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Francesco Canova Da Milano
Francesco Canova da Milano (Francesco da Milano, also known as ''Il divino'', ''Francesco da Parigi'', etc.) (18 August 1497 – 2 January 1543) was an Italian lutenist and composer. He was born in Monza, near Milan, and worked for the papal court for almost all of his career. Francesco was heralded throughout Europe as the foremost lute composer of his time. More of his music is preserved than of any other lutenist of the period, and his work continued to influence composers for more than a century after his death. Life Francesco da Milano was almost certainly born in Monza, a small city some 15 km north-northeast of Milan. His father Benedetto was a musician, as was his elder brother Bernardino. According to Luca Gaurico's ''Tractatus astrologicus'' (1552), Francesco studied under Giovanni Angelo Testagrossa, but today this is considered somewhat unlikely. By 1514 Francesco was a member of the papal household in Rome. From that time for most of his career he was closely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Canova Da Milano
Francesco Canova da Milano (Francesco da Milano, also known as ''Il divino'', ''Francesco da Parigi'', etc.) (18 August 1497 – 2 January 1543) was an Italian lutenist and composer. He was born in Monza, near Milan, and worked for the papal court for almost all of his career. Francesco was heralded throughout Europe as the foremost lute composer of his time. More of his music is preserved than of any other lutenist of the period, and his work continued to influence composers for more than a century after his death. Life Francesco da Milano was almost certainly born in Monza, a small city some 15 km north-northeast of Milan. His father Benedetto was a musician, as was his elder brother Bernardino. According to Luca Gaurico's ''Tractatus astrologicus'' (1552), Francesco studied under Giovanni Angelo Testagrossa, but today this is considered somewhat unlikely. By 1514 Francesco was a member of the papal household in Rome. From that time for most of his career he was closely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Farnese (cardinal)
Alessandro Farnese (5 October 1520 – 2 March 1589), an Italian cardinal and diplomat and a great collector and patron of the arts, was the grandson of Pope Paul III (who also bore the name ''Alessandro Farnese''), and the son of Pier Luigi Farnese, Duke of Parma, who was murdered in 1547. He should not be confused with his nephew, Alessandro Farnese, Governor of the Spanish Netherlands, grandson of Emperor Charles V and great-grandson of Pope Paul III. Early life Farnese was born at the family castle at Valentano in Tuscany on 7 October 1520 (current province of Viterbo), the son of Pierluigi Farnese, who was the son of Cardinal Alessandro Farnese (Pope Paul III); and Girolama Orsini, daughter of Ludovico Orsini, seventh Conte di Pitigliano, and Giulia Conti. They were married in Rome on 6 August 1519. Young Alessandro studied at Bologna along with his cousin, Guido Ascanio Sforza di Santa Fiora. He was a member of the Collegio Ancarano, which had been founded in the 15th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composers For Lute
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or 'singer-songwriter' are more often used, particularly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigel North
Nigel North (born 5 June 1954) is an English lutenist, musicologist, and pedagogue. Student days He studied guitar on a scholarship to the junior department of the Guildhall School of Music and Drama (1964–70), taking up the lute in 1969, at the age of 15. He maintains he was more or less self-taught on the instrument. He went on to study at the Royal College of Music from 1971 to 1974: classical guitar with John Williams and Carlos Bonell, viola da gamba with Francis Baines; lute (one term) with Diana Poulton, qualifying in 1974 with an A.R.C.M. diploma in lute performance. He completed his studies on the postgraduate course in Early Music at the Guildhall School of Music and Drama 1975–1975 and with one month's study with baroque lutenist Michael Schäffer in 1976. Teaching At the age of 21, he was appointed Professor of Lute at the Guildhall School for Music and Drama, a position he held until 1996. From 1993 to 1999 he was Professor of Historical Plucked Instruments a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul O'Dette
Paul Raymond O'Dette (born February 2, 1954) is an American lutenist, conductor, and musicologist specializing in early music. Biography O'Dette, who was born in Pittsburgh, began playing the electric guitar in a rock band in Columbus, Ohio, where he grew up. Eventually, this led him into playing guitar transcriptions of lute music, and not long after that he opted for the lute (as well as the related archlute, theorbo, and Baroque guitar) as his primary instruments, and now he specializes in the performance of Renaissance and Baroque music. He has made more than 120 recordings, earning five Grammy nominations and numerous other awards. In addition to his activities as a performer, Paul O'Dette is an avid researcher, having worked extensively on the performance and sources of seventeenth-century Italian and English solo song, continuo practices and lute technique. Since 1976, he has served as Professor of Lute and Director of Early Music at the Eastman School of Music. He is t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hopkinson Smith
Hopkinson Smith (born December 7, 1946) is an American lutenist and pedagogue, longtime resident in Basel, Switzerland. Smith was born in New York City, the son of architectural writer and photographer G. E. Kidder Smith. He graduated from Harvard University with Honors in Music (Thesis on ''"The Pavans of Daniel Bacheler"''). He moved to Europe in 1973 to study lute and vihuela with the renowned Catalan classical guitarist Emilio Pujol, as well as Eugen Mueller-Dombois. In the mid-1970s, Hopkinson Smith was involved in the founding of the ensemble Hespèrion XX, which led to his ten-year collaboration with Jordi Savall. Since the mid-1980s, Hopkinson Smith has focused principally on solo music for early plucked instruments. These include the vihuela, Renaissance lute, theorbo, Renaissance and Baroque guitars and the baroque lute. His 2000 recording of the J.S. Bach sonatas and partitas for solo violin adapted for baroque lute has been called 'arguably the best you ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Salfield
Benjamin Dieter Salfield (born 11 December 1971) is an English lutenist, guitarist, composer, teacher, promoter and politician. Early life Ben Salfield was born in Barton-under-Needwood, Staffordshire, UK. His father, a German Jewish refugee, was children's psychiatrist Dr. Derek "Dieter" Salfield (1915-2006). Salfield's family settled in Cornwall, UK, when he was 9 years old, and he has lived there ever since. He began playing lute at 13 with Ian Thomson at Truro Guitar Studios. When his teacher moved away, he was mainly self-taught. His concert début was in December 1988, and shortly after he performed for the Lute Society at the Artworkers Guild, Queens Square, London. His first international recital was at the Meschede Abteikonzerte, Cologne, Germany, in 1993, and his first full international tour – in the Czech Republic – took place three years later. Lutenist Salfield has performed as a soloist, as an accompanist, and in ensemble with Horsemen of the Apocalypse. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aquarium (band)
Aquarium or Akvarium (russian: link=no, Аквариум; often stylized as Åквариум) is a Russian rock group formed in Leningrad in 1972. The band has had many line-up changes over its history, and lead singer and founder Boris Grebenshchikov is the only remaining original member. Former band members include Anatoly Gunitsky, Mikhail Feinstein, Andrei "Dyusha" Romanov, Vsevolod Gakkel, and Sergey Kuryokhin. Formation, first lineup (1972–1991) Aquarium was formed in 1972 by two friends: Boris Grebenshchikov, then a student of applied mathematics at Leningrad State University, and Anatoly (George) Gunitsky, a playwright and absurdist poet. The founding members were Grebenshchikov, George (drums), Alexander Tsatsanidi (bass), Vadim Vasilyev (keyboards), Valery Obogrelov (sound). The popular story behind the name "Aquarium" is that it was inspired by the Budapest street Leningrad pub "The Aquarium" and suggested by one of the band members. However, Grebenshchikov has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Vavilov (composer)
Vladimir Fyodorovich Vavilov (russian: Влади́мир Фёдорович Вави́лов; 5 May 1925 – 11 March 1973) was a Russian guitarist, lutenist and composer. He was a student of Pyotr Isakov (guitar) and Iogann Admoni (composition) at the Rimski-Korsakov Music College in Leningrad. Biography Vavilov was active as a performer on both lute and guitar, as a music editor for a state music publishing house, and more importantly, as a composer. He routinely ascribed his own works to other composers, usually of the Renaissance or Baroque (occasionally from later eras), usually with total disregard of the appropriate style, in the spirit of other mystificators of the previous eras. His works achieved enormous circulation, and some of them achieved true folk-music status, with several poems set to his melodies. Vavilov died aged 47, of pancreatic cancer, a few months before the appearance of "The City of Gold", which became a hit overnight. The most famous of his anon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intabulation
Intabulation, from the Italian word ''intavolatura'', refers to an arrangement of a vocal or ensemble piece for keyboard, lute, or other plucked string instrument, written in tablature. History Intabulation was a common practice in 14th–16th century keyboard and lute music. A direct effect of intabulation was one of the early advantages of keyboards, the ability to render multiple instruments' music on one instrument. The earliest intabulation is from the mid-14th century '' Robertsbridge Codex'', also one of the first sources of keyboard music still in existence. Some other early sources of intabulated music are the ''Faenza Codex'' and the Reina manuscripts (from the 14th century) and the ''Buxheim manuscript'' (from the 15th century). The ''Faenza manuscript'', the largest of these early manuscripts, written circa 1400, contains pieces written or transcribed in the 14th century, such as those by Francesco Landini and Guillaume de Machaut. More than half of its pieces are int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantasia (music)
A fantasia (; also English: ''fantasy'', ''fancy'', ''fantazy'', ''phantasy'', german: Fantasie, ''Phantasie'', french: fantaisie) is a musical composition with roots in improvisation. The fantasia, like the impromptu, seldom follows the textbook rules of any strict musical form. History The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France. From the outset, the fantasia had the sense of "the play of imaginative invention", particularly in lute or vihuela composers such as Francesco Canova da Milano and Luis de Milán. Its form and style consequently ranges from the freely improvisatory to the strictly contrapuntal, and also encompasses more or less standard sectional forms. One of the most important composer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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