Francesco Buoneri
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Francesco Buoneri
Cecco del Caravaggio (active – mid-1620s), is the notname given to a painter who worked in Rome in the early decades of the 17th century and was an important early follower of Caravaggio (1571–1610). In the past art historians have suggested he may have been a Flemish, French or Spanish Caravaggist but more recently some have identified the artist with Francesco Boneri (or Buoneri), although this is not universally accepted. In his work the artist responded in a very individual and original manner to Caravaggio's naturalism."Caravaggio, Cecco del." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 12 May 2017 Life Little is known about Cecco del Caravaggio. His active period appears to have been from 1610 to the mid 1620s. The name "Cecco" is a diminutive of "Francesco". In his guide to contemporary artists written for fellow-collectors in about 1620 entitled ''Considerazioni sulla Pittura'', Giulio Mancini mentions a ("Francesco, known as 'Cecco del Car ...
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Francesco Buoneri, Called Cecco Del Caravaggio - The Resurrection - Google Art Project
Francesco, the Italian (and original) version of the personal name "Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people * Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bibiena ...
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John The Baptist (Caravaggio)
''John the Baptist'' (sometimes called ''John in the Wilderness'') was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610). The story of John the Baptist is told in the Gospels. John was the cousin of Jesus, and his calling was to prepare the way for the coming of the Messiah. He lived in the wilderness of Judea between Jerusalem and the Dead Sea, "his raiment of camel's hair, and a leather girdle about his loins; and his meat was locusts and wild honey." He baptised Jesus in the Jordan, and was eventually killed by Herod Antipas when he called upon the king to reform his evil ways. John was frequently shown in Christian art, identifiable by his bowl, reed cross, camel's skin and lamb. The most popular scene prior to the Counter-Reformation was of John's baptism of Jesus, or else the infant Baptist together with the infant Jesus and Mary his mother, frequently supplemented by the Baptist's own mother St Elizabeth ...
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Italian Baroque Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * i ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ...
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Bartolomeo Manfredi
Bartolomeo Manfredi (baptised 25 August 1582 – 12 December 1622) was an Italian painter, a leading member of the Caravaggisti (followers of Michelangelo Merisi da Caravaggio) of the early 17th century. Life Manfredi was born in Ostiano, near Cremona. He may have been a pupil of Caravaggio in Rome: at his famous libel trial in 1603 Caravaggio mentioned that a certain Bartolomeo Cristofori, accused of distributing scurrilous poems attacking Caravaggio's detested rival Baglione, had been a servant of his. Certainly the Bartolomeo Manfredi known to art history was a close follower of Caravaggio's innovatory style, with its enhanced chiaroscuro and insistence on naturalism, with a gift for story-telling through expression and body-language. Caravaggio in his brief career — gaining fame in 1600, exiled from Rome in 1606, and dead by 1610 — had a profound effect on the younger generation of artists, particularly in Rome and Naples. And of these ''Caravaggisti'' (followers of Ca ...
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Gemäldegalerie, Berlin
The Gemäldegalerie (, ''Painting Gallery'') is an art museum in Berlin, Germany, and the museum where the main selection of paintings belonging to the Berlin State Museums (''Staatliche Museen zu Berlin'') is displayed. It was first opened in 1830, and the current building was completed in 1998. It is located in the Kulturforum museum district west of Potsdamer Platz. It holds one of the world's leading collections of European paintings from the 13th to the 18th centuries. Its collection includes masterpieces from such artists as Albrecht Dürer, Lucas Cranach, Hans Holbein, Rogier van der Weyden, Jan van Eyck, Raphael, Botticelli, Titian, Caravaggio, Peter Paul Rubens, David Teniers the Younger, Rembrandt, Johannes Vermeer, Thomas Gainsborough, Joshua Reynolds and Antonio Viviani. Collection The Gemäldegalerie prides itself on its scientific methodology in collecting and displaying art. Each room can be taken in as a single statement about one to five artists ...
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Art Institute Of Chicago
The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 million people annually. Its collection, stewarded by 11 curatorial departments, is encyclopedic, and includes iconic works such as Georges Seurat's ''A Sunday on La Grande Jatte'', Pablo Picasso's ''The Old Guitarist'', Edward Hopper's '' Nighthawks'', and Grant Wood's '' American Gothic''. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present cutting-edge curatorial and scientific research. As a research institution, the Art Institute also has a conservation and conservation science department, five conservation laboratories, and one of the largest art history and architecture libraries in the country—the Ryerson and B ...
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The Resurrection (Cecco Del Caravaggio)
The ''Resurrection'' by Cecco del Caravaggio, the Italian Baroque painter, is the only painting known for certain to be his. It was commissioned in 1619 by Piero Guicciardini, the Tuscan ambassador to Rome. Through the use of alternate strong lights and deep shadows the chiaroscuro highlights the vividness of the dramatic scene. One of Cecco's most notable works, the painting is in the permanent collection of the Art Institute of Chicago. History and description The painting depicts the moment of the resurrection as described in Gospel of Matthew 28:2: The artwork is a large-scale painting intended for private devotion. It was commissioned in 1619 by Piero Guicciardini, the Tuscan ambassador to Rome, for his private chapel in Santa Felicita, Florence. Completed in 1620, the painting was rejected by Guicciardini, and never arrived in Florence (where it was replaced by a mediocre painting by Antonio Tempesta). Later it was acquired instead by Cardinal Francesco Barberini f ...
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M (Peter Robb Book)
''M'' is a book by Australian author Peter Robb about the Italian painter Michelangelo Merisi da Caravaggio. First published in 1998 in Australia by Duffy & Snellgrove Duffy & Snellgrove is a small, independent publishing house founded in Australia in 1996 by journalist Michael Duffy and his wife Alex Snellgrove. Since November 2005, the company has stopped publishing new works, although they continue to publ ..., the book provoked controversy when it was published in Britain in 2000. It was published in the United States as ''M: The Man Who Became Caravaggio'' (New York: Henry Holt, 2000). ''M'' won the (Australian) National Biography Award and the Victorian Premier's Award. References External links
* {{cite book, first=Peter, last=Robb, authorlink=Peter Robb (author), title=M, year=1998, isbn=0-312- ...
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Peter Robb (author)
Peter Robb (born 1946 in Toorak, Melbourne) is an Australian author. Robb spent his formative years in Australia and New Zealand. As a young man he was involved in a small Trotskyist organisation named the Communist League, which was sympathetic to the Fourth International. Robb helped produced its newspaper, ''Militant'', and was also key in the departure of a section of the Communist League's leadership, through absorption by the Socialist Workers Party in 1976 (see Fusion Statement of SWP and ex-CL Group in "Direct Action", 25 November 1976). Robb left Australia 1978, and lived much of the time in Naples and southern Italy, interspersed with sojourns to Brazil. At the end of 1992 he returned to Sydney. He experiences in Southern Italy were recounted in his first book, '' Midnight in Sicily'', which was published in Australia in October 1996. In 1997 it won the non-fiction prize of the Victorian Premier's Literary Award, the Nettie Palmer Prize for Non-fiction,. His second ...
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Amor Vincit Omnia (Caravaggio)
''Amor Vincit Omnia'' ("Love Conquers All" in Latin, known in English by a variety of names including ''Amor Victorious'', ''Victorious Cupid'', ''Love Triumphant'', ''Love Victorious'', or ''Earthly Love'') is a painting by the Italian Baroque artist Caravaggio. ''Amor Vincit Omnia'' shows Amor, the Roman Cupid, wearing dark eagle wings, half-sitting on or climbing down from what appears to be a table. Scattered around are the emblems of all human endeavors – violin and lute, armor, coronet, square and compasses, pen and manuscript, bay leaves, and flower, tangled and trampled under Cupid's foot. The painting illustrates the line from Virgil's ''Eclogues'', ''Omnia Vincit Amor et nos cedamus amori'' ("Love conquers all; let us all yield to love"). A musical manuscript on the floor shows a large "V". It has therefore been suggested also that the picture is a reference to the achievements of Marchese Vincenzo Giustiniani. Giustiniani is said to have prized it above all other ...
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