themes. His first major documented work was an altarpiece for the church of San Pellegrino in 1732. In 1734, he completed frescoes in the walls and ceiling o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venetian Arsenal
The Venetian Arsenal ( it, Arsenale di Venezia) is a complex of former shipyards and armories clustered together in the city of Venice in northern Italy. Owned by the state, the Arsenal was responsible for the bulk of the Venetian republic's naval power from the late Middle Ages to the early modern period. It was "one of the earliest large-scale industrial enterprises in history". Overview Construction of the Arsenal began around 1104, during Venice's republican era. It became the largest industrial complex in Europe before the Industrial Revolution, spanning an area of about , or about fifteen percent of Venice.Giove, S., Rosato, P. & Breil, M.A multicriteria approach for the evaluation of the sustainability of re-use of historic buildings in Venice" ''Sustainability indicators and environmental valuation paper - Fondazione Eni Enrico Mattei.'' October 2008. Accessed 30 January 2010. Surrounded by a rampart, laborers and shipbuilders regularly worked within the Arsenal, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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